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The Good Shepherd
Early Christian Period
The story of Jonah and orants painted ceiling of a cubiculumin the catacombs of Saint Peter and Marcellinus. |
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Sarcophagus of Junius Bassus
Early Christian Period |
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Old Saint Peters
Early Christian Period
Rome, Italy
1. Nave 2. Aisle 3. apse
4. transept 5. narthex 6. atrium |
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Santa Constanza
Early Christian Period
Rome, Italy
12 pairs of columns and an ambulatory |
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Christ as the Good Shepherd
Early Christian Period
Entrance Wall of Mausoleum of Galla Placadia
Ravenna, Italy |
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Miracle of the Loaves and Fishes
Early Christian Period
San't Apollinare Nuovo
Ravenna Italy |
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Hagia Sophia
Early Byzantine Period
Constantinople, Turkey
Dome with pendentives and squinches
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Justinian, Bishop Maximianus, and attendants
Early Byzantine Period San Vitale, - Ravenna, Italy
God given right to rule
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Christ as the Patokrator
Middle Byzantine Period
Church of Dormition - Daphni, Greece |
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Crucifixion Middle Byzantine Period
Church of Dormition - Daphni, Greece
Classicism - simplicity, dignity and grace
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Vladimir Virgin (Icon) Middle Byzantine Period
Byzantine traits: Virgin's long straight nose; golden rays in Jesus' draery; decorative contour; flat silhouette against golden background. |
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Purse Cover, Sutton Hoo Warrior Lord, Early Mideival Period
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Animal Head Post Warior Lord, Early Mideival Period Sutton Hoo Ship |
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Lidisfarne Gospels Hiberno-Saxon Period Saint Matthews |
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Lidisfarne Gospels
Hiberno-Saxon Period full page devotion of carpet page |
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Chi-Rho-Iota Page Hiberno-Saxon Peroiod Book of Kells |
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Emetrius, Beautus Commentary on the Apocalypse Mozarabic Period Exterior and interior view of the buildings |
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Saint Matthews, Coronation Gospels Carolingian Period Color, and modulation of light and shade Roman Influence |
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Saint Matthew, Ebbo Gospels Carolingian Period
Classical illusionism and northern linear tradition |
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Crucifixion, Lindau Gospels Carolingian Period
Repoussé (hammered on press relief)
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Palatine Chapel Carolingian Period
Influenced by San Vitale
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Plan For Monestary at Saint Gall
Carolingian period Saint Bendict , "work ethics" Crossing square |
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Saint Michael's, Hildesheim Ottonian Period
double transept plan, crossing square - piers, and columns gives visual emphasis to the three units |
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Gero Crucifixion Ottonian Period
Like Lindau Gospels cover, but more Byzantine (bearded Jesus), and intense agony
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Otto III
Ottonian Period Resembles Justinian - empereor enthroned, clergy and church to the sides. |
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Saint Sernin Romanesque Period Toulouse, France Stone vaulting, pligrimage church, longer nave, doubled the size of side aisles, added a transept, ambulatory and radiating chapels, extremely geometric, crossing square flanked by massive piers and marked with heavy arches, galleries, groin vaults, barrel vaults, NO TOWERS! |
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Saint Étienne
Romanesque Period
Caen, France
Carloingian and Ottonian Westwork, 4 large buttresses, massive!!!!, groin ribbed vaulting for lighter cielings (safer!), allowed higher and bigger churches, gallery and clerestory |
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Durham Cathedral Romanesque Period
England
double ribbed vaulting with slightly pointed arches (start of gothic) ,ornaments cut into stone pillars, seven part vaults |
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Pisa Cathedral
Romanesque Period
Italy
built after victory over muslims, free standing bell tower, seperate from cathedral, marble facade, gothic remodeled exterior |
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San Miniato
Romanesque Period
green and white marble, playful colors, flat wooden roof without vaulting |
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Christ In Majesty
Romanesque Period
Gelduinus
In Saint Sernin, relief, with Christ seatedin a mandorla raising his right hand and left hand holding a book that says peace be with you, composition from a Carloingian or Ottonian book cover |
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Saint Pierre Moissac
Romanesque Period
South Portal
tympanum-depicts second coming of Christ as King and Judge, four evangelists, attendant angel holding scrolls to record human deeds for judgement, richly decorated tremau-entwined creatures of lions that act as guardians, elabotated door jambs. |
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Last Judgement
Romanesque Period
Gislebertus
Tympanum: 4 Angels, dramatic version of the last judgement, Left: heaven, Below: people lining up waiting to be judged; Right: thoe who are condemned in hell
At Saint Lazare, France |
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Pentecost and Mission of the Apostles
Romanesque Period
At La Madeleine, Jesus ascending into heaven giving his missio to his apostles to continue work and teachings of God throughout the world. Very electric! Zapping rays to equally animated apostles; Litel: ethopians because of the pig snouts, why the mission of the apostles? pilgrimage = taking the mission of Christ to far away lands; Christ is elongated, imperial, not walking on earth. |
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Reliquary of Saint Alexander
Romanesque Period
Belgium
almost life sized head, repoussé in siliver with bronze lining for hair, collar of jewels and enamel plaques
Return of Naturalism
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Vision of Hildegard of Bingen
Romanesque Period
Hildegard of Bingen saw visions became nun a 15 |
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Initial R, Moralia in Job
Romanesque Period
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Ambulatory, Saint Denis
Gothic Period
France
Start of Gothic Period, exceptionally lightweight, pointed arches and ribbed vaulting elminiated walls between chapels and opened up outer walls and fill them with stained glass windows, double tower westwork, rose window |
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Chartes Cathedral
Gothic Period
Royal Portal
Tympana form left to right: christ's ascension, second coming, and jesus in the lap of virgin mary; jabs: statues of old testaments kings and queens, classical statues replaced columns but gothic figures are attached to the columns; era of personality and individuality
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Laon Cathedral
Gothic Period
France Ribbed vaulting on pointed arches, Romanesquw alternate support system of compound and simple piers in the nave arcade, reduce sheer mass and replace with intricate framed voids; emphasizes verticality
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Amiens Cathdral
Gothic Period
more deeply penetrated and more intricate compared to Laons Cathedral, inspire by Chartes Cathedral, vertical emphasis 144ft high.
