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A - oculus B - dome C - drum D - pendantive |
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ornament or surface decoration with intricate and flowing lines often based on plant forms |
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Byzantine in Russia: Most obvious characteristic is the... |
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bell tower either part of a building or freestanding Ex. Leaning Tower of Piza, Sanford Hall |
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Church of Santa Costanza, 361 |
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support two walls as they meet at a corner by making some length of both walls at the corner thicker than the remainder of the wall. |
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Cologne Cathadral (German Gothic) |
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Apprentice, Joureyman, Master |
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joint technique common in woodworking |
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Early Christian (basilica plan) |
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Central features – No domes – Gabled upper roof over the nave – Shed roofs over the aisles – Open wood trusses over the nave and aisles – Clerestory windows – Entrance from west. – Brick exteriors |
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Early Christian Church Plan |
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Large tower at crossing, not on west end Two transepts Square apse Horizontal |
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may be thought of as half- or semi-arches; the elevated end of the arch supports the wall and the lower end of the arch is mounted on foundations, or on pillars or other flying buttresses. Flying buttresses are especially common in medieval cathedral design. |
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a painting technique in which colored pigments are applied to a damp plaster wall, so that they become integral with the wall finish |
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Gothic Identifiable Features |
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o Pointed windows o Pointed vaulting ribs o Stong vertical lines throughout o Monumental west fronts o Flying Buttresses o Enclosed Buttresses o Large stained glass windows o Very large rose windows o Tracery o Mosaics o Frescoes o Spires o Gargoyles o Fan vaults |
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all four arms of equal length |
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Church plan with one arm longer than the other three |
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The triangular portion of a sphere which forms a transition from a square bay into a circle for the springing of a dome. |
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Piazza del Campo Palazzo Pubblico Siena, Italy |
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tent roof constructed of diminishing lengths of logs |
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Siena Cathedral (Italian Gothic) |
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St. Basil's Cathedral (moscow) |
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