Term
|
Definition
- The main character of the film Rear Window
- Played by James Stewart
|
|
|
Term
|
Definition
- Lead female character in Rear Window
- Played by Grace Kelly
- Is Jeff's love interest in the story
|
|
|
Term
|
Definition
- Jeff's nurse in the movie Rear Window
- Played by Thelma Ritter
|
|
|
Term
|
Definition
- the detective in Rear Window
- Played by Wendell Corey
|
|
|
Term
|
Definition
|
|
Term
|
Definition
- Main Character of the Western movie Red River
- A cattle rancher who goes slowly crazy during a cattle drive and abuses his men
- Played by John Wayne
|
|
|
Term
|
Definition
- ways of portraying space that asks a question or makes an assumption about the way our society is organized.
- Offer models, metaphors and maps to our society
|
|
|
Term
|
Definition
- Main character from the movie Fort Appache: the Bronx
- Played by Paul Newman
|
|
|
Term
|
Definition
- genre of movie all about the space of the continent and the American Nation
- they ask and answer the questions: how was our society settled and organized? Who owns the land and what is the basis of their claim? How is ownership defined? Defined in brutal way; who is willing to fight for it
- treats native animals/people like property
|
|
|
Term
|
Definition
- character in the movie Red River
- is raised as a boy by Tom Dunson and eventually clashes with him when he's grown up over the treatment of workers during a cattle drive.
|
|
|
Term
|
Definition
directed and produced Red River |
|
|
Term
|
Definition
- When the camera shows the actor looking in a direction and then the camera looks in that direction.
- Used often in Rear Window
|
|
|
Term
|
Definition
- film genre that, like westerns, uses the idea of space.
- "Final fronteir", people freeing themselves of claustophobic spaces
- post WW2 sci-fis commented on the fears of the time (Communism, nuclear war)
- during this time; expansion is replaced with invasion
|
|
|
Term
|
Definition
- main character and narrator for most of the film Invasion of the Body Snatchers
- Played by Kevin McCarthy
|
|
|
Term
|
Definition
- Female lead in the film Invasion of the Body Snatchers.
- Miles's love interest
- played by Dana Wynter
|
|
|
Term
|
Definition
- directed Invasion of the Body Snatchers
|
|
|
Term
|
Definition
- A film about the Cuban Missle Crisis
- Directed by Roger Donaldson
- Starring Kevin Costner
|
|
|
Term
|
Definition
- British officer taken captive by Gen. Jack Ripper in Dr. Strangelove
- one of the roles played by Peter Sellers
|
|
|
Term
|
Definition
- Cowardly president in Dr. Strangelove
- one of the roles played by Peter Sellers
|
|
|
Term
|
Definition
- Nazi scientist who now works for U.S.government. is in a wheelchair
- One of the roles played by Peter Sellers
|
|
|
Term
|
Definition
- General in Dr. Stranglove who opposes the communists the most in the war room
- very comical
- played by George C. Scott
|
|
|
Term
|
Definition
- main antagonist in Dr. Strangelove
- thinks floridated water is stealing his precious bodily fluids. takes over military base and sends bomber to Russia
- played by Sterling Hayden
|
|
|
Term
|
Definition
- guy in charge of bomber we see in Dr. Strangelove
- only comical character in plane
- rides bomb down to locating
- played by Slim Pickens
|
|
|
Term
|
Definition
Producer and director of Dr. Strangelove |
|
|
Term
|
Definition
- main chracter in the anti-western film McCabe and Mrs. Miller
- comes into small town and starts bringing in capitalism
- anti-hero
- played by Warren Beatty
|
|
|
Term
|
Definition
- main female character in McCabe and Mrs. Miller
- runs the whorehouse. similar to McCabe in many ways
- played by Julie Christie
|
|
|
Term
|
Definition
- the owner of the only hotel in town until McCabe moves in on his business in the film McCabe and Mrs. Miller
- played by Rene Auberjonois
|
|
|
Term
|
Definition
- Director for McCabe and Mrs. Miller
- Important guy for his time
- made MASH
|
|
|
Term
|
Definition
- main character of Chinatown
- private eye
- failed hero trope
- played by Jack Nicholson
|
|
|
Term
|
Definition
- lead female character in Chinatown
- is Jake's client/lover
- hates her father Noah Cross
- played by Faye Dunaway
|
|
|
Term
|
Definition
- main antagonist in Chinatown
- weathly/important guy involved with water works
- raped his daughter and now wants his granddaughter
- represents western that clashes with Jake's noir
- played by John Huston
|
|
|
Term
|
Definition
- Character in Chinatown
- murdered by Noah Cross who used to be his partner
- played by Darrell Zwerling
|
|
|
Term
|
Definition
- character in Chinatown
