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Last Supper Leonardo Sixteenth Century |
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Mona Lisa Leonardo Sixteenth Century
Sfumato |
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Pieta Michelangelo Sixteenth Century |
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David Michelangelo Sixteenth Century |
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Ceiling,Sistine Chapel/ Michelangelo/ Sixteenth Century/ |
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Last Judgment, Sistine Chapel/ Michelangelo/ Sixteenth Century/ |
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Deposition/ Pontormo/ Sixteenth Century/
Italian Mannerism/ Complex Composition/ The cross, and natural world is invisible/ |
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The Fall of Man/ Albrecht Durer/ Sixteenth Century/
idealized human figure/ox,bird,cat,rabbit symbolize the human temperaments |
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Ecstasy of St. Teresa/ Bernini/ Seventeenth Century - Baroque |
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Judith Slaying Holofernes/ Artemisia/ Seventeenth Century - Baroque |
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The Company Frans Banning/ Rembrandt/ Seventeenth Century-Baroque/
Group portrait, complex interactions between the figures. |
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David/ Bernini/ Seventeenth Century - Baroque |
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Entombment/ Caravaggio/ Seventeenth Century - Baroque |
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The Immaculate/ Bartolome Murillo/ Seventeenth Century/
Dressed in blue and white, hands folded into prayer form, angles surrounding her, |
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Elevation of the Cross/ Rubens/ Seventeenth Century/
Dramatic action |
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Embarkation for the Island of Cythera/ Watteau/ Rococo/
Dreamworld, not reality |
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The Calling of Saint Matthew Caravaggio |
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Experiment on a Bird in the Air/ Wright/ Eighteenth Century- Baroque/
rapid technological development. Dramatic lighting underscores life and death issue of the birds fate but also suggests that science brings light into a world of darkness and ignorance. |
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The Oath of Horatii/ Jacques-Louis David/ Neoclassicism/
The value of putting patriotic duty above family obligations. Energetic men are a powerful contrast to the swooning women |
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Judith and her maid servant/ Artemisia/ Baroque |
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Louis XIV, King of France/ Rigaud/ Baroque/
Commanding pose. Realism of his aging face makes him movingly human. |
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Mother of the Gracchi/ Cornelia/ Neoclassical/
Simple, idealization of a good mother |
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The Progress of Love/ Jean- Honore Fragonard/ Rococo/
Secret encounter. Spontaneous visions of lovers, bright colors, rapid brush works. Lavish. |
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Landscape With Saint John/ Poussin/ Seventeenth Century/
Poussin did not paint the land he saw, but instead organized nature, buildings and figures into idealized compositions |
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Bonaparte Crossing the Alps/ Jacques- Louis David/ Neoclassicism/
Idealized vision of a military campaign |
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Women holding a balance/ Vermeer, Johannes/ Baroque/
Women in domestic settings. Dutch painting. straightforward painting. Paining in the background "last judgement" suggest empty balance in the woman's hand. Gold on the table deals with the theme of vanitas. |
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King Charles IV of spain/ Goya/ Romanticism/
Realistic rather than flattering. |
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Los Caprichos/ Goya, Francisco/ Romaticism/
Etching. Exhibit a bitter outlook. |
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The Third of May/ Goya, Francisco/ Romanticism/
Shows the horrors of war. |
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The Ancient of Days William Blake |
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La Grande Odalisque/ Ingres, Jean Auguste Dominique/ Neoclassicism/
Exotic, non western source. Distorted the figure slightly making it aesthetically compelling. |
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Liberty Leading the People eugene Delacroix |
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Haywain/ Constable, John/ Romanticism/
Landscape should be based on observations. Represents rural life. Not idealized, because they were not from his imagination. |
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The Slave Ship/ Joseph William/ Romanticism nineteenth century/
Social issues/ |
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Abbey in the Oak Forest/ Friedrich, Casper David/ nineteenth century- romanticism/
abandoned grave... symbolic |
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Ploughing in Nivernais/ Rose Bonheur/ nineteenth century/
Focus is on animals and not on a person |
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The Gleaners/ Jean Francois Millet/ Nineteenth Century/ |
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Bathing Women/ Gustave Courbet/ |
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The Painter's Studio Gustave Courbet |
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