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The Artist's Studio
Louis Daguerre (1839)
Daguerreotype
image was printed directly on specially treated silver-plated copper sheet, there is no negative, and each image is unique. Lots of detail. |
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The Open Door
Henry Fox Talbot (1843)
calotype, paper negative
first photographic technique to produce negatives which can then be used to produce a number of positive prints onto specially sensitized paper. Rather soft effect. |
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Harvest of Death
Timothy O'Sullivan (1863)
albumen print, wet collodion process |
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Home of the Rebel Sharpshooter: Battle field at Gettysburg
Timothy O'Sullivan (1863)
albumen print, wet collodion process |
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Portrait of Thomas Carlyle
Julia Margaret (1867)
albumen print, wet collodion process |
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Crystal Palace
England (1851)
first World Exposition in history |
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Eiffel Tower
Gustave Eiffel (1887-89)
Paris
At almost 1000' high, the Eiffel Tower was the tallest building in the world when it was made |
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Types and Development of Man
poster made for the St. Louis World's Fair, 1904
Anthropometry, scientific racism |
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The Snake Charmer
Jean-Leon Gerome (1870)
France |
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Birth of Venus
Alexandre Cabanel (1836)
Paris |
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The Stone Breakers
Gustave Courbet (1849)
Paris
Realism |
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Olympia
Edouard Manet (1863)
Paris
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Bar at the Folies-Bergere
Edouard Manet (1881-2)
Paris |
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Impression: Sunrise
Claude Monet (1872)
Paris
en-plein air= painting outside |
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Haystacks series
Claude Monet (1890-91)
originally intended to make 2 works: one on a clear day and one on a cloudy day in order to explore effects of sunlight. Eventually made close to 30 |
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Moulin de la Galette
Pierre-Auguste Renior (1876)
Paris |
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Mother and Child
Mary Cassatt (1890)
Paris |
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The Rehearsal Onstage
Edgar Degas (1874)
Paris |
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Japaense Bridge
Monet (1905) |
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Wisteria Bridge
Hiroshige (1855) |
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Self-portrait dedicated to Paul Gaugin
Vincint Van Gogh (1888)
Post Impressionism |
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Starry Night
Vincent Van Gogh (1889)
France |
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Vision after the Sermon
Paul Gaugin (1888) |
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Manao Tupapao (Spirit of te Dead Watching)
Paul Gaugin (1892) |
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Nocturne in Black and Gold: the Falling Rocket
James Whistler (1877)
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Arrangement in Gray and Black: The Artist's Mother
Whistler (1871)
London |
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Jane Avril
Henri de Toulouse-Lautrec (1893) |
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The Scream
Edvard Munch (1893) |
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Forever Free
Edomnia Lewis (1867)
Marble
Washington DC
Done to commemorate the Emancipation Proclamation |
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Thinker
Auguste Rodin (1880)
France |
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Burgers of Calais
Auguste Rodin (1884-89)
France
Bronze |
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Sussex Chair and Textile Design
William Morris (1878)
England |
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Casa Batllo
Antonio Gaudi (1900-07)
Spain |
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Wainwright Building
Louis Sullivan (1890-91)
St. Louis, MO
Sullivan was a founding member of Chicago School of Architecture
*First skyscraper |
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Robie House
Frank Lloyd Wright (1906-1909)
Wright worked with Sullivan in Chicago; the style he pioneeerd is known as the Praire School |
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Falling Water
Frank Lloyd Wright (1936)
cantilever, a beam anchored at only one end that allows for thins like projecting balconies |
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Bauhaus Furniture and Decor
Germany |
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Mont Sainte-Victoire
Paul Cezanne (1885)
France
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The Large Bathers
Paul Cezanne (1906)
France |
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Woman in the Hat
Henri Matisee (1905)
France
Names Wild Beast due to excess color |
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Joy of Life
Henri Matisse (1905-6)
France |
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Science and Charity
Pablo Picasso (1897)
Spain
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Young Ladies of Avignon
Pablo Picasso (1907)
France |
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Portrait of David-Henry Kahnweiler
Pablo Picasso (1910)
France
Analytic Cubism |
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Glass and Bottle of Suze
Pablo Picasso (1912)
France
Synthetic Cubism |
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Guernica
Pablo Picasso (1937)
made for the Spanish Pavilion |
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Mandolin and Clarinet
Pablo Picasson (1913)
France |
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Improvisation 28
Vassily Kandinsky (1912) |
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Three Women
Ferdinand Leger (1921)
Purism |
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Armored Train in Action
Gino Severini (1915)
Italy
Futurism |
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Unique Forms of Continuity in Space
Umberto Boccioni (1913)
Italy |
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Hugo Ball Recieting the Sound Poem "Karawane"
1916 |
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Fountain
Marcel Duchamp (1917)
USA
Readymade |
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L.H.O.O.Q
Marcel Duchamp (1912)
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| 19th c. Europe and America |
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Industrial Revolution transforms science, economy, and society
Less need for agricultural work
Larger gap betwen rich and poor
Charles Darwin
Inventions of mass transportation
Photography and cinema develop |
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| idea popular sicne the late Renaissance, but no way of permanently fixing image. Problem: have to fix image on negatice and have to fix image on print |
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| generally small size (and expensive), enclosed within a frame and were usually portraits |
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| trying to create photographic images based on the same concepts of painting composition; photographs that look like paintings |
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| glass negative was coated w/ wet collodion and had to be exposed and developed before it dried. Produces a glass negative, printed in special paper and coated with albumen |
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| glass negatives pre-coated with collodion |
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| piece of paper coated with stuff and then dried, it seals the paper and makes a glossy surface. Then made sensitive to UV light. Then put in direct contact of negative |
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| the "scientific" attempt to use photography to classify races and ethnicities according to facial and body types |
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| idea that there is a decisive break between the past and the present; although you might look to the past for inspiration, you cannot look to the past to try to figure out what to do in the present because the world has changed so much |
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| works that try to express the quality of modern life (especially urbanization and industrialization) through subject matter, style, or both. Usually based on a rejection of academic themes and styles as irrelevant and outmoded. The notion of the avant-garde (advance guard) is very important, i.e., a group that world in advance of mainstream artistic and social trends and forces them to evolve |
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reform academic structure to allow more artistic freedom- more to do with modern life and looser style
Manet becomes unofficial leader
a group forms including Monet, Renoir, and Degas |
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| the craze for all things Japanese |
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Whistler
does not have to mean everything |
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| Art Nouveau vs. Arts and Crafts |
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| both trying to transform society through art, specifically through the arts of daily life, architecture and the decorative arts |
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designed by Walter Gropius
a new type of art school established in 1919 and lasting until 1933, founded on the idea of good design in keeping with the modern industrial age |
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| Characteristics of Modernist |
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Functionalosm
Elimination of historical styles
Truth material
Architecture integrated into the landscape
Combination of modular elements
Union of art and technology |
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break objects into parts in order to analyze them, then put part back together in different order
the point is to make us quite aware that we are not looking at a depiction of something in the world but a flat canvas covered with paint |
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| combining painting with objects taken from life (newspaper, labels); breaking down the barriers between art and life |
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| developed in Italy, combined the cult of technology and speed with Cubist style |
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