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1752-1809 Austrian, Vienna (boys choir) classical Esterhazy family string quartet: wrote 68 operas,symph,sonatas variety w/in unity false recap ex) rondo: ABACABADA + coda ex) minuet+trio; presto |
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Hungary best instrumentalists, exposure, cant publish |
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1756-1791 Austrian, Vienna classical Piano concerto, opera, symphony all genres classic music genius, toured Europe w/fam, breaks rules, make on his own ex)don giovanni ex)andante,allegro molto |
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1770-1827 German symphony all genres romantic, changed orch, instrum, length cresendo,themes loud/quiet,dramatic use of classic structure,sudden key change early,middle,late years -early:keyboard/chamber, then larger forms, melancholy(deaf) --heroic:concentration, prolific, very long --late:piano sonatas,9th symp(solos+choir),string q. very rich. ex)symp no. 5 and 9 |
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Johann Wolfang von Goethe |
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German writer, romantic, Faust |
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1797-1828 Vienna romantic voice,piano,chamber music smaller pieces (miniatures), wrote 900 works-600 songs, song cycles, operas, symph,string q ex) death and maiden |
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1810-1849 Polish, Paris romantic 1st of great piano virtuosos all comps written for solo piano, no prog music miniatures: accessible, simple major, constant beat dances,free forms w/o dance rhythms ex)prelude, waltz |
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1810-1856 German romantic literary piano, symp, chamber miniatures quartet,lieder,symphony,piano pianist minor, thick texture, no constant beat, dense harmony ex)traumerei |
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1782-1840 romantic virtaosos violin, writes for self, fast seq |
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1811-1886 Hungarian romantic one of most avant-garde composers:ignored rules work is very difficult to play virtaosos lover,piano, wrote for all transcription uses every note piano music,symph ex)transcendtal etude |
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1802-1869 French romantic symphony wrote what he wanted,emo, large large orch ex)symphonie fantastique--best known work- idee fixe(recurrent theme) |
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1824-1884 romantic symphony symph tone poem: geography: Moldeau- river in Czech |
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1833-1897 Vienna romantic symphony symph,concerto,quartets harmony,chord,all instrum @ once schumann,beethoven,bach classic,baroque forms ex)Passacaglia ex) symp no. 4 |
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1860-1911 Vienna,Austria late romantic symphony biggest conductor in Vienna large orch (esp brass) disson chords, diff keys, transitional, relig ex) Resurrection ex) Urlicht- symp No. 2 |
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Italian romantic opera wrote 28- Otello, melodrama, natlism |
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1858-1925 Italian romantic opera verismo-earth of people(ordinary) ex)madame butterfly |
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1813-1883 Germany romantic opera music drama Gesantkunstwerk, liet motive ex)liebestod- tristan+isolde |
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1862-1918 20th: impressionism prelude to afternoon-poetry by mallarme |
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poet: prelude to afternoon |
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1882-1971 Paris 20th: primitivism, neoclass ballet russes, polytonality ex)rite of spring ex) dumarton oaks (off key) ex)le sacre du printemps |
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ballet russes, stravinsky |
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1874-1951 Vienna, Germany, Calif expressionism: atonal composition, small audiences ex) madonna, sorchstimme |
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18 -1935 serialism Wozzeck-most pop opera most pop serial opera composer |
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18 -1945 serialism constant beat, rand notes |
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18 -1945 Hungary ethonomusicology: studied others, uses in his piece ex)string quartet |
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1906-1975 Sov Union sov realism ex)Lady Macbeth, 5th symphony |
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1933- Polish avant-garde style, tone clusters, graphic notation |
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1900-1990 Paris, U.S tonal Nadia |
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French, taught to have own voice |
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1936 U.S minimalism; guitar, bass phasing ex) diff. trains |
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classical era: classical symphony |
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form: sonata,decapo,min+trio,rondo orch fast n serious, slow n lyrical, graceful, fast and lively Mannheim, Stamitz violin,violla,cello,bass(string quartet) came from opera: instrum part |
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classical era: string quartet |
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violin(2),violla,cello,bass |
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classical era: sonata form |
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"1st movement", expos,develop,recap; listen to beginn-most impo expos:AB(1st,2nd keys), cadence, repeat dev:variety recap:AB(1st key) coda |
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classical era: minuet and trio form |
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ternary form: AABB CCDD AABB(or AB) min trio min contrast in trio |
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classical era: rondo form |
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fast, scatero, catchy tune A=refrain B=episode ex) ABACABADA coda |
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classical era: rondo: refrain, epidisodes |
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classical era: theme and variations |
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melody(homo,poly,maj,min) bass line chord progression |
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classical era: theme and var: theme: melody, bass line, or chord progression; Passacaglia |
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nature,emo, grandeur, awe subjective,personal |
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Romanticism: heiligenstadt testament |
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beethoven 1802: 1st time ack going deaf, most prolific time (mid yrs) |
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standardized set of beats- tell exactly how played posterity |
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romantic:miniatures mult verses text Schubert voice: smaller, clear 3 categ: simple strop,mod strop,through |
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Romanticism: lied/lieder: strophic/modified strophic/through composed form |
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strophic: use same music for ea stanza mod: at end through: diff for ea stanza |
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Romanticism: lied/lieder: song cycle |
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multiple lieder, series of songs, all work together |
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Romanticism: lied/lieder: schubertiade |
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Romanticism: piano miniature |
