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Connotation is the ----- meaning of the word. |
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If a text has its own essence, it own Being, it is said to have an ----- status. |
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Denotation is the ----- meaning of a word. |
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The phenomenological process whereby the text registers upon the reader’s consciousness is called -----. |
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A close or detailed analysis of the text itself (it’s verbal qualities) to arrive at an interpretation without referring to historical, authorial, or cultural concerns is called a -----. |
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Name the three types of Reader-Oriented Criticism. |
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Phenomenology, Structuralism, Subjective Criticism |
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The erroneous assumption that the interpretation of a literary work can be equated to the author’s stated or implied intentions or private meanings is called the -----. |
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The term ----- refers to the mechanical or structural elements that comprise poetry, such as rhythm, meter, rhyme, stanza, diction, alliteration, etc. |
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Which term refers to the rules that comprise a language or the structure of the language that is mastered and shared by all its speakers. |
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The ----- is the conceptual constituent of a Sign. |
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The conceptual oppositions on which Western metaphysics is based are called -----. |
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Connotation is the ----- meaning of the word. |
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The ----- is the spoken or written constituent of a Sign. |
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The ----- is the residue of other signifiers (and all other possible meanings) on one signifier. |
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In Structuralism, a ----- is said to be made up of two parts that are like two different sides of one piece of paper. |
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This neologism as two simultaneous meanings: 1) to differ and 2) to defer. |
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Western culture’s privileging of speech over writing is known as -----. |
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An external point of reference upon which one may build a concept or philosophy. It provides ultimate meaning and serves as the “center” of meaning, allowing one to structure her/his ideas of reality around it is know as: |
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T or F: Deconstruction is not a philosophy or method, so much as a way of reading and thinking. |
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The process by which we arrive at meaning through linguistic signs or other symbolic means. |
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Western culture's proclivity for desiring an absolute truth or center. |
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Writing is related to difference. We know a word because it differs from all other words. |
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Unstable relationship between two elements contained in a binary. Each is necessary for the other to exist. |
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Process of believing for the sake of investigation. |
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Expresses the multiplicity of "voices" within a text |
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The understanding and interpretation of linguistic and non-linguistic expressions. |
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Rules governing an interpretation of a text. |
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Any given text's meaning or interpretation is related or interrelated to the meaning of all other texts. |
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A body of works usually deemed the most important of a time, place, or author. |
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The study of "being" or existence. In the literary sense, any text that has an ontological status can be analyzed as a concrete entity. |
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Epistemology/Epistemological |
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Formulates the theories, principles, and tenets of the nature and value of art. |
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Practical Criticism/Applied Criticism |
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Applies the theories and tenets of a theoretical critique to a particular work of art. The critic defines the standards. |
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The science of language and human speech |
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The analysis of a literary work's constituent parts, including all linguistic and structural features |
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Denotes the constituent parts of a poem. |
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One who recognized that the text is a concrete entity with fixed and unchanging meaning. |
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Examining elements outside the text to uncover the text's meaning (i.e. authorial biography, historical context) |
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The effects produced on an individual when contemplating a work of art. |
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erroneous assumption that the interpretation of a literary work can be equated to the author's stated or implied intentions |
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The reader's erroneous emotional response to a text is neither important nor equivalent to its interpretation. |
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Paraphrase cannot reproduce a poem, nor stand in for analysis |
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A term synonymous with conflict. |
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Mechanical or structural elements that comprise poetry. Also known as versification |
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Science of linguistics before the mid-20th century |
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Words are symbols for things in the world. |
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The entity in the external world that is represented or symbolized by a word or term. "Chair" = the object |
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process of language analysis that studies on language at one particular time |
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basic unit or building block of language |
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the smallest distinct and significant sound that comprise a language. |
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Smallest part of a word that has lexical or grammatical significance. "Dog" has 1 morpheme but "dogs" has 2. |
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the study of how words combine to make meaning |
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An individuals actual speech utterances as opposed to langue--the rules that comprise language. Linguists are not concerned with this. |
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declares that meaning in society can be systematically studied. Often interchangeable with "structuralism" |
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Two words that differ by one significant phonological sound. (fight and might only differ in their first phoneme. |
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A language used to describe or talk about language |
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part of the human psyche that receives and stores our hidden desires, ambitions, fears, etc. |
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slip of tongue, failure of memory, misplacing objects--all can be traced to unconscious desires |
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Part of psyche that craves only pleasures and desires. Ignores moral and sexual boundaries |
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Part of psyche that holds the pleasure principle in check |
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The irrational and unconscious part of the psyche |
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Rational and logical part of the psyche |
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Process whereby we suppress wishes and desires too difficult for our psyche to handle by concealing them in symbols |
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Compacting a feeling or emotion towards something into a simple sentence, phrase, or symbol |
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Nervous disorder that leads to a variety of psychological abnormalities |
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Part of the psyche that contains cumulative knowledge of the human race |
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A recurrent plot pattern, image, detail, character that evokes strong illogical responses |
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Transcendental signified and ultimate symbol of power |
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The belief that the phallus is the source of all power |
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Objects that are separate from ourselves - symbols of lack |
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Moment that arrises from unconscious that reminds us of our wholeness; fleeting feeling. |
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the text exists as an autonomous object that can be analyzed |
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An event where the reader and text interact to shape each other |
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A scientific view of how we achieve meaning |
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A story's meaning develops from its overall structure (langue) rather than from each individual story's isolated theme. |
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A modern philosophical tendency that emphasizes the perceiver. Objects exist and achieve meaning if and only if we register them on our consciousness. |
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A text's meaning must be derived from the reader's response and a critical examination of the history of the reaction of the text through time. |
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society or culture dominated by men |
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denotes difference between sex and gender |
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process of constructing a female framework to analyze female literature |
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the hatred or distrust of women |
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Literally "women's writing." Style of writing particular to women |
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personality and biological differences of men and women |
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Human beings have an unchangeable nature regardless of gender. |
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