Term
|
Definition
|
|
Term
|
Definition
production distibution exhibition |
|
|
Term
|
Definition
independant not a major company
small scale 90000<
large scale90000> |
|
|
Term
mnegative cost vs marketing cost |
|
Definition
-above the line-costs include the literary property scriptwriter director and major cast
-below the lone costs include the crew secondary cast equipment film stock props insurance special effect
-the sum total of above the line and below the line costs us the negative cost usually marketing is half as much as the production. negative cost is above and below the line cost |
|
|
Term
|
Definition
not every film is release in the same way. exclusive release 1 theatre or 2. then limited then wide(2000-4000)then saturated. |
|
|
Term
artisitic implicaations of distribution and exhibition |
|
Definition
director changes how he films based on how film will be released |
|
|
Term
|
Definition
everything working togeather. a value chain accross media platforms owned by the same movie comglomerate . |
|
|
Term
|
Definition
puttong into scene lighting source colour costume makeup setting staging |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
our eyes move from left to right. right side is stronger |
|
|
Term
|
Definition
orientation to the camera. people face the front so we csn see there fsce |
|
|
Term
6 depth cue parts and def |
|
Definition
overlapping planes color diferences movement aerial perspective size diminution linear perspective
the elements of an imge that give off a 3d space. |
|
|
Term
|
Definition
|
|
Term
|
Definition
highcontrast dramatic low key very different light and dark parts in a frame |
|
|
Term
|
Definition
lightning. ex putting more light. change the apriture the size of the lens. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
the length of the lens from the center of the lens to where the light is converged. 35 standard |
|
|
Term
|
Definition
|
|
Term
|
Definition
longest range magnifys things typically 100mm |
|
|
Term
|
Definition
widest shot lots in the shot people in the front look bigger |
|
|
Term
normal lens milimeter for focal length |
|
Definition
|
|
Term
|
Definition
range of focus
everything is in focus
shallow depthe- foreground and backrou |
|
|
Term
deep focus cinematography
|
|
Definition
citizen kanes. every plane is visible. lenses shorter focal length plus sensitive film |
|
|
Term
|
Definition
2.35 1 is wider than 1 to 1 |
|
|
Term
|
Definition
brady bunch multiple images at the same time |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
camera moving subject still |
|
|
Term
|
Definition
camera moves and follows subject |
|
|
Term
|
Definition
a shot that take a long time |
|
|
Term
hero we discussed beacuse |
|
Definition
|
|
Term
|
Definition
taking reaarnging cutting shots |
|
|
Term
|
Definition
time between shots is discontinuos or amiguougs |
|
|
Term
|
Definition
An old technique of punctuation that utilises a diaphragm in front of the lens, which is opened (iris in) or closed (iris out) to begin or end a scene. The iris can also be used to focus attention on a detail of the scene. |
|
|
Term
four areas of editing control |
|
Definition
graphic
rhythmic-acceleration of shots
spatial infering space by shots
temporal-infering time by shots |
|
|
Term
|
Definition
|
|
Term
|
Definition
reasons for changing shots |
|
|
Term
|
Definition
a symbolic shot whose content is not part of the story world |
|
|
Term
|
Definition
weird interuptions match on action |
|
|
Term
|
Definition
rapid cuting extreme lens lenght close framingi n dialogue free moving camera |
|
|
Term
why is sound analyses elsuive |
|
Definition
|
|
Term
|
Definition
first recorded 1950s included in lots of movies |
|
|
Term
nondiegetic sound typically has no relevant temporal rekation to the story true or fals |
|
Definition
|
|
Term
4 parts of the film dicispline |
|
Definition
theory criticism history production |
|
|
Term
|
Definition
- hypothesizing about the essential nature of cinema |
|
|
Term
the film discipline criticism |
|
Definition
analyzing or evaluating individual films or groups of films can be sophisticated and systematic- or as simple as thumbs up thu,bs down |
|
|
Term
|
Definition
· - the study of film with respect to its deleopment and over time may focus upon aesthetic technical economic and or social aspects
|
|
|
Term
1889 significant film event |
|
Definition
|
|
Term
1893 significant film event |
|
Definition
edison starts first film company. and shows kinetescope to worlds colombian exhibition and first public showing. created 35 mil film |
|
|
Term
|
Definition
|
|
Term
1895 significant film occurence |
|
Definition
first projectiom in film from luminere brothers |
|
|
Term
|
Definition
|
|
Term
|
Definition
our brain sees images as single pictures |
|
|
Term
|
Definition
around 50 frames per second the rate at which eyes see continuous motion |
|
|
Term
|
Definition
our eyes see motion from changes that our eyes see |
|
|
Term
|
Definition
|
|
Term
|
Definition
path from source to subject in lighting |
|
|
Term
|
Definition
were the light comes from key fill and back |
|
|
Term
|
Definition
light filling in scene usually by camera |
|
|
Term
|
Definition
when a plane is infront of another |
|
|
Term
color differences in film |
|
Definition
pale colors fade in and bright colors stick out |
|
|
Term
|
Definition
things far away look hazer than close objects |
|
|
Term
|
Definition
object far away look smaller |
|
|
Term
|
Definition
paralel lines converge at a distance |
|
|
Term
movie used to describe cinematography |
|
Definition
|
|
Term
|
Definition
lens that provides different focal length |
|
|
Term
|
Definition
|
|
Term
|
Definition
sound is faithful to the source we conceive it |
|
|
Term
|
Definition
music speech soud effects |
|
|
Term
|
Definition
sound comes from different places ex dogetic |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|