- Evelyn's daughter/sister
- played by Belinda Palmer
|
|
|
Term
|
Definition
|
|
Term
|
Definition
- One of the two main characters/reporters in All the Presidents men
- played by Dustin Hoffman
|
|
|
Term
|
Definition
- one of the two main characters/reporters in All the President's Men
- meets with deepthroat
- played by Robert Redford
|
|
|
Term
|
Definition
- the boy's editor in All the President's Men
- played by Jack Warden
|
|
|
Term
|
Definition
|
|
Term
|
Definition
Director of All the President's Men |
|
|
Term
|
Definition
- main character of Blade Runner
- ordered to hunt down escaped replicants
- played by Harrison Ford
|
|
|
Term
|
Definition
- leader of the replicants in Blade Runner
- has big fight with Rick at the end but ends up saving him.
- played by Rutger Hauer
|
|
|
Term
|
Definition
- main female character in Blade Runner
- must come to terms with finding out she's a replicant
- has feelings for Rick
- played by Sean Young
|
|
|
Term
|
Definition
- evilish leader of Tyrell corperation
- killed by Roy
- played by Joe Turkel
|
|
|
Term
|
Definition
- lead male protagonist in Blood Simple
- In love with Abbey and thinks he covers up her husband's murder for her
- played by John Getz
|
|
|
Term
|
Definition
- main female character in Blood Simple
- leaves husband and thinks her new boyfriend killed him
- played by Frances McDormand
|
|
|
Term
|
Definition
- husband who gets whacked in Blood simple
- played by Dan Hedaya
|
|
|
Term
Private Detective in Blood Simple |
|
Definition
|
|
Term
|
Definition
directed Blood Simple (who he wrote with his brother Ethan) |
|
|
Term
|
Definition
- main character in Boyz N the Hood
- played by Cuba Gooding Jr.
|
|
|
Term
|
Definition
- Tre's dad in Boyz N the Hood
- played by Laurence Fishburne
|
|
|
Term
|
Definition
- Tre's best friend. kinda of like the sherrif of the neighborhood but is outside the law
- played by Ice Cube
|
|
|
Term
|
Definition
wrote and directed Boyz N the Hood |
|
|
Term
|
Definition
- main character in Lone Star
- sheriff in the town
- lover/brother of Pilar Cruz
- played by Chris Cooper
|
|
|
Term
|
Definition
- main female character in Lone Star
- loves Sam Deeds, but is his half sister
- played by Elizabeth Pena
|
|
|
Term
|
Definition
- asshole ex-sheriff before Buddy Deeds
- killed by Hollis and covered up by Buddy and Otis
- played by Kris Kristofferson
|
|
|
Term
|
Definition
- bartender in Lone Star
- mayor of blacktown
- played by Ron Canada
|
|
|
Term
|
Definition
- used to be Charlie Wade's deputy but is not mayor of town in Lone Star
- killed Charlie Wade
- played by Clifton James
|
|
|
Term
|
Definition
- ex sherrif of the town in Lone Star
- Sam Deed's deceased father (appears in flashbacks)
- played by Matthew McConaughey
|
|
|
Term
|
Definition
wrote and directed Lone Star |
|
|
Term
|
Definition
- main character in JFK
- New Orleans DA
- played by Kevin Costner
|
|
|
Term
|
Definition
- one of the detectives in JFK
- played by Jay O Sanders
|
|
|
Term
|
Definition
- played by Gary Oldman in JFK
|
|
|
Term
|
Definition
- conspirator/business man/homosexual in JFK
- played by Tommy Lee Jones
|
|
|
Term
|
Definition
- one of the conspirators to kill Kennedy in JFK
- played by Joe Pesci
|
|
|
Term
|
Definition
- Jim's informant from washington in JFK
- played by Donal Sutherland
|
|
|
Term
|
Definition
- gay prostitute in JFK
- played by Kevin Bacon
|
|
|
Term
|
Definition
writer and director of JFK |
|
|
Term
|
Definition
- main character in Gattaca
- is an invalid but steals the identity of a valid (Jerome)
- played by Ethan Hawke
|
|
|
Term
|
Definition
- main female character in Gattaca
- love interest of vincent/jerome
- played by Uma thurman
|
|
|
Term
|
Definition
- valid who has become crippled and sells identity to vincent and eventually kills himself
- played by Jude Law
|
|
|
Term
|
Definition
writer/director of gattaca |
|
|
Term
|
Definition
literally the French word for "author"; in film criticism, used in the terms auteurism or auteur theory, denoting a critical theory ; the theory ascribed overall responsibility for the creation of a film and its personal vision, identifiable style, thematic aspects and techniques to its film-maker or director, rather than to the collaborative efforts of all involved ; the theory posited that directors should be considered the 'true' authors of film (rather than the screenwriters) because they exercise a great deal of control over all facets of film making and impart a distinctive, personal style to their films; simply stated, an auteur can refer to a director with a recognizable or signature style.
