Term
| Run Lola Run (Lola Rennt) |
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Definition
Tom Tykwer, Germany, 1999
BEFORE AND AFTER CINEMA |
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Term
| Red vs. Blue: The Blood Gulch Chronicles |
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Definition
Youtube Video
BEFORE AND AFTER CINEMA |
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Term
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Definition
Mike Figgis, USA, 2000
BEFORE AND AFTER CINEMA |
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Term
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Definition
Farah Khan, India, 2007
LOCAL AND GLOBAL AUDIENCES |
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Term
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Definition
Douglas Sirk, USA, 1955
CLASSICAL HOLLYWOOD CINEMA |
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Term
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Definition
Matthias Müller, Germany, 1990
CLASSICAL HOLLYWOOD CINEMA |
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Term
| Rock Hudson’s Home Movies |
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Definition
Mark Rappaport, USA 1992
CLASSICAL HOLLYWOOD CINEMA |
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Term
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Definition
John Woo, USA, 2000
AUTHORSHIP AND STARDOM
John Woo Films essay: romancing the brother. strong love for best friend |
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Term
| Coming Attractions: The History of the Movie Trailer |
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Definition
Michael J. Shapiro, USA, 2005
FILM PROMOTION |
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Term
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Definition
Errol Morris, USA, 1988
DOCUMENTARY AND EXPERIMENTAL CINEMA |
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Term
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Definition
Maya Deren, USA, 1943
DOCUMENTARY AND EXPERIMENTAL CINEMA
Lauren Rabinowitz. "meshes of the afternoon and the poetic psychodrama" |
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Term
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Definition
Ira Sachs, USA, 2010
DOCUMENTARY AND EXPERIMENTAL CINEMA |
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Term
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Definition
Carl Franklin, USA, 1995
INSTITUTIONS AND EXPECTATIONS
Private knowledge, Public Space: Investigation and Navigation in Devil in a Blue Dress. by Mark Berrettini
Neonoir. Sociohistorical aspects of postwar L.A. Focuses on the outsider identities "African-Americas, non fatal femmes, gays and lesbians"
Characters: Daphne Monet. Easy Rawlins. Albright. |
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Term
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Definition
Orson Welles, USA
INSTITUTIONS AND EXPECTATIONS |
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Term
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Definition
Billy Wilder, USA, 1944
NARRATIVE AND CINEMA
Article: Gaylyn Studlar "Hard boiled film noir"
Office of War Information (OWI): boost wartime morale. hollywood was supposed to make films that would support the war effort.
Production Code Administration: Censorship. No picture shall be produced which will lower the moral standards of those who see it. Sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin. Los Angeles fighting.
Main characters: Walter Neff, Phyllis, Dietrichson, Nino Zachetti, Keyes |
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Term
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Definition
Jules Dassin, USA
NARRATIVE AND CINEMA |
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Term
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Definition
Delmer Dawes, USA
NARRATIVE AND CINEMA |
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Term
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Definition
Alfred Hitchcock, USA, 1962
FILM SOUND |
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Term
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Definition
King Hu, Taiwan, 1969
FILM SOUND |
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Term
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Definition
Jacques Tati, France, 1967
FILM SOUND |
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Term
| Breathless (A Bout de Souffle) |
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Definition
Jean-Luc Godard, France, 1960
EDITING
Richard Neupert "Godard Jumps Ahead"
Thesis: A perfect synthesis of these two models is Breathless, which owes a great deal to early film ractice and 1950s aesthetic and social forces but still manages to catapult film language in new unexpected directions.
New Wave films shot quickly, on location with recently discovered, often amateurish actors and minimal crews. Only used available light and a film stock not even meant for cinema. Gun and the girl. No happy endings. Doesn't make sense. Jump cuts. Temporal ellipsis is created within what could have been a continuous shot.
Characters: Michel and Patricia |
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Term
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Definition
Matthias Müller, Germany, 1995
EDITING |
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Term
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Definition
Sergei Eisenstein, Soviet Union, 1926
EDITING |
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Term
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Definition
Lynne Ramsay, UK, 1999
CINEMATOGRAPHY |
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Term
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Definition
Nicholas Ray, USA, 1955
CINEMATOGRAPHY |
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Term
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Definition
Gary Oldman, UK, 1997
CINEMATOGRAPHY |
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Term
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Definition
Jane Campion, Australia/New Zealand/France, 1993
MISE-EN-SCENE |
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Term
| Still Life (Sanxia haoren) |
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Definition
Jia Zhangke, China, 2006
MISE-EN-SCENE |
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Term
| The Cabinet of Dr. Caligari |
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Definition
Robert Wiene, Germany, 1919
MISE-EN-SCENE |
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Term
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Definition
Gus van Sant, USA, 2003
COMPOSITIONAL AND ORGANIZATIONAL ELEMENTS OF FILM |
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Term
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Definition
Joseph H. Lewis, USA, 1949
COMPOSITIONAL AND ORGANIZATIONAL ELEMENTS OF FILM |
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