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Visitation, Reims Cathedral
Gothic Period
different artistic styles; togas contraposso pose, used as a gothic S curve, elegant, clasical cool faces; Anunciation: Mary -looks more realistic, must have been an actual woman and Angel - long elangant the Court Style
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Saint Chapelle
Gothic Period
Rayonnant style; High Gothic style: no walls, but glass windows; extreme slenderness |
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Abraham and the Three Angels
Gothic Period
reflects Roynannt style of Gothic architecture; blues emulated stained glass windows; old testament story to preconfigure Christian Trinity; linear wavy strands, elegant proporions |
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Salisbury Cathedral
Gothic Period
English Gothic Style, horizontally; facade has lancet windows and blind arcades with pointed arches and statuary; dominating crossing tower; three story elevation, pointed arches, four part rib vaults, compound piers, tracery of the triforium
rich contrast in light stoned walls and dark marble for triforium modings
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Chapel of Henry VII
Gothic Period
Fan vaulting with large hanging pendants
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Cologne Cathedral
Gothic Period Germany longest to build, Looks delicate and fragile |
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Saint FrancisItalian
Bonaventura Berlinghieri
Egg tempera on wood panel; altar piece, bmeant to create gap between viewer and him; has jesus's stigmata (wounds of christ); rope with three knots to represent poverty, chastity and obedience
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Pisa Pulpit Italian
Nicola Pisano
trefoil arches, lion supporting columns; gothic: highly ornate Corinthian capitals; roman: relef panels much like the sarcophagus
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Pistoia Pulpit
Italian
14th Century Italian
loose and dynamics figures, stolid presentation of the narrative, drama, nervous agitation |
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Madonna Enthroned 14th Century Italian Cimabue
Symmetrical proportions, gold background, 3dimensional space, looking into a window, angels piled. gold lining in drapery |
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Madonna Enthroned 14th Century Italian
Giotto Di Bondone
gold background, much more realistic throne, and 3d, sitting inside the throne, light and shade, jesus looks like a baby; size hierarchy, gigantic mary, smaller saints and angels, circled around the throne |
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Arena Chapel (Scrovegni Chapel)
14th Century Italian Giotto
Wealthy merchant commissioning art as a dedication to god as an act of Penance; last judgement-naturalism |
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Maesta
14th Century Italian
Duccio
Virgin Mary, Jesus and group of saints, Mary is the saint for city of Sienna, adopts byzantine elements: playful partneriing, linear quality, light and shade, size hierarchy, base of 3d, sitting in a throned space, figure of jesus baby like, front saints individualized, textiles, variety of cloths |
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Annunciaiton
Italian
Simone Martini
elegant shapes, radiant colour, fluttering line, weightlss figures in a spaceless setting, gabriel: gold- represents celestial realm form heaven, elegant S curve, elnogated, etiquette of the court, french gothic look, four lilies = virgin mary's purity, four stands for the 4 gospels |
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Effects of Good Governement in the Country and City 14th Century Italian
Ambrogio Lorenzetti
Composition: seated figure with figures on both sides, personifications of the virtues, cardinal virtues on top; good citizens of sienna. much like the last judgement; idea of judgement, figure of justice, looking up, is the virtue of wisdom, angels of sales giving out justice.
Perspective system, receeding itno space, different groups of figures, safe for women to go out, prosperous city, people coming in goods, with shops, teach teaching students; prosperous city.
Ladies dancing, cobbler making and selling shoes, all in 14th century clothing; good government in country side; vineyards; figure of security
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Triumph of Death 14th Century Italian
Traini |
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