ex. Coen Brothers
|
|
|
Term
|
Definition
refers to late 40s and early 50s McCarthyism and the HUAC's (House UnAmerican Activities Committee) formal and informal discrimination and 'blacklisting' (effectively banning from employment) of various actors, artists and film-makers based upon their personal, political, social, or religious beliefs (i.e., "Communist sympathizers"); the blacklist was a roster of illegal artists who were not to be hired during the years 1947-1951. |
|
|
Term
|
Definition
a style or technique of cinematography and staging with great depth of field, preferred by realists, that uses lighting, relatively wide angle lenses and small lens apertures to simultaneously render in sharp focus both close and distant planes (including the three levels of foreground, middle-ground, and extreme background objects) in the same shot; contrast to shallow focus (in which only one plane is in sharp focus) |
|
|
Term
|
Definition
usually a long (wide-angle or full) shot at the beginning of a scene (or a sequence) that is intended to show things from a distance (often an aerial shot), and to inform the audience with an overview in order to help identify and orient the locale or time for the scene and action that follows; this kind of shot is usually followed by a more detailed shot that brings characters, objects, or other figures closer; a re-establishing shot repeats an establishing shot near the end of a sequence. |
|
|
Term
|
Definition
originally a French word meaning "kind", "sort" or "type"; refers to a class or type of film (i.e., westerns, sci-fi, etc.) that shares common, predictable or distinctive artistic and thematic elements or iconography (e.g., bad guys in Westerns wear black hats), narrative content, plot, and subject matter, mood and milieu (or setting) or characters. Film genres are distinct from film styles (a recognizable group of conventions used by filmmakers to add visual appeal, meaning, or depth to their work) that can be applied to any genre; also see hybrid; anti-genre films present an apparent genre stereotype and then subvert or challenge it - see revisionistic films |
|
|
Term
|
Definition
a French phrase literally meaning "black film" that developed in the early 40s; refers to a genre of mostly black/white films that blossomed in the post-war era in American cinema, with bleak subject matter and a somber, downbeat tone; the plot (often a quest), low-key lighting (harsh shadows and chiaroscuro) often in night scenes, camera angles (often canted or high angle shots), the setting (the gloomy underworld of crime and corruption), iconography (guns, urban settings), characters (disillusioned, jaded), and other elements (voice-overs and flashbacks) combined to present a dark atmosphere of pessimism, tension, cynicism, or oppression. Film noirs, often crime films, were usually set in grim and seedy cities, with characters including criminals, anti-heroes, private detectives, and duplicitous femme fatales; see also tech-noir |
|
|
Term
|
Definition
a French term for "staging," or "putting into the scene or shot"; in film theory, it refers to all the elements placed (by the director) before the camera and within the frame of the film -- including their visual arrangement and composition; elements include settings, decor, props, actors, costumes, makeup, lighting, performances, and character movements and positioning; lengthy, un-cut, unedited and uninterrupted sequences shot in real-time are often cited as examples of mise-en-scene; contrast to montage |
|
|