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The intersection of the secular and the religious can be seen in the Flemish painting ________by Jan van Eyck. |
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Giovanni Arnolfini and His Bride |
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Robert Campin's (Master of Flémalle) Mérode Altarpiece included accessories, furniture, and utensils in his work because they could also function as ________. |
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The Swiss artist ________ showed great skill in the study of water effects. |
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Emerging capitalism and greater urban prosperity led to a growing interest in which of the following? |
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The art of ________ developed rapidly with the invention of movable type and widespread availability of paper. |
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Hans Memling specialized in images of the ________. |
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The Well of Moses, sculpted by Claus Sluter, symbolically represented what promise? |
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________ artists were the first to employ oils extensively. |
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In Broederlam's Annunciation and Visitation, it has been suggested the rotunda, which appears in the scene, represents the ________. |
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Rogier van der Weyden's Deposition sums up his ________. |
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The first international commercial stock exchange was established in ________. |
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The calendar pictures of Les Très Riches Heures represent the ________ in terms of the associated seasonal tasks. |
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In the Last Supper from the Dirk Bouts Holy Sacrament altarpiece, the orthogonals converge above the head of Christ to form which of the following? |
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A substantial number of women were registered in the art guilds of ________. |
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During the Hundred Years' War anarchy and a weakened French monarchy allowed a group of duchies to rise and challenge the power of the king; the strongest of these was ________. |
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The ________ controlled the Flemish artists' profession. |
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When the Ghent Altarpiece is opened, it reveals an image of ________. |
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Philip the Bold's largest artistic enterprise was the ________. |
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In the Ghent Altarpiece, the Lamb symbolized the ________. |
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Jan van Eyck's ________is a completely secular portrait. |
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In 1401, the Arte di Calimala (wool merchants' guild) of Florence sponsored a competition for a set of doors for the ________. |
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Donatello incorporated Greek and Roman principles that surfaced in which of the following? |
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The ________ by Donatello marked the advent of rationalized perspective space. |
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Ghiberti was trained in painting and ________. |
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Botticelli was the pupil of ________. |
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In Donatello's equestrian statue of Gattamelata, the orb beneath the left forehoof of the horse represents the ________. |
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The two finalists for the Wool Merchants' Guild competition of 1401 were ________. |
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Ghiberti and Brunelleschi |
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The invention of movable metal type in ________ facilitated the printing and far-reaching distribution of books. |
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The classical principle of contrapposto, or weight shift, was reintroduced into Western art by the sculptor ________. |
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Which of the following artists detailed the consequences of a sinful life? |
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The Medici family acquired its vast fortune from ________. |
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The invention of "true" linear perspective is generally attributed to ________. |
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Donatello reinvented the ________ |
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The International Style was a dominant painting style around 1400 and lasted well into the fifteenth century. ________ produced what is considered the masterpiece of this style, the Adoration of the Magi. |
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The ________ reflects Brunelleschian principles to a limited extent. |
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The "rebirth" of fifteenth-century Italian art had its roots in the ________. |
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Which church of Brunelleschi shows his mature style? |
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The development of a vernacular (everyday) literature based on the ________ dialect expanded the audience for humanist writings. |
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Nanni di Banco's Four Crowned Saints represent the________. |
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sculpture starting to leave architectural settings |
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The ________ theme paralleled the message the city fathers of Florence wanted to convey to their people. |
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The leading artistic centers of 16 th century central Italy were ________. |
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Michelangelo's last project for Paul III was supervising the building of the new ________. |
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Leonardo worked as a military engineer for Cesare Borgia, the son of ________. |
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The Society of Jesus (Jesuits) was founded by ________. |
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The Venetian artist ________ was considered a supreme colorist and cultivated numerous patrons. |
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Who commissioned Bramante's Tempietto? |
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Leonardo was invited to France by ________. |
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The Venetian artist ________ played an important role in developing the evocative use of color, which became known as the Venetian style. |
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The first project Julius II commissioned from Michelangelo was the ________. |
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Leonardo created a full-scale model of an equestrian statue for the Sforza family; this was destroyed by the ________ in 1499. |
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Which European country outside Italy was most strongly influenced by Palladio? |
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Which of the following paintings builds on Masaccio's understanding and usage of chiaroscuro? |
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Which of the following High Renaissance portraits paid increasing attention to the sitter's personality and psychic state? |
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Which of the following matured during the 16 th century in Italy? |
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Baldassare Castiglione wrote the ________. |
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The Catholic Church's response to the Protestant Reformation was the ________. |
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Duke Federigo Gonzaga intended his Palazzo del Tè to be his urban summer palace and ________. |
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The sixteenth-century artistic developments in Italy have been designated as ________. |
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Who became chief architect of the Venetian Republic from 1570 to 1580? |
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Leonardo's Last Supper can be found in the ________ of Santa Maria delle Grazie, Milan |
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________ was among the most commercially advanced and prosperous countries in Europe. |
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Which of the following precipitated the Reformation? |
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dissatisfaction with Church leadership |
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The incorporation of Italian architectural ideas can be seen in the redesigning of the ________ in Paris. |
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In Bruegel's work the most dominant theme was ________. |
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The primary concerns of emotion and religious fervor were the focus of the work of ________. |
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Luther declared the pope the ________. |
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The dissolution of the ________ in 1477 led to a realignment in the European geopolitical landscape. |
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El Greco's strong sense of movement and use of light prefigured the ________ style |
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The self-portrait by ________ is the first known Northern European self-portrait by a woman. |
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________ produced the sculptures on the exterior of the Louvre. |
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Jan Gossaert became fascinated with ________. |
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________ sparked the Reformation in 1517 at Wittenberg. |
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________ became the court painter to Francis I shortly after 1530. |
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Which of the following served as a model for the Château de Chambord? |
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________ declared Protestantism illegal in 1534. |
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________ was the first artist outside Italy to become an international art celebrity |
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Doménikos Theotokópoulos, El Greco, was born in Crete and emigrated to ________ as a young man. |
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By 1577, El Greco left for Spain to spend the rest of his life in ________. |
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The construction material of the Escorial in Spain was ________. |
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________ were inexpensive and easily circulated, they were a useful and effective teaching tool. |
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