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The first commission of ________ was the giant baldacchino above the main altar in Saint Peter's, Rome. |
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In his book Spiritual Exercises, ________ argued that the re-creation of spiritual experiences in artworks would help increase devotion and piety. |
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Who emphasized the three-dimensional effect with deeply recessed niches on the façade of San Carlo alle Quattro Fontane, Rome? |
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The ________ resisted Protestant objections to using images in religious worship and insisted on their necessity for teaching the laity. |
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________ became court portraitist to Philip IV of Spain. |
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Pope ________ began the lengthy campaign to reestablish the Church's prominence by rebuilding Rome. |
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Spanish Baroque artists demonstrated their commitment to the Counter-Reformation through their frequent scenes of ________, which were intended to encourage devotion and piety. |
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Like the Il Gesù, ________ was prominent in Counter Reformation Rome. |
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The cultural production of the seventeenth and early eighteenth centuries in the West is often described as ________. |
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The Counter-Reformation was launched in the ________. |
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As Caravaggio's style of painting became quite popular, who was one of the followers of his style? |
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The baldacchino features numerous bees that were the symbol of the ________. |
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Paul V commissioned ________ to complete Saint Peter's in Rome |
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The Surrender of Breda commemorates the ________victory over the Dutch |
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Velásquez included himself in which of his famous portraits? |
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The Treaty of Westphalia, 1648, formally recognized ________. |
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the principle of religious freedom |
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The composition of Reni's Aurora uses what as its source? |
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Caravaggio's use of dark settings to envelop the characters in the painting has been called ________. |
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Artemisia Gentileschi was instructed by ________. |
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The Scala Regia connects the papal apartments to ________. |
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The preeminent French art patron of the seventeenth century was ________. |
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The art of ________ is that of a committed Christian who desired to interpret biblical narratives in human terms. |
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________ was one of Frans Hals' pupils who went on to a successful, independent painting career. |
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Aside from his work as an artist, ________ was also an innkeeper and art dealer |
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Who is credited with ultimately being responsible for establishing classical painting as an important ingredient of seventeenth-century French art? |
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A painting of inanimate objects artfully arranged is called a ________. |
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The Thirty Years' War concluded in 1648 with the ________. |
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________ was a leading portrait painter in Haarlem and is known for his lively, relaxed portraits. |
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Which graphic media was more manageable than engraving? |
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________ was a leading practitioner of floral painting in the Dutch Republic |
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Marie de'Medici commissioned ________ to memorialize her career and that of her late husband, Henry IV of France |
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By the seventeenth century European societies began to coordinate their ________ more systematically |
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________ became court portraitist to Charles I of England |
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Aside from genre paintings and portraits, ________ scenes were extremely popular in seventeenth-century Dutch art. |
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________ combined the contributions of the Italian Renaissance and Baroque masters to formulate the first pan-European painting style. |
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________ harmonized Palladian, French, and Italian Baroque architectural styles in his design of Saint Paul's Cathedral. |
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The establishment of the________ in 1609 eventually became the center of European transfer banking |
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In the Protestant Dutch Republic art was mainly commissioned by ________ |
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The fundamental conflicts underlying the Thirty Years' War was ongoing friction between the ________ and _______ |
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The Treaty of Westphalia, 1648, marked the abandonment of the idea of a united Christian Europe and accepted the practical realities of ________. |
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secular political systems |
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Who was the leading French Neoclassical sculptor of the late eighteenth century? |
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The sentimental narrative became the specialty of ________ |
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Greenough sculpted ________ in the Neoclassical style by portraying him seminude and enthroned, liked Phidias' lost statue of Zeus |
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Who translated satire into the visual arts? |
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Chiswick House is a free variation on the work of ________. |
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Credited as the first art historian, ________ published Reflections on the Imitation of Greek Works in Painting and Sculpture and uncomprisingly designated Greek art as the most perfect art |
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Which city became the artistic center of the new, softer style called the Rococo? |
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The colonnade of the Roman temple of Jupiter at Baalbeck in Lebanon provided the inspiration for what building? |
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Thomas Jefferson emulated the work of ________ |
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The Pilgrimage to Cythera is the work of ________. |
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The painting A Philosopher Giving a Lecture at the Orrery was done by ________. |
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In its form, the Oath of the Horatii is a paragon of the ________ style. |
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Which artist became the official painter to King George III and was cofounder of the Royal Academy of Arts? |
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The archaeological discoveries at ________ and ________ whetted the appetite to visit Greece |
