Term
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Definition
Jan Vermeer
Allegory of the Art of Painting
1670-1675
Oil on Canvas
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Term
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Definition
Peter Paul Rubens
Elevation of the Cross
1610
Oil on Wood
Triptych alter piece |
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Term
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Definition
Peter Paul Rubens
Arrival of Marie De'Medici at Marseilles
1622-1625
Oil on Canvas
Sponsered by Marie de'Medici |
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Term
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Definition
Peter Paul Rubens
Consequences of War
1638-1639
Oil on Canvas
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Term
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Definition
Anthony Van Dyck
Charles I Dismonounted
1635
Van Dyck specilized in court portraits |
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Term
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Definition
Clara Peeters
Still Life with Flowers, Goblet, Dried Fruit, and Pretzels
1611
Flemmish artist who was a pioneer in still life paintings |
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Term
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Definition
Hendrick Ter Brugghen
Calling of Saint Matthew
1621
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Term
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Definition
Frans Hals
Archers of Saint Hadrian
1633
Oil on Canvas
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Term
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Definition
Frans Hals
The Women Regents of the Old Men's Home at Haarlem
1664
Oil on Canvas
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Term
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Definition
Judith Leyster
Self-Portrait
1630
Oil on canvas
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Term
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Definition
Rembrandt Van Rijn
Anatomy Lesson of Dr. Tulp
1632
Oil on Canvas |
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Term
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Definition
Rembrant Van Rijn
The company of Captain Frans Banning cocq
1642
Oil on Canvas
Noted for dramatic use of light |
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Term
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Definition
Rembrant Can Rijn
Return of the Prodigal Son
1665
Oil on Canvas |
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Term
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Definition
Rembrant Van Rijn
Self Portrait
1659-1660
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Term
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Definition
Rembrant van Rijn
Christ with the Sick around Him Receving the Children
1649
Etching |
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Term
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Definition
Aelbert Cuyp
Distant View of Dordrecht, with a Milkmaid and Four Cows, and other Figures
late 1640's
Oil on Canvas
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Term
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Definition
Jacob Van Ruisdael
View of Haarlem from the Dunes at Overveen
1670
Oil on Canvas |
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Term
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Definition
Jan Vermeer
The Letter
1666
Oil on Canvas
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Term
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Definition
Jan Steen
Feast of Saint Nicholas
1660-1665
Oil on Canvas |
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Term
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Definition
Pieter Claesz
Vanitas Still Life
1630's
Oil on Panel
Still life shows pride that dutch had in their possesion, but watch and skull remind viewer of their own mortality |
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Term
|
Definition
Willem Kalf
Still life with a late ming Ginger Jar
1669
Oil on Canvas
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Term
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Definition
Rachel Ruysch
Flowers Still Life
after 1700
Oil on Canvas
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Term
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Definition
Nicolas Poussin
Et In Arcadia Ego
1655
Oil on Canvas
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Term
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Definition
Nicolas Poussin
Burial of Phocion
1648
Oil on Canvas |
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Term
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Definition
Claude Lorrain
Landscape with Cattle and Peasants
1629
Oil on Canvas
Use of atmospheric and linear perspective transforms rustic Roman countryside into an idealized classical landscape |
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Term
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Definition
Louis Le Nain
Family of Country People
1640
Oil on Canvas
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Term
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Definition
Jacques Calot
Hanging Tree
1629-1633
Etching
From the Misereis of War series, Calot was one of the first to to show a realistic pictorial record of military conflict |
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Term
|
Definition
Georges de la tour
Adoration of the Shepherds
1645-1650
Oil on Canvas
Only identificatoin as a religous piece is title |
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Term
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Definition
Hyacinthe Rigaud
Louis XIV
1701
Oil on Canvas
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Term
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Definition
Claude Perrault, Louis Le Vau, and Charles Le Brun
East Facade of the Louvre
1667-1670
Brilliant combination of both classical french and italian elements |
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Term
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Definition
Aerial View of the palaces and gardens of Versailles (Looking West)
begun 1669
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Term
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Definition
Jules Hardouin-Mansart and Charles Le Brun
Galerie des Glaces (Hall of Mirors)
Versailles France
1680
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Term
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Definition
