Bernini; David; 1623.

Suspense, natural human expression.

Bernini; Ecstacy of St. Teresa; Rome; 1645-52.

Italian Baroque

Theatrical, textures.

Carracci; Flight into Egypt; 1603-04.

Baroque

Lost, perfect world.

Caravaggio; Conversion of St. Paul; Rome; 1601.

 Italian Baroque

Tenebrism, unidealized figures, unusual composition.

Caravaggio; Calling of St. Matthew; Rome; 1597-1601.

Italian Baroque

Tenebrism, capturing the moment.

Velazquez; Water Carrier of Seville; 1619.

Spanish Baroque

Interest in detail, influenced by Caravaggio.

Velazquez; Las Meninas; 1656.

Spanish Baroque

Different viewpoints.

Rubens; Elevation of the Cross; 1610.

Flanders (s. Netherlands) Baroque

In the moment, emotional, dynamic.

Rembrandt; Hundred-Guilder Print; 1649.

Dutch Rep. Baroque

Rembrandt; Return of the Prodigal Son; 1665.

Dutch Rep. Baroque

Forgiveness, moral side of the story, softer lighting.

Jacob van Ruisdael; View of Haarlem from the Dunes at Overveen; 1670.

 Dutch Rep. Baroque

Landscape only, specific town, 2/3 sky.

Jan Vermeer; Allegory of the Art of Painting; 1670-75.

Dutch Rep. Baroque

Viewer is intruding.

Pieter Claesz; Vanitas Still Life; 1630's.

Dutch Rep. Baroque

Memory and time, fatality, nostalgia.

Claude Lorrain; Landscape with Cattle and Peasants; 1629.

French Baroque

Imagined landscape, mood, soft colors.

Georges de La Tour; Adoration of the Shiepherds; 1645-50.

French Baroque

Tenebrism, light source visible, no interest in drama.

Germain Boffrand; Salon de La Princess; Paris, France; 1737-40.

 Rococo

Fanciful

Antoine Watteau; L'Indifferent; 1716.

France

Rococo

Pastels, carefree.

Antoine Watteau; Pilgrimage to Cythera; 1717.

France

Rococo

Amorous festival, upper class.

Francois Boucher; Cupid a Captive; 1754.

France

 Rococo

(Watteau's pupil), Baroque composition, playful.

Jean-Honore Fragonard; The Swing; 1766.

France

Rococo

Poke fun at religion, diagonal.

Clodion; Satyr Crowning a Bacchante; 1770.

France

Rococo

Sensual.

Joseph Wright of Derby; A Philosopher Giving a Lecture at the Orrery; 1763-65.

England

Enlightenment

Solar system, science, theatrical.

Jean-Baptiste-Simeon Chardin; Saying Grace; 1740.

France

Enlightenment

Ordinary, middle class, earth tones.

Jean-Baptiste Greuze; Village Bride; 1761.

France
Enlightenment

Ordinary, sweet, detailed.

Elisabeth Louise Vigee-Lebrun; Self-Portrait; 1790.

France

 Enlightenment

Independent/successful woman, soft colors.

William Hogarth; Breakfast Scene; 1745.

 France

Enlightenment

Poking fun at aristocracy, immorality.

Thomas Gainsborough; Mrs. Richard Brinsley Sheridan; 1787.

France

Enlightenment

Fanciful, soft.

Benjamin West; Death of General Wolfe; 1771.

France

Enlightenment

Theatrical/historical moment.

Antonio Canaletto; Riva degli Schiavoni; Venice; 1735-40.

Italy

Enlightenment

Tourist, realistic.

Jacques-Louis David; Oath of the Horatii; 1784.

France

Neo-classical

Symmetry, classical, separation.

Jacques-Louis David; Death of Marat; 1793.

France

Neo-classical

Hints of violence.

Jean-Antoine Houdon; George Washington; 1788-92.

America

Neo-classical

Horatio Greenough; George Washington; 1840.

America

Neo-classical

God-like, toga.

Jacques-Louis David; Coronation of Napoleon; 1805-08.

France

Neo-classical

Enormous, horozontal.

Antoine-Jean Gros; Napoleon at the Pesthouse at Jaffra; 1804.

Fance

Neo-classical

Propoganda.

Jean-Auguste-Dominique Ingres; Grande Odalisque; 1814.

France

Neo-classical

Erotic, exotic, horizontal.

Francisco Goya; The Sleep of Reason Produces Monsters; 1789.

 Romanticism

Sublime.

Francisco Goya; Third of May; 1814-15.

Spain

 Romanticism

Inhuman killing machines, French execution of Spanish.

Theodore Gericault; Raft of the Medusa; 1818-19.

France

Romanticism

X-shaped, not glorified, death, history painting.

Eugene Delacroix; Death of Sardanapalus; 1827.

France

Romanticism

Color and light, violence, disturbing to emotions.

Eugene Delacroix; Liberty Leading the People; 1830.

France

Romanticism

French revolution, everyone for the cause, motherly.

Joseph Turner; The Slave Ship; 1840.

England

Romanticism

Landscape.

Gustave Courbet; The Stone Breakers; 1849.

France

Realism

Journalistic, earthy, work.

Jean-Francois Millet; The Gleaners; 1857.

France

Realism

Countryside, poor, harsh, below horizon.

Honore Daumier; Third Class Carriage; 1862.

France

Realism

Natural, unfinished.

Edouard Manet; Luncheon on the Grass; 1863.

France

Realism

Edouard Manet; Olympia; 1863.

France

Realism

Prostitute, not idealized.

Thomas Eakins; The Gross Clinic; 1875.

America

Realism

Gruesome.