Term
|
Definition
Title: Saint Mark
Artist: Donatello
Date: 1411-1413
Medium: Marble
Dimensions: 7 ft. tall
Significance:
- comissioned by linen worker's guild
- realistic drapery
- propotions adjusted for viewing
|
|
|
Term
|
Definition
Title: Saint George
Artist: Donatello
Date: 1415-1416
Medium: Marble
Dimensions: 6'5" ft. tall
Location: Church of Orsonmichele
Significance:
- comissioned by armor makers guild
- depicts St. George, a Catholic saint known for slaying a dragon that plagued a Libyan town to rescue a princess (who was going to be sacrificed to appease the dragon) and converting said town to Christianity
- knows fear yet can marshal strength to overcome it, model for Florentine youth
|
|
|
Term
|
Definition
|
|
Term
|
Definition
Title: David
Artist: Donatello
Date: 1430-1440
Medium: Marble
Dimensions: 5'2"
Significance:
- first free standing nude since antiquity
- Had moralistic content even though it was nude.
- The statue is a soft, unheroic, and unclassical youth sculpture
|
|
|
Term
|
Definition
Title: Penitent Magdalene
Artist: Donatello
Date: 1454-55
Medium: Polychromed and gilded wood
Significance:
|
|
|
Term
|
Definition
Title: Equestrian Monument of Gattamelata
Artist: Donatello
Date: Equestrian Monument of Gattamelata
Medium: Bronze, lost wax method
Significance:
-
depicts Erasmo de Narni who served under Repub of Venice
-
Inspiration for equestrian statues to follow
-
Represents individualism and humanism
|
|
|
Term
|
Definition
Title: Pulpit in Pisa Baptistry
Artist: Nicolo Pisano
Date: 1259
Medium: Marble
Significance:
-
Used for baptisms
-
Combined classical style with Christian tradition
-
Proto renaissance
-
Nativity and Adoration, Presentation at the Temple, Crucifixtion,
|
|
|
Term
|
Definition
Title: Pulpit in Church of Sant' Andrea, in Pistoia
Artist: Giovanni Pisano
Date: 1301
Medium: Marble
Significance:
|
|
|
Term
|
Definition
Title: Sacrifice of Isaac
Artist: Fillipo Brunschelli
Date: 1401-1402
Medium: Gilded Bronze
Significance:
|
|
|
Term
|
Definition
Title: Sacrifice of Isaac
Artist: Lorenzo Ghiberti
Date: 1401-1402
Medium: Gilded Bronze
Significance:
-
Created for Arte de Calmina to see who could design the doors of the Baptistry in Florence
-
more elegant and graceful
-
classical influence
-
Abraham is smaller, more graceful
|
|
|
Term
|
Definition
Title: Medici Palace
Artist: Michellozzo
Date: 1444
Medium: Bricks and Blocks
Significance:
|
|
|
Term
|
Definition
Title: Ruccelai Palace
Artist: Leonbatista Alberti
Date: 1445-56
Medium: Bricks and Blocks
Significance:
|
|
|
Term
|
Definition
Title: Ruccelai Palace
Artist: Leonbatista Alberti
Date: 1445-56
Medium: Bricks and Blocks
Significance:
|
|
|
Term
|
Definition
Title: Malatesta Temple
Artist: Leonbatista Alberti
Date: 1450
Medium: Marble
Significance:
|
|
|
Term
|
Definition
Title: Sant' Andrea Church
Artist: Leonbatista Alberti
Date: 1450
Medium: Marble
Significance:
|
|
|
Term
|
Definition
Title: Four Crowned Martyrs
Artist: Nanni di Banco
Date: 1413
Medium: Marble
Significance:
-
another niche at Orsonmichele
-
guild: stone and wood workers
-
draw comparison between martyrs and Florentine to reinforce their resolve
-
depicts Christian sculptors martyred for refusing to build a statue of the god Aeschalepus
|
|
|
Term
|
Definition
Title: Creation of Adam and Expulsion from Paradise
Artist: Jacopo della Quercia
Date: 1425-38
Medium: Marble
Significance:
- door to church of san petrino
- influence of classical art
|
|
|
Term
|
Definition
Creation of Adam and Expulsion from Paradise
Artist: Jacopo della Quercia |
|
|