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Film Industry context, Broad socio-historic context |
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success leads to downfall |
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the myth of romantic love |
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someone out there for everyone |
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the myth of regeneration through violence |
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violence will solve problems |
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hard work will lead to success |
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Americans destined to expand out west |
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live for yourself rather than for community |
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living and deferring to the community rather than the self |
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economic, social, technological, psychological |
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3 economic phases of film industry |
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production, distribution, and exhibition |
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4 19th century technological developments |
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Still photography (1831); Motion picture camera (maybridge marey); Tough flexible film stock (goodwin, eastman); Motion picture projecto |
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individual viewing machine, arcade like urban venues; 30 secs in length, 1894-95 |
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1905(pittsburgh)-1913 Harry K. Davis |
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Average # of shots in DWG shots over the years |
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1908-16.6 1909-24.8 1910-44.4 1911-71.4 1912-82 1913-87.8 |
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Central fuctio of Myth @ levi strauss |
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recurring story patterns and recurring representations which present and often resolve basic cultural dilemmas, conflicts, and tensions which otherwise seem unresolvable |
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El dorado, City on a hill |
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Geographic factors in forming american culture |
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two ocean moat, rich and varied natural resources, spacious frontier area |
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Ideological factors in forming american culture |
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Protestant of vocations stress in value/importance of community/social cohesion stress on value of individual freedom or liberty |
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rely on combination of familiar and the unknown, conventionality and novelt, similarity and difference |
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familiar characters acting out a fairly predictable story pattern within a familiar setting |
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Oldest continuous film genre |
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western (the great train robbery, 1903) |
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Natty Bumpo sympathetic to civilization as it encroaches on the wilderness but still able to excel in skills needed for survival |
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oklahoma land rush of 1890 |
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20-1300 30&40-1000 50-800 60-200 70&80-only a few 90&00-mini-renaissance |
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Frontier most important factor in shaping american____ |
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history and nat'l character |
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Key american values shaped by frontier |
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freedom self-reliance practicality ingenuity Acceptance of the new social mobility physical mobility |
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Powdermaker, hollywood as____ |
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a dream factory, art and a business |
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Motion picture parent corporation |
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MPPC declared in violation of Sherman Antitrust Act |
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Paramount, MGM, Warner Bros., Fox, RKO |
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Columbia, United Artists, Universal |
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MGM and Paramount: stars and comedies Warner Bros.: working men's studios, realism and action 20th cent. fox: crime films, mysteries RKO: no consistency Columbia: Screwball Universal Pictures: horror, melodrama, sex comedy |
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Turbulence: 30-34 Order: 34-40 |
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Sexual propriety, social decorum, institutions of law and order |
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Most prevalent types of film in TGAOT |
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Fallen women, gangster, anarchic/satirical comedy, social problem |
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For individuals humor is a form____ |
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liberation, release from stress |
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To study american film comedy |
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look at the dream work of american culture's collective unconcious |
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upset the order and stability of society |
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american film comedy gives |
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order to societal/cultural forms of chaos |
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@ catholic priest of 1933 |
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M: moral menace O: obscenity V: Vulgarity I: Immoral E: Exposure S: sex |
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First un-extracinematic star |
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Piety, Purity, Domesticity, Submissiveness |
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shirley temple, Mickey rooney, Judy Garland |
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MPB Six thematic categories |
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why the us is fighting The nature of our enemy The nature of our allies The production front The home front The nature of US and Allies fighting forces |
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Contrasing values american parents encourage |
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achieve but be compassionate Migratory but sedantary Agressive/competative but cooperative Individualistic but be a conforming and good team player Ambitious but be caring |
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