Term
|
Definition
Chain of events in cause‐effect relationship, the ways in which knowledge is organized |
|
|
Term
|
Definition
plot’s way of distributing story information in order to achieve specific effects. Narration is the moment‐by‐moment process the guides us in building the story out of the plot |
|
|
Term
|
Definition
(everything presented to us) |
|
|
Term
|
Definition
(set of all events, shown and inferred) |
|
|
Term
|
Definition
The coordination of one shot with the next. The most common way to edit is with “the cut,” which is the splice of shot A to shot B and is meant to remain invisible to us |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
full figure distinct, but background dominates |
|
|
Term
|
Definition
human figure seen from the knees up |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
of head, hands, feet, or of a similar small object |
|
|
Term
|
Definition
of a portion of a face, an isolated detail, or a magnified object |
|
|
Term
|
Definition
If the camera is stationary, the image frame is fixed, puts the focus on |
|
|
Term
|
Definition
camera remains stationary, with increase or decrease of focal length. |
|
|
Term
Mise‐en‐scène (“put into the scene”) |
|
Definition
Everything you see in the frame, the visual composition (lighting, sets, props, costumes and make‐up, movement and performance) |
|
|