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Little Richard (flamboyant) |
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-Played boogie/woogie and rythm and blues -Lucielle -Integrated Black and whites, breaking barriers -Direct opposite to music of Fats Domino - Total extravert (the bronze liberace) -Has written some of rock's landmark songs (tutti frutti) -Changed conventions of R & B while Jerry Lee Lewis Changed Country |
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-Jackie Brensten and Ike Turner 1951 -The Very first rock and roll record -Automobile celebration (inspired chuck berry and the beach boys) -One of the first Jump bands -Saxaphone squealing was similar to feedback |
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-First double entendre hit -Billy ward and His Dominos -R&B crossover to pop charts |
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-Hound Dog (1953) -Influenced Janice Joplin (Ball and Chain) -Written by jerry Leiber and Mike Stoller about male prostitute -Elvis didn't discover for three more years |
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-Bill Haley and the Comets (Haley was originally member of country band. famous in england) -1950's -Soundtrack for blackboard jungle (delinquance) -First White rock song -represented music for teenagers -replaced racial gap with generation gap |
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-boss of blues -Blues shouter (didn't use microphone) -Territory bands in Kansas City - Originally recorded Shake Rattle and Roll - |
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-Vocalist/Saxophonist -Innovator of jump band - group known as tympani five -influenced haley, berry bbking -choo choo boogie |
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-Guitar/Vocalist -First to popularize the electric guitar -athletics while training (visual aspect) -dancer/singer age 14 -Stormy Monday Blues |
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-Mckinley mogranfield -**Originator of the Chicago Blues sound -All instruments were amplified (wailing harmonica) -Played influence on many rock bands esp british ones (eric clapton, mick jagger) -Hoochie coochie man |
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-Major contributor to crossover of R&B music -Boogie woogie piano -2nd line bass (latin style) -segregation between black and whites (leniency towards black worship) -paiono/bass/sax emphasis |
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-New Orleans -Owner of J and M recording studio (the only one in New Orleans) -live in studio recordings |
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-New Orleans Musician -Formed core group of studio Rock and Roll musicians in J&R studios |
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-Ambassador of New Orleans Sound -Discovered by Dave Bartholomew's producer in 1949 -had twang and mix of R&B and Country -Offered White kids an easy 1st step into black music -opposite LR, polished, calm, easy going charm -Ain't that a shame, Blueberry Hill, I'm walking |
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-"The King of Covers" -Tutti Frutti (outsold Little Richard) -Blueberry hill, Ain't that a shame |
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-Ignored mainstream white major bands -couldn't tell if vocalists were white or black (took on personas) |
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-First black disc jockey -WDIA-memphis black station -Radio's Jackie Robinson |
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-White disk jockeys of WLAC (Nashville) -William "Hoss" Allen, John R. Richbourg, Gene Nobles, Herman Grizzard |
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-Invented by Elvis (That's all right) -Frenzied mix of country, blues, gospel and pop -Southern style, brief in popularity -no drummer, slapping bass -Almost entirely the product of Sam Phillips.. also inspired by Hank Williams |
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-Owner of Sun Studios -Discovered Elvis -Wanted a white man to sing black music -Recorded Johnny cash, BB King, Willy Mae Thornton -Memphis Rockability |
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-Early influenced by gospel music -Sun Studios: discovered elves, dubbed "Hillbilly Cat" -Played "thats all right" off the cuff the blow off steam and Sam phillips told him to do it again for the tape (many historians believe to be birth of R&R) -RCA bought contract for 40,000 -reached national status with "heartbreak hotel" -Col. Tom porker became manager |
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-Boy Next Door -Last of 50's giants -Mointed music toward first rock band with buddy Holly and the crickets -1st to write and produce his own music -popularized fender stratocaster -embraced rockability and imitated elvis |
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-prototype for self contained rock band -Two guitar/bas/drums combination became standard for british bands -name may have inspired beatles -"that'll be the day" "Peggy Sue", "Every Day". |
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-gained more fame in england than america -major influence on British guitar players -early development of the power chord sound -"summertime blues" |
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-Updated the tradition of country -Nashville has inroad to the R&R market -Featured a duo voice which was unique in the solo voice market -Influenced others such as the harmonies of john/paul -direct descendants to the simon and garfunkel/peter & gordon.chad and jeremy -Budy holly and the everly brothers were the ancestors of country rock |
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King of the mississippi delta blues: Robert Johnson |
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-King of rockability -Reminded true to his style -Sun Records -Music is an extension of his hillbilly roots |
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-1935 influenced by great barrelhouse piano players |
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-Became known as "the killer" -Lewis was viewed as Elvis' rival -gave rockability soul |
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Rock style Expansion (push toward pop) |
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-1958-63 -LAte 50's transition between intial R&R and teen idol performance -new comers had clean cut images |
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-Adventure of ozzie and harriet -Put R&R music in America's living room -LA rockability style in some of his music |
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King of mississippi blues |
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Bob Wills and Texas playboys |
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-Became Brian Wilson's master product -major influence on the Beatles -"wouldn't it be nice" showed mental bliss -Critically considered masterpiece and one of R&R's important albums -many songs showed wilson's obsession with isolation and his insecurities |
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-Wilson's answer to poor outing of "Pet Sounds" -LAbeled as a psychedelic tune -Wilson's finest hour as a producer |
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Premier R&B label of 1950s |
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-Quiet genius of the Beach Boys -Influenced by Phil spector's wall of sound |
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-America's answer to the Beatles -Painted a landscape of beach, paradise, hot rods, and cali girls -Combo of 4 freshmen and instrumental surf music |
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-Became Brian Wilson's master product -Major influence on Beatles -"wouldn't it be nice"-mental bliss -Considered one of R&R's important albums |
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-Brian Wilson's answer to poor outing of pet sounds -Labeled as a psychedelic tune -Wilson's finest hour as a producer |
