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St. Peters Basilica and Square Bernini 1656 Baroque |
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Saint Teresa of Ávila in Ecstasy Bernini 1645 Baroque |
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Entombment Caravaggio 1603 Baroque |
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Reformation reaffirming the veneration of saints and the authority of the Pope |
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| First Counter Reformation meeting of Catholic Church officials |
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| A row of columns supporting a straight lintel or a series of arches |
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| The use of strong chiaroscuro and artificially illuminated areas to created a dramatic contrast of light and dark in painting |
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Las Meninas Diego Velazquez 1656 Baroque |
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The Night Watch Rembrandt 1642 Baroque |
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Woman Holding a Balance Jan Vermeer 1664 Baroque |
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It was an educational rite of passage for the wealthy to expose themselves to cultural artifacts and antiquity. |
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| The painting of scenes from classical history, Christian history, and mythology, as well as depicting the historical events of the near past. |
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Cornelia Pointing to Her Children As Her Treasures Angelica Kauffmann 1785 Neoclassicism |
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Monticello Thomas Jefferson 1770 Neoclassicism |
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Oath of the Horatii David 1785 Neoclassicism |
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Napoleon Crossing the Saint-Bernard David 1800 Neoclassicism |
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Large Odalisque Ingres 1814 Romanticism |
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The Sleep of Reason Produces Monsters Francisco Goya 1796 Romanticism |
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Family of Charles IV Francisco Goya 1800 Romanticism |
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Third of May, 1808 Francisco Goya 1814 Romanticism |
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| Bronze plate covered in silver nitrate to produce a photograph |
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| An image made on a light-sensitive, silver-coated metallic plate. |
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SECOND REPUBLIC OF FRANCE |
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The Artist’s Studio Daguerre 1867 Photography |
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The Open Door Talbot 1843 Photography |
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A Burial at Ornans Gustave Courbet 1849 Realism |
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The Gross Clinic Thomas Eakins 1875 Realism |
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Eiffel Tower Gustave Eiffel 1889 Modern architecture |
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Wainwright Buildling Louis Sullivan 1890 Modern Architecture |
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| "The Exhibition of Rejects" |
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| Is a French expression which means "in the open air", and is particularly used to describe the act of painting outdoors. |
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Luncheon on the Grass Manet 1863 Impressionism |
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Olympia Manet 1863 Impressionism |
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Impression: Sunrise Monet 1872 Impressionism |
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Boulevard des Capucines Monet 1873 Impressionism |
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The Rehearsal of the Ballet on the Stage Edgar Degas 1874 Impressionism |
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Luncheon of the Boating Party Renoir 1881 Impressionism |
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| Thick paint applied to a surface in a heavy manner |
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| The tendency of an artist to distort reality for an emotional effect |
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Mont Sainte-Victoire Cezanne 1885 Post-Impressionism |
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The Starry Night van Gogh 1889 Post-Impressionism |
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Day of the God Paul Gauguin 1894 Post-Impressionism |
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The Scream Edvard Munch 1893 Post-Impressionism |
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| Painting in natural forms and reduced the forms into basic geometric parts on the two-dimensional picture plane. Color almost non-existent except for the use of a monochromatic scheme that often included grey, blue and ochre. It focused on forms like the cylinder, sphere and the cone to represent the natural world. |
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| More of a pushing of several objects together. Has fewer planar shifts (or schematism), and less shading, creating flatter space. |
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Les Demoiselles d’Avignon Picasso 1907 Analytic Cubism (?) |
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Ma Jolie Picasso 1912 Analytic Cubism (?) |
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Glass and Bottle of Suze Picasso 1912 Synthetic Cubism (?) |
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Suprematist Painting (Eight Red Rectangles) Malevich 1915 Suprematism |
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| Are ordinary manufactured objects that he selected then sometimes modified, as an antidote to "retinal art". By choosing the object, giving it a title and signing it, the object became the work of the artist. |
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Fountain Marcel Duchamp 1917 Dada |
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THE INTERPRETATION OF DREAMS |
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Freud 1900 Surrealism Book that inaugurated the theory of Freudian dream analysis, which Jung referred to as the "royal road to the soul" and the unconscious, but Freud called the subconscious. |
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| Automatism is a surrealist technique involving spontaneous writing, drawing, or the like practiced without conscious aesthetic or moral self-censorship. |
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The Persistence of Memory Salvador Dali 1931 Surrealism |
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Luncheon in Fur Meret Oppenheim 1936 Surrealism |
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Painting that gains its appearance as a result of the energetic movement of the artist as he applies paint; ntended to show the force of the artist's feelings in addition to the dynamic nature of painting itself. |
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Autumn Rhythm (Number 30) Jackson Pollock 1950 Abstract Expressionism |
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Woman I Willem DeKooning 1950 Abstract Expressionism |
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Just What is It that Makes Today’s Homes So Different, So Appealing? Richard Hamilton 1956 Pop Art |
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Oh, Jeff…I Love You, Too…But… Roy Lichtenstein 1964 Pop Art |
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Marilyn Diptych Andy Warhol 1962 Pop Art |
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Spiral Jetty Robert Smithson 1969 Earth Art |
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The Dinner Party Judy Chicago 1974 Feminist Art |
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The Liberation of Aunt Jemima Betye Saar 1972 Activist Art |
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