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single movements: prelude,dance,nocturne romantic song: voice+piano, song mirrors text |
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Romanticism: piano minature: nocturne |
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decide own tempo keeps tempo going in accomp while melody slows down and catches up |
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long pieces, complex, solo instrum, travelers |
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Romanticism: program music |
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prog,titles,narrative= gateway for listener, from there-subjective |
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Romanticism: program music: idee fixe |
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each movement has own melody line romantic symphony |
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Romanticism: program music: tone poem |
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have theme ex)geography for Moldeau |
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post napolean, countries unifying |
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Romanticism: absolute music |
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Brahms, theme and var: theme: set of 8 chords--chordal homo |
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Romanticism: ochestration |
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Romanticism: transcription |
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Liszt, rearrange work from diff genres |
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beginning, instrumental, set mood, fast-slow-fast, sinfonia |
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comic plot, bass roles, smaller change from baroque ex) don giovanni-mozart |
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realism, puccini, focus o earth of people (ordinary, poor) |
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Opera: Gesamtkunstwek / music drama |
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wagner, music drama, must be about where person from, must write libretto, must conduct,direct |
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wagner, every character has theme |
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theater, 1st with elec lighting |
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20th Century Composition: Impressionism |
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20th cent Paris, nothing explicit no triad chord--no maj/min, fuzzy rhythm small forces,dance,new harmony |
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20th Century Composition: Impressionism: Whole tone scale, Penatonic scale, Symbolist Poetry |
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whole tone: less notes, like wandering penatonic: 5 notes |
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20th Century Composition: Primitivism |
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violence, basic, instinctual, all rhythm based |
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20th Century Composition: Primitivism: Ballet Russes, Polytonality |
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polytonality: no tonic, Stravinsky |
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20th Century Composition: Neo-classicism |
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b4 romanticism, WW1-mistrust prev gen, no natlist mech,classical,symm,Bach,Mozart+twist |
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20th Century Composition: Expressionism |
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20th Century Composition: Expressionism: Atonality, Sprechstimme |
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Atonal: every pitch played same,lacks structure,rand sound,disson sprechstimme:every piece diff |
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20th Century Composition: Serialism |
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twelve tone: based on 12 pitches in particular order to create melody line |
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20th Century Composition: Ethnomusicology |
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study others, use their melody,rhythm,chords ex)Bartok |
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20th Century Composition: Soviet Realism |
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b4 WW2, Stalin, pol.purpose Shostakovich |
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20th Century Composition: Postmodernism |
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20th Century Composition: Minimalism |
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20th Century Composition: Minimalism: Speech Melody, Phasing |
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speech mel: string quartet plays what governess says phasing: 2 part start together, shift, come together |
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Film Music: musical underscoring |
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Film Music: diegetic music/ source music |
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Film Music: non-diegetic music |
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1750-1800 bal,proport,clarity,accessibility easy on ear melody+accomp bal phrases, simple harmony, light accomp (walking bass) ruled by convention genres: opera,symp,string quart,sonata masters: haydn, mozart |
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classical era (historical) |
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Hapsburg empire-Vienna (music center) enlightened monarch (reason), death Louis XIV, Fr Revol, mid class-publ concert, |
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classical era (musical genres) |
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opera:attack on baroque, comic opera-simple music, norm character symp: most impo, strings,woodwind,trumpets/drums(sometimes) chamber:string quart (same 4 movement pattern), sonata (keyboard/keyb+1) also concertos new genres: piano concerto, comic opera, string quartet |
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classical era (musical forms) |
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sonata,aria,min+trio,rondo |
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1800-1900 orch larger, change dynamics, tempo-long,slow,changes, long melody "yearning", loose form, prog music, extremes:massive/mini, symph poem brilliant indiv performers ruled stage |
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romantic era (historical) |
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change, indus revol(inc std of living), vs. rational, want emo, faith, god, nature, natlism (fr revol), public music, indiv |
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romantic era (musical genres) |
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opera, symp, song, requiem mass (voice for both) concerto, string q, symph poem, mixed genres. fave instrum: piano,violin symph poem, symph |
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romantic era (musical forms) |
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20th century (historical) |
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Paris, tech, suffering, ww2, GD modernism: self-consc innov experimentation impressionism, primitivism,neoclassicsm,expressionism,serialism,sov russia,postmod,minimalism |
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3 periods:early(modernism), mid(serialism),late(postmod) mod:debussy,strav,schoen serial:schoen replc sys postmod:variety influ, return to melody,conson,tonality tonality replaced,nontrad scales,elec instrum,question all aspects, pop music blended w/classical style |
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