Francois Girardon and Thomas Regnaudin
Apollo Attended by the Nymphs
Grotto of Thetis
Versailles
1666-1672
Marble Life sized
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Term
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Definition
Jules Hardouin-Mansart
Royal Chapel palace of Versailles
1698-1710
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Term
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Definition
Jules Hardouin-Mansart
Church of the Invalides (Eglise du Dome)
Paris
1676-1670
Similar to Baroque but without dramatic play of curved surfaces |
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Term
|
Definition
Inigo Jones
Banqueting House at Whitehall
London
1619-1622
Jones adopted classical cues from the renaissance |
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Term
|
Definition
Sir Christopher Wren
Saint Paul's Catherdral
London
1675-1710
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Term
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Definition
Henry Fuseli
The Nightmare
1781
Oil on Canvas |
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Term
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Definition
William Blake
Newton
1795 |
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Term
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Definition
William Blake
Ancient Days
1794 |
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Term
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Definition
Goya
The sleep of Reason Proudces Monsters
1798
Ething |
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Term
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Definition
Goya
Thrid of May 1808
1814 |
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Term
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Definition
Goya
Saturn Devouring one of his children
1820
Fresco mounted on to canvass |
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Term
|
Definition
Theodore Gericault
Raft of the Medusa
1818 |
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Term
|
Definition
Eugene Delcaroix
Liberty Leading the People
1830 |
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Term
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Definition
Caspar David Friedrich
Abbey in the Oak Forest
1810 |
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Term
|
Definition
JMW Turner
Rain,Steam, and Speed
1844 |
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Term
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Definition
Thomas Cole
The Oxbow
18396 |
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Term
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Definition
Frederick Church
Niagara
1857 |
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Term
|
Definition
Hyacinthe Rigaud
Louis XIV
1701 |
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Term
|
Definition
Jules Hardouin- Mansart and Charles Le Brun
Hall of Mirros
Versailles
1680 |
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Term
|
Definition
Francois Giradon and Thomas Regnaudin
Apollo Attended by the Nymphs
1666 |
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Term
|
Definition
Jules Hardouin Mansart
Royal Chapel
1700 |
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Term
|
Definition
Germain Boffrand
Salon de la Princess
1737 |
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Term
|
Definition
Antonie Watteau
Return from Cythera
1717 |
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Term
|
Definition
Peter Paul Rubens
Garden of Love
1630 |
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Term
|
Definition
Francois Boucher
Cupid a Captive
1754 |
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Term
|
Definition
Jean-Honore Fraggonard
The Swing
1766 |
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Term
|
Definition
Gerrit Von Honthorst
Supper Party
1620 |
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Term
|
Definition
Hendrik ter Brugghen
Calling of Satin Matthew
1621 |
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Term
|
Definition
Henrik Goltzius
Farnese Hercules
1596 |
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Term
|
Definition
Henrik Goltzius
Without Ceres and Bacchus Venus would Freeze
1600 |
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Term
|
Definition
Clara Peeters
Still life with flowes goblet dried fruit and prezels
1611 |
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Term
|
Definition
Jan Breguhel the Elder and Peter Paul Rubens
Allegory of Sight
1617 |
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Term
|
Definition
Peter Paul Rubens
Arrival of MArie de'Medici at Marseilles
1620
part of a 24 painting allegorical cycle |
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Term
|
Definition
Peter Paul Rubens
Consequences of War
1638
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Term
|
Definition
Georges de la Tour
Adoratoin of the Shepherds
1645
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Term
Elements of the Grand Manner |
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Definition
Theme
Thought
Structure
Style |
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Term
|
Definition
Nicolas Poussin
Landscape with Saint John on Patmos
1640 |
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Term
|
Definition
Nicolas Poussin
Et in Arcadia Ego
1655
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Term
|
Definition
Claude Lorrain
Landscape with Cattle and Peasants
1629 |
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Term
|
Definition
Jacques Callot
Hanging Tree
from Miseries of War Series
1630 |
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Term
|
Definition
Grand Tour becomes key requirment
Winckelmann's History of Ancient Art first modern art history text
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Term
|
Definition
William Hogarth
Breakfast Scene
from Marriage a la Mode
1745 |
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Term
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Definition
Robert Adam
Etruscan Room
1761
Part of the Pompian Style |
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Term
|
Definition
- Emphasis on learning from the classics in Italy
- The Prix De Rome is highest honor extended
- Yearly salons; juried exhibits of the best academic works
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Term
|
Definition
Henry Flitcroft and Henry Hoare, the park at Stourhead, England, 1743–1765 |
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Term
|
Definition
Élisabeth-Louise Vigée-Lebrun,
Marie Antoinette and Her Children,
1787.
