The Shang Dynasty (1700-1045 BCE)
Chinese records tell of a King Tang who in 1700 BCE established the Shang dynasty. The Shang state was a linked connection of hilltop villages, each overlooking its fields in the river valleys below. It stretched across the plains of the lower Yellow River valley, but it was not a contiguous state with distinct borders; other villages separated some of the Shang villages from one another, and were frequently at war with the Shang. The royal family surrounded itself by priests, who soon developed into a kind of nobility and created new welled urban centers focused around the nobles’ palaces or temples. Many workshops in this area produced bronze vessels, finely carved jades, and luxury goods. The nobility organized itself into armies that controlled and protected the countryside.
The first classic Chinese literature, The Book of Change, or I Jing, which originated in the Shang era, is a guide to interpreting the workings of the universe. The text describes the conditions of the specific moment, which is always a moment of transition, a movement of from one set of circumstances to the next. The I Jing prescribes certain behaviors appropriate to the moment. Thus, it is a book of wisdom.
The wisdom is based on simple principle – which order derives from balance, a concept that the Chinese share with the ancient Egyptians. The Chinese believe that overtime, through a series of changes, all things work toward a condition of balance. Thus, when things are out of balance, diviners might predict the future by understanding that the universe tends to right itself. The image for T’ ai,or “Peace,” for example, is the unification of heaven and earth – “a time in nature when heaven seems to be on earth… a sign of social harmony… when the good elements of society occupy a central position and are in control, the evil elements coming under their influence and change for the better…when the spirit of heaven rules in man.”
In fact, according to the Shang rulers, “the foundation of the universe” is based on the marriage of Qian (at once heaven and the creative male principle) and Kun (the earth, or receptive female principle), symbolized by the Chinese symbol of yin-yang. Yin is soft, dark, moist, and cool; yang is hard, bright, dry, and warm. The two combine to create the endless cycles of change. They balance the five elements (wood, fire, earth, metal, and water) and the five element powers of creation (cold, heat, dryness, moisture, and wind). The yin-yang sign is a symbol of harmonious integration, the perpetual interplay and mutual relation among all things. Neither side can exist without the other.
The symmetry of the yin-yang motif appears in almost all Shang bronze works. Many of their bronze vessels used for storage and for wine had explicitly religious, political and ceremonial functions. Most are decorated with fantastic, supernatural creatures, especially dragons, which for the Shang, symbolized royal authority, strenght, and furtility. |