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Pollock, Number 1, 1950 (Lavender Mist), 1950, oil enamel and aluminum on canvas -more emphasis on the technique on HOW to make the painting -saw it as complex, not chaos |
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*Franz Kline (1910-62), Mahoning, 1956, oil and paper collage on canvas, 80 × 100”, Whitney Museum of American Art |
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Rothko, Untitled (Blue, Yellow, Green on Red), 1954 -hard edge –not interested in edges –interested in form and structure -really loose and expressive -Rothko wanted us to meditate -didn’t want his works adjacent to other works –because threw off the balance |
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Definition
*Franz Kline (1910-62), Mahoning, 1956, oil and paper collage on canvas, 80 × 100”, Whitney Museum of American Art |
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