Fig. 19-03

Nicola Pisano

Annunciation, Nativity, and Adoration of the Shepherds

relief panel on the baptistery pulpit

Pisa, Italy

1259-1260

Italian Proto-Renaissance

gothic influence

Fig 19-02

Nicola Pisano

Pulpit of the Baptistery

Pisa, Italy

1259-1260

Italian Proto-Renaissance

relief carving

Fig. 19-05

Bonaventura Berlinghieri

panel from St. Francis Altar Piece

San Francesco, Pescia, Italy

1235

Italian Proto Renaissance

byzantinian influence

NOT A REQUIRED WORK

Fig. 19-07

Cimabue

Madonna Enthroned with angels and prophets

Santa Trinita, Florence, Italy

1280-1290

Italian Proto-Renaissance

Fig. 19-08

Giotto Di Bondone

Madonna Enthroned

Florence, Italy

Italian Proto-Renaissance

angels are more relaxed than cimabue

interesting light source, very innovative

Fig. 19-09

Giotto Di Bondone

Lamentation

Padua, Italy

1305

Italian Proto-Renaissance

similar to pieta

all eyes on jesus

each angel painted seperately

Fig. 19-14

Pietro Lorenzetti

Birth of the Virgin

Siena, Italy

1342

Italian Proto-Renaissance

Fig. 19-16

Ambrogio Lorenzetti

Peaceful City

Siena, Italy

1338-1339

Italian Proto-Renaissance

vanishing points still not employed

minimal shading provides some perspective

Fig. 19-17

Ambrogio Lorenzetti

Peaceful Country

Siena, Italy

1338-1339

Italian Proto Renaissance

one of the first pure landscapes of the proto renaissance

Fig. 20-02

Claus Sluter

Well of Moses

Dijon, France

Early Northern Renaissance

Fig. 20-08

Robert Campin

Merode Altarpiece

1425-1428

Early Northern Renaissance

triptych

depicts annuciation

very early use of oil paint

much disguised symbolism

Fig. 20-05

Jan Van Eyck

Ghent Altarpiece Closed

Ghent, Belgium

1432

Early Northern Renaissance

polyptch

a tribute to compel people to pray for those in purgatory's souls to be freed

Fig. 20-06

Jan Van Eyck

Ghent Altarpiece (open)

Ghent, Belgium

1432

Early Northern Renaissance

Fig 20-07

Jan Van Eyck

Man in a Red Turban

1433

Early Northern Renaissance

possibly a self portrait

cutting edge humanism

Fig. 20-13

Hugo Van Der Goes

Portinarit Altarpiece

1476

Early Northern Renaissance

Fig. 20-15

Limbourg Brothers

January (Unfinished)

1413-1416

Early Northern Renaissance

Fig. 20-16

Limbourg Brothers

October

1413-1416

Early Northern Renaissance

Old School picture from a book

1/2 text

1/2 woodcut

Fig. 20-21

Michel Wolmegut

Tarvisium page from the Nuremburg Chronicle

1493

Early Northern Renaissance

Fig. 20-22

Martin Schongauer

Saint Anthony Tormented by Demons

1480-1490

Engraving

Early Northern Renaissance

Fig. 21-02

Fillipo Brunelleschi

Sacrafice of Isaac

Florence, Italy

1401-1402

Early Quattrocento

loser of contest

however brunelleschi later got to design the dome for the cathedral

Fig. 21-03

Lorenzo Ghiberti

Sacrifice of Isaac

Florence, Italy

1401-1402

Early Quattrocento

winner of contest

Fig. 21-05

Donatello

St. Mark

Florence, Italy

1411-1413

Early Quattrocento

Fig. 21-08

Donatello

Feast of Herod

Siena, Italy

1423-1427

Early Quattrocento

continuous progression

earliest documented useage of single point perspective

Fig. 21-10

Lorenzo Ghiberti

Gates of Paradise (East Doors)