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Term
|
Definition
Jacques-Louis David,
The Death of Marat,
1793. |
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Term
|
Definition
Jacques-Louis David,
Napoleon Crossing the
Saint-Bernard Pass,
1800–1801 |
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Term
|
Definition
Jacques-Louis David,
Coronation of Napoleon,
1805–1808. |
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Term
|
Definition
Jean-Auguste-Dominique Ingres,
Napoleon on His Imperial Throne,
1806 |
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Term
|
Definition
Horatio Greenough,
George Washington,
1840 |
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Term
|
Definition
Antonio Canova,
Cupid and Psyche,
1787–1793 |
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Term
|
Definition
Antonio Canova,
Pauline (Bonaparte) Borghese as Venus,
1808 |
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Term
|
Definition
JEAN-AUGUSTE-DOMINIQUE INGRES,
Grande Odalisque,
1814 |
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Term
|
Definition
Consciously do away with academic “rules” for art-making
• Concerned with observation of subject matter as fact
• Photography presents a new “objective” image of reality
• More interested in immediate perceptual experience than
spirituality
• Concern with recording life in one’s own era—that is, history
in the making, not as it has past |
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Term
|
Definition
Gustave Courbet,
The Stone Breakers,
1849. |
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Term
|
Definition
Gustave Courbet,
Burial at Ornans
, 1849.
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Term
|
Definition
Honoré Daumier,
Rue Transnonain
, 1834 |
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Term
|
Definition
Honoré Daumier,
Third-Class Carriage,
ca. 1862 |
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Term
|
Definition
Edgar Degas,
L’Absinthe,
1876 |
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Term
|
Definition
Édouard Manet,
Le Déjeuner sur l’Herbe (Luncheon on the Grass),
1863 |
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Term
|
Definition
Édouard Manet,
Olympia,
1863 |
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Term
|
Definition
Édouard Manet,
The Execution of Maximilian,
1868-69 |
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Term
|
Definition
Louis-Jacques-Mandé Daguerre,
Still Life in Studio,
1837 |
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Term
|
Definition
JULIA MARGARET
CAMERON,
Ophelia, Study no. 2,
1867. |
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Term
|
Definition
DANTE GABRIEL ROSSETTI,
Beata Beatrix,
ca. 1863 |
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Term
|
Definition
Eadweard Muybridge,
Horse Galloping,
1878.
Collotype print |
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Term
|
Definition
Edgar Degas
At the Races
, 1880 |
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Term
|
Definition
THOMAS EAKINS,
The Gross Clinic
, 1875. |
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Term
|
Definition
Vincent Van Gogh
Drawbridge at Arles
1888 |
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Term
|
Definition
• Adapts new theories in color and
optics to his technique
• Distinct style known as
“pointillism,” or “divisionism”
using individual dots of color
that are blended by the
perceiver
• Subject matter is similar to the
impressionists, focusing on
Parisian middle class
- Georges Seurat main artist of this style
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Term
|
Definition
Georges Seurat
Model in Profile
, 1889 |
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Term
|
Definition
Georges Seurat,
A Sunday on La Grande Jatte
, 1884–1886 |
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Term
|
Definition
• Like Seurat, takes an
analytical approach
and applies color
theory to his method
• Sought to develop a
structural basis for
painting (rather than
mere “impressions”),
with emphasis on line,
plane, and color |
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Term
|
Definition
Paul Cézanne
Portrait of the Artist
, n.d. |
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Term
|
Definition
Paul Cézanne,
Mont Sainte-Victoire,
1902–1904. |
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Term
|
Definition
Paul Cézanne,
Basket of Apples,
ca. 1895 |
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Term
|
Definition
• Interested in the emotional
effects of color
• Developed a distinct impasto
style of painting
• Troubled figure, who only
achieved fame and acceptance
after his death |
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Term
|
Definition
Vincent Van Gogh
Self-Portrait with Bandage, .
1889 |
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Term
|
Definition
Van Gogh
The Yellow House
1888 |
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Term
|
Definition
Van Gogh
Bedroom at Arles
1889 |
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Term
|
Definition
Van Gogh
Starry Night
1889 |
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Term
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Definition
• Known for distinct flat planes
of saturated color, a synthetist,
synthesizing form and feelings.
• Interested in primitivism—
discovering humans at their
most “natural,” first in Brittany
and then in Tahiti
• Prioritized creativity and
imagination over direct
observation |
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Term
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Definition
Gauguin
Self Portrait
1893-1834 |
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Term
|
Definition
Paul Gauguin,
Vision after the Sermon or Jacob Wrestling with the Angel,
1888. |
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Term
|
Definition
: Edgar Degas.
, Ballet Rehearsal,
1874 |
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Term
|
Definition
Paul Gauguin,
Where Do We Come From? What Are We? Where Are We Going?
1897 |
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Term
|
Definition
Joseph Wright of Derby,
An Experiment on a Bird in the Air-Pump,.
