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3 steps in the movie process |
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- Film Production
- Distribution
- Exhibition
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Takes care of finance and organization. Can be independent or employed by a distrubution company/studio |
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Coordinates the staff to create the film. With the producer he hires the crew, cast the roles, and searches for locations for filming |
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termtowhichisreferred the entireprocessofmaking a film |
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otherportionsof the scene that are shot in closerviews or fromdifferentangles |
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one who catalogues and assembles the takes produced during shooting. Can also be involved in the creative process together with the director. |
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core of economic power in the commercial film industry, Exhibitors must pay them to have their films played in their theatres |
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screening to a public that pays admission
- commercial movie houses
- city arts centers
- museums
- film festivals
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all other presentations such as...
- home video
- cable transmissions
- screenings in school
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A chain of events in cause and effect relation occuring in time and space |
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set of all the events in narrative, both the ones explicitly presented and those the viewer infers. The story starts from the very earliest incident that the plot cues us to assume or infer |
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explicitly presents certain story events. The plot starts from the incident we encounter watching the film |
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main agent of cause-effects relations in a film with their physical appearance, their traits, their psychological drives etc |
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other agents such as human desires, goals as well as animals, or catastrophes |
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- All the events of the narration are presented in a time sequence
- Events can be narrated in a chronological or in a non chronological order
- Order, duration and frequency can be used in different ways in a movie, illustrate how viewer participates in making sense of the narrative film
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Is the process by which the plot presents
story information to the spectator. Viewer can know more, less, or the same as the character
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When the viewer only knows the external behavior of the characters |
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When the viewer can hear a characters internal thougths, or see characters inner images, memories, fantasies |
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the coordination of one shot with the next. |
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