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HTC: 21
DUTCH TREAT: DE STIJL AND BAUHAUS
51
Architecture
Undergraduate 2
05/19/2009

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Cards

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What was the major difference between de Klerk and Kramer's exterior design methodologies?

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The two young Dutch expressionists who worked in the office of Johan van der Meij were:

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The father of modern Dutch architecture who was an early advocate of Wright's work was 
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The home of Dutch Expressionism was 
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Which building represented Berlage's revival of the Dutch indigenous masonry tradition? 
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Name the two Dutch "expressionist" architects best known for their designs of worker housing in Amsterdam during WWI.

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What was Berlage's opinion of Dutch urban housing?

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What typeface was used in Bauhaus publications after the arrival of Moholy-Nagy? 
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What two avant-garde artists were credited by Larson as being somewhat responsible for the change in its teaching ideology/pedogogy from Expressionism to Abstract formalism?

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Van Doesburg's term for the new way he composed space as a continuous, but non-linear flow of space was 

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Towards a Plastic Architecture was written by 
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What was the difference in how Wright approached the design of his interiors and how van Doesburg designed his interiors  

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Neo-Plasticism is a term associated with what movement? 
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The De Stijl movement received much of its initial impetus from the non-objective paintings by:

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Describe the spatial sequence implied in the paintings by van Doesburg: 
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Name a De Stijl painter: 
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The Red-Blue Chair was designed by 
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The Schröder House was designed by 
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Describe the changes made in the first-year design at the Bauhaus made when Maholy-Nagy replaced Itten as the teacher

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What does Larson credit for the eventual appearance of columns in the Barcelona pavilion? 
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What was the major design difference between Mies' Concrete and Brick Country House projects? 
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The German term used by German designers after WWI who relied solely on realism and functionalism to describe their work was 

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The objective of the Vorkurs (foundation course) at the Bauhaus was 
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The German term that describes the spirit of Mies' Concrete Office Building of 1923 was: 
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The Zonnestraal Sanitarium was designed by 
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What architectural theoretician was responsible for the shift in design theory away from Expressionism at the Weimar Bauhaus?

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Sketch the entry sequence for the German State Pavilion at the 1929 Barcelona Fair: 
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Sketch the elevation of the Barcelona chair:

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The event most responsible for the philosophical switch at the Bauhaus from Expressionism to "The New Architecture" was 

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Define Neue Sachlichkeit 
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Describe Mies' spatial order in his designs of 1923-1929 
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The Karl Liebknecht and Rosa Luxemburg Monument was designed by 
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Marcel Breuer is best known for the design of the _______________________  chair while working at the Bauhaus.

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The 'Wassily' chair was designed by 
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List three important design ideas Mies employed in the Barcelona Pavilion

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The Dutch architect known for his sachlich housing projects was 
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Sketch the typical floor plan of a dormitory wing of the Zonnestraal Sanitarium: 
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_____________ was the leading theoretician of the De Stijl movement.
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The architect in overall charge of planning the 1927 Weissenhof Siedlung was 
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___________________ was the major building type that brought the International Style to the forefront of German design in the 1920s.

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The "Barcelona Chair" was designed by 
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The De Stijl theoretician whose lectures at the Bauhaus influenced its switch from Expressionism to Internationalism was  

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When Walter Gropius assembled his faculty for the Bauhaus School, he drew many of them from which field of expertise?  

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_____________________ was the director of the trade/design school in Weimar when its name was changed to the Staatliches Bauhaus.

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One major different element in the work of Willem Dudok's from that of Wright's?

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Willem Dudok's building show a major influence from the work of what American architect? 
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The Hilversum Townhall was designed by 
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The Dutch architect responsible for spreading the influence of Wright throughout Holland was:

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The father of modern Dutch architecture who was an early advocate of Wright's work was 
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List two Wrightian motifs evident in the Hilversum Town Hall: 
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J. J. P. Oud belonged to the ________________________ School.

 

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