FLorence, Italy

1425-1452

Early Quattrocento

Fig. 21-11

Lorenzo Ghiberti

Isaac and his sons

Florence, Italy

1425-1452

Early Quattrocento

Fig. 21-12

Donatello

David

Florence, Italy

1440-1460

Early Quattrocento

Fig. 21-13

Anfrea Del Verrochio

David

Florence, Italy

1465-1470

Later Quattrocento

Fig. 21-14

Antonio Del Pollaiuolo

Hercules and Antaeus

Florence, Italy

1470-1475

Later Quattrocento

Fig. 21-15

Donatello

Gattamelata

Padua, Italy

1445-1453

Early Quattrocento

Fig. 21-16

Andrea Del Verrocchio

Bartolommeo Colleoni

Venice, Italy

1481-1496

Later Quattrocento

Fig. 21-18

Massacio

Tribute Money

Florence, Italy

1424-1427

Early Quattrocento

single point perspective

chaiscuro

has been restored

awkward isocephaly (every one same height)

Fig. 21-19

Massacio

Expulsion of Adam and Eve

Carmine, Italy

1424-1427

Early Quattrocento

adams proportions are weird

Fig. 21-20

Massacio

Holy Trinity

Florence, Italy

1424-1427

Early Quattrocento

Fig. 21-26

Uccello

Battle of San Romano

1455

Later Quattrocento

Fig. 21-28

Sandro Botticelli

Birth of the Venus

1484-1486

Later Quattrocento

Fig. 21-29

Antonio Del Pollaiuolo

Battle of the Ten Nudes

1465

Later Quattrocento

engraving

Fig. 21-30

Brunelleschi

Cutaway view of dome of Florence Cathedral

Florence, Italy

1420-1436

Early Quattrocento

Fig. 21-36

Michellozzo Di Bartolommeo

Facade De Medici

Florence, Italy

1445

Early Quattrocento

Fig. 21-37

Michelozzo Di Bartolommeo

Interior Court Palazzo De Medici

Florence, Italy

1445

Early Quattrocento

Fig. 21-42

Piero Della Francesca

Brera Altarpiece

Milan, Italy

1472-1474

Later Quattrocento

Fig. 21-43

Piero Della Francesca

Flagellation of the Christ

1455-1465

Later Quattrocento

Fig. 21-44

Leon Batista Alberti

West facade of Sant Adrea

Mantua, Italy

1472

Later Quattrocento

Fig. 21-46

Leon Batista Alberti

interior of Sant Andrea (looking NE)

Mantua, Italy

1472

Later Quattrocento

Fig. 21-47

Andrea Mantegna

Camera Picta

Mantua, Italy

1465-1474

Later Quattrocento

Fig. 21-48

Andrea Mantegna

Camera Picta Ceiling

Mantua, Italy

1465-1474

Later Quattrocento

Fig. 21-49

Andrea Mantegna

Foreshortened Christ

1480

Later Quattrocento

Fig. 22-03

Leonardo Da Vinci

Madonna and the Child with Saint Anne and the Infant St. John

1505-1507

Italian High Ren.

leonarda de fuckin vinci

italian high azz fuck ren.

8==D

Fig. 22-09

Raphael

School of Athens

Vatican

1509-1511

Italian High Ren.

Fig. 22-12

Michelangelo Buonarroti

Pieta

1498-1500

Vatican

Italian High Ren.

michelangelo buonarroti

david

italian high ren.

michelangelo buonarroti

david's dome

italian high ren.

michelangelo

italian high renaissance

Fig. 22-22

Donato D'Angelo Bramante

Tempietto

Rome, Italy

Italian High Ren

Fig. 22-23

Donato D'Angelo Bramante

Plan for New St. Peters

Italian High Ren.

Fig. 22-36

Giorgione Da Castelfranco

Pastoral Symphony

1508-1510

Italian High Ren

Fig. 22-36

Giorgione da Castelfranco

The Tempest

1510

Venice, Italy

Italian High Ren.

first pure landscape

no evident narrative

della Rovere

oversaw most of the high ren including the destruction of old st. peters