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| public declaration of intentions |
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| several different cultures (rather than one national culture) can coexist peacefully and equitably in a single country |
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| an object from popular or material culture presented without further manipulation as an artwork by the artist. |
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| an approach to the understanding, appreciation, and valuation of art based almost soley on considerations of form. This approach tends to reguard an artwork as independant of its time and place of making. |
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a montage that uses photographic images
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| term used to describe an artists practice of borrowing from another source for a new work of art |
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| abstract art that does not attempt to reproduce the appearance of objects, figures, or scenes, in the natural world. |
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| the opinion that life was better or more moral during the early stages of mankind |
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| a painting medium using pigment suspended in hot wax |
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| an artwork based on a live, sometimes theatrical performance by the artist. |
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| a sculpture commissioned and designed for a particular spot |
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| an unfortunate happening that hinders or impedes; something that is thwarting or frustrating |
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| a term coined in the 1960s and 1970s to refer to works created for a specific site and arranged (usually temporarily) to create a total environment. |
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| an artwork created by gathering and manipulating two- and/or three-dimentional found objects. |
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| seeks to expose deep-seated contradictions in a work by delving below its surface meaning |
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| movement aimed at establishing equal rights and legal protection for women. |
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