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vertical posts and horizontal beams, like stonehenge. |
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What are the three types of columns? |
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They span an area, and support. |
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Only supported at one side. Anchored at one end. Like a balcony |
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Framework supports the building |
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A support built against a wall to hold it up |
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A Butress with a space Like this: [image] |
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Duccio, Madonna and Child, 1284 Tempera |
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Vermeer, Girl with a Red Hat, 1665 Oil |
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Giacometti, Man Pointing, 1947 Bronze |
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Polluck, Number 1 1948, 1948 Oil |
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Van Gogh, Starry Night, 1889 Oil |
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What is the difference between Relief Printing, Intaglio, and Planographic |
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Relief Printing - cut away what not to print Intaglio - cut away what you want to print Planographic - Flat Surface |
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Chalk, Charcoal, Pastel, Graphite |
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Oil, Tempera, Fresco, Acrylics |
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Used in old fifteenth century things. |
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Used by egyptians, Fine details in Colors, etc. |
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Part of Wall, Used in murals, etc. |
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Modern Paints, Dry Fast, doesn't wear as easily as others. |
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Length dominates width, a color edge, an implication of continued direction |
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Add white to a hue (color) |
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Add black to a hue (color) |
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Ratio of Lights to Darks. |
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Thickly applied paint with a knife. |
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What are the three types of sculptures |
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Full-round, relief, linear |
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Free Standing, 3-d, 360 degrees, |
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Protrudes from background, High Relief (oh) protrudes a lot. Low Relief (bah) protrudes a little. |
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Uses a Mold to make a sculpture. (Plastic or molten metal, etc.) |
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Take away material to make sculpture |
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Add Material to Make Sculpture |
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Creating the illusion of space (3d) on a flat surface. |
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runs across the canvas at the eye level of the viewer |
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Lines come together like train tracks or a road converging in the distance. |
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Lines used to portray the horizon, vanishing point, and other edges etc, to create 3d. |
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How close a color is to the base hue. |
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the balance of light and dark (shade) in a picture. |
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the Arrangement of different parts of a peice of art. |
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the shape of an object within a composition |
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The spectrum rotation of a color. |
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Paintmaking technique based on the principle that oil and water do not mix. |
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The creation of the illusion of distance. |
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The balancing of like forms and colors on opposite sides of the vertical axis of a composition |
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the relationship of repeated items in a composition to one another. |
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