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When the Rococo style first appeared, it was primarily as a style of ________. |
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During the 18 th Century, ________ fueled a renewed interest in classical antiquity. |
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________ painted Cornelia Presenting Her Children as Her Treasures, which exemplifies the Enlightenment fascination with classical antiquity and classical art. |
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Who painted quiet scenes of domestic life, which offered the opportunity to praise the simple goodness of ordinary people? |
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The ________ transformed the economies of continental Europe and North America. |
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The vedute paintings of Antonio Canaletto were eagerly acquired by ________. |
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Who scandalized the public with his painting of a nude prostitute and her black maid? |
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In ________ The Stone Breakers the menial labor is neither romanticized nor idealized |
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Paxton's exhibition building, the Crystal Palace, was built of ________. |
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Artists, such as Delacroix, Daumier, and Courbet, flocked to the studio of ________ for their portraits |
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________ is a symbolic link between the Napoleonic and Roman empires. |
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Who painted romantic transcendental landscapes? |
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The passion and energy of Turner's works not only reveal the Romantic sensibility, but also the concept of the ________. |
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The exterior of ________ is a conglomeration of Islamic domes, minarets, and screens that has been called "Indian Gothic." |
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Which photographer added a dreamlike quality to the photograph appropriate for "fictional" characters? |
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After serving in various French army commands, ________ became first consul of the French Republic and proceeded to rule France for the next 15 years |
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The American artist, ________, believed that knowledge, and where relevant, scientific knowledge, was a prerequisite for his art. |
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Which painter sought to confront the viewer with the tragedy of the Medusa's horror, chaos, and emotion while at the same time invoking the grandeur of large-scale history painting? |
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In the aftermath of the Revolution of 1848, ________ investing the poor with solemn grandeur did not meet with the approval of the prosperous classes. |
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In the Daughters of Edward Darley Boit, ________ has effectuated the embodiment of the Realist belief that the artist's business is to record the modern being in the modern context. |
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The transition from Neoclassicism to ________ represented a shift in emphasis from reason to feeling, from calculation to intuition, and from objective nature to subjective emotion |
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________ was immensely popular during the later nineteenth century, enjoying the favor of state patronage throughout his career. |
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The Ancient of Days is the work of ________. |
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The collaborative efforts of ________ and ________ can be seen in Early Operation Under Ether |
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The Baroque grandeur of the layout and ornament of the Paris Opéra is characteristic of an architectural style called ________, which flourished in the late nineteenth and early twentieth centuries in France. |
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Of the Civil War photographs, the most moving are the unsparingly objective records of combat deaths, and perhaps, the most reproduced of these is A Harvest of Death, Gettysburg, July 1863 by ________. |
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The ________ style was influenced by the Arts and Crafts movement, as well as Japanese print designs, and the expressive patterns of Post-Impressionist artists. |
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The ________ was built for the great exhibition in Paris in 1889 and was originally seen as a symbol of modern Paris |
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In Villa at the Seaside, ________ used the open brushwork and the plein air lighting characteristic of Impressionism. |
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The American artist, ________, painted principally women and children with a combination of objectivity and genuine sentiment. |
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Members of the ________ movement dedicated themselves to producing functional objects with high aesthetic value for a wide public. |
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Who explored the capabilities of colors and distorted forms to express his emotions as he confronted nature? |
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________ is a building that required broad, open, well-illuminated display spaces |
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Carson, Pirie, Scott Building |
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In Impression: Sunrise by ________, the brushstrokes are clearly evident. |
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________ was a leading practitioner of the Pictorial style in photography. |
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In Caillebotte's Paris: A Rainy Day, the setting is a junction of spacious boulevards, a result of the redesign of the city begun in ________. |
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The leading French sculptor of the later nineteenth century was ________. |
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Which art form sought to express universal and timeless qualities? |
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Gustave Moreau, Odilon Redon, and Henri Rousseau were the leading ________. |
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Louis Sullivan expressed the interior's subdivision on the exterior in his ________. |
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Guaranty (Prudential) Building |
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Who declared he wanted to "make of Impressionism something solid and durable like the art of the museums?" |
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Who conceived a building as a whole and molded it almost as a sculptor might shape a figure from clay? |
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________ studied the photography of others, but also used the camera consistently to make preliminary studies for his own work. |
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________ had its roots in Impressionist precepts and methods, but it was not stylistically homogeneous. |
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In The Tub, Degas reveals his modernist exploration of the premises of painting by acknowledging which of the following? |
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________ produced both paintings and prints whose high emotional charge was a major source of inspiration for the German Expressionists in the early twentieth century. |
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