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-Brian Wilson's answer to poor outing of pet sounds -Labeled as a psychedelic tune -Wilson's finest hour as a producer |
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One of the most successful crossover acts in the 1950's |
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-Featured 13 year old singer, Frankie Lyman -Biggest hit: "why do fools fall in love?" |
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The Orieles and The Ravens |
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-Early R&B doo-wop -Important transition groups |
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-reflected increase through still limited commercial possibilities for black music -more anonymous sound-less threatening to whites -Star groups: the platters, the coasters, the drifters -Grew out of urban settings (Mainly east coast) -Domain of innocent teen love |
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Inspired youger groups to be more polished and moved music more towards R&B |
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Louie, Louie- The Kingsmen |
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Composed by Richard Berry -The 1st recording by Berry's group, The Pharoahs -U.S. Congress had full-scale investigation to find out what was inn the song -declared incomprehensible @ any speed -louis was a bartender |
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Louie, Louie- The Kingsmen |
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Composed by Richard Berry -The 1st recording by Berry's group, The Pharoahs -U.S. Congress had full-scale investigation to find out what was inn the song -declared incomprehensible @ any speed -louis was a bartender |
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-Simple, raw form of R&R -Inspired by British Invasion bands -1st wave of do-it-yourself punk rockers |
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Dick, Dale and the Deltones |
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-King of surf guitar -Spawned many garage bands around southern california |
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-solidified 2 guitar/bass/drum line-up -not originally a surf band -favorite with surf crowd |
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1960'S instrumental music (surf music) |
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-surf=primary instrumental style -lack of vocals necessitated experimenting with sounds on guitar -guitar had virtually disappeared as lead instrument in early 60's pop -reestablished guitar as central roll in R&R |
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-Developed style known as "twangy" guitar -Formed model for surf band guitarists that followed |
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Instrumental groups (1950's) |
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-Usually built off simple riff -Rock's first garage bands |
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Spector's last great success |
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-Inspired spector's best work -"The Bad girls of pop" -Discovered by and married phil spector |
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-Use of many instruments -anyone around studio may have ended up on the recording -large list of studio musicians that were used became known as "wrecking crew" |
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"Little symphonies for kids" -Invented role of modern producer |
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Leader of the Pack -Plays out like romeo and juliet |
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Groups that followed the girl groups |
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-Like Doo-wop, many one shot groups -mates idealized images of adolescent romanticism |
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-Motown's only true pop girl group -classy supremes outgrew image |
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-patterned themselves after chantels -Bridged doo-wop and uptown NY pop-soul -mama said |
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-"maybe" was a big hit (1957) -Important model for girl groups that followed |
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-Sound and style rather than individual voice or image -success linked to specific producer who projected his vision rather than groups's -often underlying sexuality behind the innoncence |
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-Leiber& Stoller turned to more serious approach -Developed high-tech production style -Uptown R&B |
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-Jused to be called the Robins -Use playlets-story/song writing style that uses tongue-in-cheek mini-dramas full of wit and insight |
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Jerry Leiber and Mike Stoller |
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-great songwriting team of 50's -1st white writers to compose -"Rogers and Hart" of R&R -Paved way for Brill Building writers and Phil Spector productions -Helped expand r&B's range by incorporating a pop style emphasis |
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Jerry Leiber and Mike Stoller |
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-great songwriting team of 50's -1st white writers to compose -"Rogers and Hart" of R&R -Paved way for Brill Building writers and Phil Spector productions -Helped expand r&B's range by incorporating a pop style emphasis |
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-2 Leading groups of the 60's: the coasters and the drifters -Both affiliated with Jerry Leiber and Mike Stoller |
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Involved in payola scandal |
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Philadelphia and american bandstand |
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-City's most successful teen idol "machine" -engine of teen idol machine was american bandstand -dick clark-host |
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Gerry Goffin and Carole King |
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-Most prolific hitmakers of Aldon -Variety and ability to change with time, kept them in business |
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Neil Sedaka and Howie Greenfield |
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-Less varied in sounds ince writing for sedaka -katy perry like music videos |
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Aldon Music Publishing company |
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-Symbol for popular music in NY -Pop Singers rarely wrote their own music -Song writers usually in pairs (one music-one lyrics) |
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-Country turned to top 40 formats -Songwriters--not singers-- dominated industry |
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Most successful teen idol |
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**Godfather of Soul -Incredible stage show productions -rythm became everything, all instruments were treated like drum -Never had a #1 hit -Groove referred to as "The One" -Chocked chord guitar sound -Broken Bass lines (early influences for funk) |
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-Enormous range and sheer power -Sweeping register, rich vibrato, falsetto, breaks was trademark -energetic and agile--better live |
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-Known as graceful voice in soul music -Voie more floating than ray charles |
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-Not really R&R music -Drew entire spectrum of music -Church based.. influenced Aretha Franklin and James Brown |
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-Influence of gospel music -soul music mirrored civil rights movement |
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Dick Dale and the Deltones |
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-King of surf guitar -spawned many garage bands around southern california |
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