Term
|
Definition
|
|
Term
|
Definition
429-347 BC:
dance >rhythm & harmony
will teach kids to contribute to society |
|
|
Term
|
Definition
384-322BC:
catharsis >releasing repressed emotions; dance -we can find it by empathizing with characters |
|
|
Term
|
Definition
sung choric poems with movements |
|
|
Term
|
Definition
soldier based dance > power |
|
|
Term
|
Definition
wrestling based to show athleticism |
|
|
Term
|
Definition
comedic > for entertainment |
|
|
Term
|
Definition
god of sun, lightness, music & poetry
**control/order |
|
|
Term
|
Definition
goddess of wine, intoxication & ecstasy
***chaos/emotion |
|
|
Term
|
Definition
|
|
Term
|
Definition
use of adjectives & vocab to describe the dance (should be agreed by others) |
|
|
Term
|
Definition
what does it mean; why do we think that. |
|
|
Term
|
Definition
put the dance in a context to understand it: location, time, society, sexual, philosophical. to explain it |
|
|
Term
|
Definition
lighting designer: devp. a 6 part theory on giving performers plasticity >>to look 3D |
|
|
Term
|
Definition
added the back and side lighting to give a jewel like reflection |
|
|
Term
|
Definition
"painting with light"
create an atmosphere with it//feeling & substance |
|
|
Term
|
Definition
Brought italian dance masters to france >>court ballet |
|
|
Term
|
Definition
de'Medici's head dance master. created "Ballet Cornique de la Reine" in 1581 = 1st court ballet |
|
|
Term
|
Definition
1638-1717; king of France; APOLLO
founded the Royal Academy of Dance
costly ballets; created an audience for it
>>>professionalization
|
|
|
Term
|
Definition
1727-1810
The Ballet D'Action:
add mime to dance > not just technique
removed the restrictive masks & costumes (add facial expressions)
wrote: "letters on dancing & ballet" 1760 -this defined dance as a high art form |
|
|
Term
|
Definition
"Characterized by a passionate striving to discover meaning into human events"
-emotion, love of nature, mythical places & characters
**pointe shoes, longer tutus, female emphasis, an unsuccessful hero |
|
|
Term
|
Definition
1832 by Filippo Taglioni
ROMANTIC ballet
re-coreographed in 1836- Auguste Bournonville |
|
|
Term
|
Definition
1841 by Jean Coralli & Jules Perrot
|
|
|
Term
|
Definition
has an emphasis on technique. **proscenium stage, elaborate scenery & costumes, fairy tale story line, pantomime, short tutus, symmetrical staging, grand pas de deux: M solo, F solo, final copa. Has principles, soloist & corps de ballet |
|
|
Term
|
Definition
1631-1705
developed 5 positions, turnout & a system of dance notion.
1st ballet master at Academy of Dance in France |
|
|
Term
|
Definition
1632-1687: dancer/composer
Director of the Royal Academy of Music & Dance -with Louis XIV permission.
elevated the opera & ballet status in courts from entertainment to a professional art form |
|
|
Term
|
Definition
Beauchamp's student. director of Paris Opera. introduced the minuet to the nobility of France |
|
|
Term
|
Definition
English choreographer: 1st written history of dance. 1st to use pantomime |
|
|
Term
|
Definition
1st female choreographer. Prevost's student. *drama |
|
|
Term
|
Definition
|
|
Term
|
Definition
change of costumes, flesh colored women's tights, "flying machines" ...pointe. (Romantic) |
|
|
Term
|
Definition
Coppelia (1870).
St. Petersburg |
|
|
Term
|
Definition
**key in classical ballet
Sleeping Beauty & Swan lake (with Ivanov) |
|
|
Term
|
Definition
Swan Lake & the Nutcracker.
emotion w/o pantomime
|
|
|
Term
|
Definition
1880-1942
**contemporary ballet
technique & aesthetics |
|
|
Term
|
Definition
"The Prodigal Son"
The School of American Ballet
Plotless ballets |
|
|
Term
|
Definition
|
|
Term
|
Definition
elevates male's status in dance |
|
|