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Rise of Foreign Films - late 40's&50's= saw rise of appreciation - many american movies filmed overseas - 'art houses' - cannes international film festival |
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- Open City 1945 - The Bicycle Thief 1948 - documentary visual style - filmed on location - used natural, available light - simple stories of personal drama or tragedy - use of non-professional or lessor-known actors |
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- Jean Cocteau "Beauty and the Beast" - higly personal, semi-autobiographical stories - dialogue often improvised - filmed on location - freedom of camera movement |
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- Rashomon: the non-linear storytelling * portrays 4 different perspectives about one event, each time more details are added - represents the cross cultural influence of foreign films & hollywood |
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- Shane - Seven Samurai - Magnificent Seven (American adaption of 7 Samurai) |
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- Paramount Case - HUAC - Television |
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- 1948 Anti-trust action against major studios - ordered to sell of theater holdings - European import tax on American Films |
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HUAC- House Un-American Activities Committee |
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- The Hollywood Ten came from the cold war(Soviet Union) - A competition of whose beliefs were going to be influential - In the US, fear of communism - they were investigating who was doing "Un-American" & investigates - "Are you now or have you ever been a communist?"-failed to answer correctly |
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- not getting worked=suspicion of being a communist - "Fronting" *writing a screenplay if blacklisted & having someone else take credit - Dalton Trumbo * Roman Holiday (1953) * The Brave One (1957) - Michael Wilson * The Bridge on River Kwai (1957) * Lawrence of Arabia (1962) |
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4 Icons of Post WWII Hollywood |
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- Marlon Brando * A Street Car named Desire * poster child-The method - James Dean * Rebel without a Cause * method actor - Marilyn Monroe * died of drug overdose - Sidney Poitier * 1st successful African American * won Academy award |
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- development was halted during WWII - post-war rapid adoption of home receivers - provided a 'window' to the world |
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Exploitation & Schlock Movements 1960s |
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- refers to films that 'exploit' particular lurid or gimmicky material - Roger Corman: King of Exploitation movie - young-adult culture * Nudie Cuties: SEX |
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Cinema of Paranoia/ Politics |
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- trend of political metaphor masked in sci-fi films - Night of Living Dead * viewed on the fears of a communist invasion-relating to Zombie attack * criticism of the state of American civil righst |
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- To Kill a Mockingbird - Guess Who's Coming to Dinner - In the Heat of the Night - Night of the Living Dead |
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- Lawrence of Arabia * B: Fave film - Cleopatra * 1st actress Elizabeth Taylor to be payed 1mil * scandal w/co-star - Doctor Zhivago * epic film - 2001: A Space Odyssey * high point of special effects |
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- The Sound of Music * repeat business - Mary Poppins * huge success |
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Exploiting the Mainstream: Hitchcock Horror |
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1968 MPAA Rating System vs. New |
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- Old * G * M * R * X-17+ - New * G * PG * PG-13 * R * NC-17 |
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- Films released after end of code - broke every code violation * The Graduate * Bonnie & Clyde |
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- breakup of studio system 40's - so many independent production companies in 60's - was too impossible to enforce - was abandoned (1966) & replaced (1968) |
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- new approach to American movie-making * The Graduate * The Godfather * Taxi Driver - characterized by character-driven stories dealing with real-world issues & unresolved or "downer endings" |
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Early Mid- 70's & Blockbusters |
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- Jaws - Star Wars * Significantly altered direction of filmmaking & marketing * Epic & Escapism was back |
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- Escape to the Past * Grease * Star Wars * |
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- President Ronald Reagan - came into office facing high inflation * policy of 'reaganomics' - ideals of optimism, nostalgia, & reassurance |
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- Back to the Future - Peggy Sue Got Married - La Bamba - Great Balls of Fire - Dirty Dancing - Who Framed Roger Rabbit |
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- Back to the Future - Terminator - Bill & Ted's Excellent Adventure - Star Trek IV: The Voyage Home |
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- Vietnam - The Cold War - Feminist Movement - Teenage Life - Fathers - Rejuvenation |
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* Understanding of America's role in Vietnam - Platoon - First Blood |
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- Star Trek II - Red Dawn - Top Gun |
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Increasing independence of women - First Blood - The Terminator - Die Hard |
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- Sixteen Candles - The Breakfast Club - Weird Science - Pretty in Pink - Ferris Bueller's Day Off - Some Kind of Wonderful |
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- Empire Strikes Back - E.T. - Star Trek II & III - Karate Kid Trilogy - 3 Men & A Baby - Field of Dreams - Indiana & the Last Crusade |
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- E.T. - Cocoon - Back to School - Star Trek II - Star Trek III |
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- Drugstore Cowboy - My Own Private Idaho |
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- Do the Right Thing - Malcolm X - Jungle Fever |
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- Battleship Potemkin - music television |
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Hollywood & Independent, Documentaries CGI |
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- Independence filmmaking style was still continuing underground until Pulp Fiction's huge success=awaken more possibilities - CGI (Computer Generated Images) * allowed Blockbuster to reach new levels of imagination & reality |
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Ron Newcomer's Book Ending |
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1st- George Meille * magician last- Lord of the Rings * special effects |
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Director: Vittorio de Sica - method acting - Italian Neo-Realism - simple stories of personal drama or tragedy |
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Director: Nicholas Ray - Used Icon actor - Very personal - documentary style |
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- idea that declares the director as the 'author' of a production & certain directors leave a recognizable mark on the films they make |
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Director: George Romero - exploitation film - 1st zombie film - has African American be main lead |
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Director: Arthur Penn - lots of violence - glorification of murders/ murderers |
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Director: Dennis Hopper - editing - came out after End of Production Code - broke all violations |
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Director: George Lucas - 1st blockbuster - high special effects |
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Director: Quentin Tarantino - dialogue - 1st Indie blockbuster |
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