1768 |
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Term
|
Definition
Sir Joshua Reynolds
Lord Heathfield,
1787 |
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Term
|
Definition
Benjamin West,
Death of General Wolfe,
1771 |
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Term
|
Definition
Jean-Siméon Chardin
Saying Grace,
1740. |
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Term
|
Definition
Jacques-Louis David,
Oath of the Horatii,
1784. |
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Term
|
Definition
Jean-Antoine Houdon,
George Washington,
1788-1792 |
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Term
|
Definition
BertheMorisot,
Summer’s Day,
1879 |
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Term
|
Definition
• Interest in painting fleeting moments of modern life as they happen
• Concern with “instantaneity,”(capturing a moment) an extension
of Realist concern with “contemporaneity” (representing the
times)
• Loose painting technique creates an aesthetic of impermanence
• Particular emphasis on urban, bourgeois and domestic subjects
• Interest in nature of human sensation and perception |
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Term
|
Definition
Claude Monet,
Impression: Sunrise,
1872 |
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Term
|
Definition
Claude Monet,
Rouen Cathedral (early morning, noon, in fog),
1892-94 |
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Term
|
Definition
CLAUDE MONET,
Saint-Lazare Train Station,
1877 |
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Term
|
Definition
Édouard Manet,
Bar at the Folies-Bergère,
1882 |
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Term
|
Definition
Pierre-Auguste Renoir,
Le Moulin de la Galette,
1876. |
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Term
|
Definition
Gustave Caillebotte,
Paris: A Rainy Day,
1877 |
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Term
|
Definition
Camille Pissarro,
La Place du Théâtre Français,
1898. |
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Term
|
Definition
Mary Cassatt,
The Bath,
ca. 1892 |
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Term
|
Definition
JAMES ABBOTT MCNEILL WHISTLER,
Nocturne in Black and Gold (The Falling Rocket),
ca. 1875. |
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Term
|
Definition
Edvard Munch,
The Vampire,
1893 |
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Term
|
Definition
• Artists who interpret their role as that of “prophets” or “seers”
• Depicted highly subjective and personal subject matter, including
dream states and hallucinatory imagery
• Coincides with Freud’s development of a theory of the
unconscious mind |
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Term
|
Definition
Henri Rousseau,
Sleeping Gypsy,
1897 |
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Term
|
Definition
EDVARD MUNCH,
The Scream,
1893.
Tempura and pastels on cardboard |
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Term
|
Definition
• Avant-garde practices at the turn of the 20
th
century increasingly
emphasize the development of a distinct and personal expressive
style.
• Among the most influential are the “fauves” (wild beasts), who
emphasize the pure emotional impact of color
• In Germany art movements Die Brücke (the Bridge) and Blaue
Reiter (Blue Rider) use expressionism as a means of confronting
the often destructive conditions of modernism |
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Term
|
Definition
• Emphasis on saturated color as an the means to expression rather
than representation
• Influenced by the work of Van Gogh and Gauguin
• Most famous member: Henri Matisse |
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Term
|
Definition
HENRI MATISSE,
Le Bonheur de Vivre (The Joy of Life),
1905–1906 |
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Term
|
Definition
Henri Matisse,
Red Room (Harmony in Red),
1908–1909 |
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Term
|
Definition
André Derain,
The Dance,
1906. |
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Term
|
Definition
• Founded in 1905 by four
architecture students
• Largely self-taught as painters
• Rejected traditional arts
education, instead celebrating
youth, directness and
authenticity of vision as
creating a “bridge” to the
future
• Sought to revive traditional
German arts of woodcuts and
engraving |
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Term
|
Definition
Erich Heckel
, White Horses,
1912 |
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Term
|
Definition
Ernst Ludwig Kirchner,
Street Dresden,
1908 |
|
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Term
|
Definition
|
|
Term
|
Definition
• Aim to express inner experience through art
• Have in common a sense of “spiritual mission” rather than any
distinct style
• Brought to an end by World War I |
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Term
|
Definition
Franz Marc,
Large Blue Horses,
1911 |
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Term
|
Definition
• A “theosophist” (esoteric philosophy that seeks to discover the
spiritual within the natural)
• Develops a theory of “analytic spirituality,” publishing
Concerning the Spiritual in Art in 1911, developed out of findings
such as Chevreul’s “law of simultaneous contrast”
• Interested in synaesthesia (multi-modal sense perception) and
sees analogies between visual art and music |
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Term
|
Definition
Vassily Kandinsky,
Improvisation 28 (second version),
1912. |
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Term
|
Definition
Paul Klee
Composition,
1911 |
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|