Term
|
Definition
First to print with movable type |
|
|
Term
|
Definition
Wrote rules for counterpoint
Leader in movement for ear over math |
|
|
Term
|
Definition
used panconsonance
believed to live most of life in France
used triads-Quan pulchra
motets and masses |
|
|
Term
|
Definition
Used contenance angloise in cantilena motet Flos florum
masses based on single cantus firmus
last to use plainchant repertory
wrote mainly in French -Missa se la face ay pale -used secualr cantus firmus -tenor not lowest voice |
|
|
Term
|
Definition
Missa Prolationum, uses all prolatios and a canon |
|
|
Term
|
Definition
Ave Maria...Virgo Serena -pervading imitation with points of imitation -paratactic -conjunct motion
El grillo -antiphonal
Missa Fortuna desperta -inversion and augmentation
Missa Pangelingua -paraphrase |
|
|
Term
|
Definition
Wrote 16th Century Madrigals |
|
|
Term
|
Definition
First female professional composer
Wrote only madrigals |
|
|
Term
|
Definition
Composed for keyboards
Works published in first ever published collection of songs for keyboard in England |
|
|
Term
|
Definition
Lute Songs
English Madrigals |
|
|
Term
|
Definition
Epitome of Renaissance polyphony
Used imitation |
|
|
Term
|
Definition
Used imitation
Wrte madrigals, masses, chansons, and Lieders
Wrote musica reservata
Used imitation |
|
|
Term
|
Definition
Music dominated by thirds, fifths, and sixths |
|
|
Term
|
Definition
Unnotated line that runs parallel to the uppermost of two notated lines, usually a fourth below |
|
|
Term
|
Definition
Interpolating lines above and below preexisting melody (done in England)
Fourth above and Thirds or Fifths below |
|
|
Term
|
Definition
Music that uses many triads, limited dissonance, many thirds and fifths |
|
|
Term
|
Definition
Pervading imitation Points of imitation Paratactic Form Conjunct Motion |
|
|
Term
|
Definition
Series of musical ideas are repeated in all voices throughout an entire work or section of a work |
|
|
Term
|
Definition
Places where Pervading Imitation is used |
|
|
Term
|
Definition
All sections unrelated
A B C D E F G |
|
|
Term
|
Definition
a cycle of all movements of the Mass Ordinary integrated by a common cantus firmus or other musical device |
|
|
Term
|
Definition
a thematic idea in multiple voices placed prominently at the beginning of a movement or section of a movement |
|
|
Term
|
Definition
Written by Ockeghem
Used all prolatios |
|
|
Term
|
Definition
Cantus Firmus in atleast one voice at all times |
|
|
Term
|
Definition
Mass built around a common cantus firums
Ostinato, Strict, and Free |
|
|
Term
|
Definition
At least one of every notated voice generates a second |
|
|
Term
|
Definition
Incorporate all voices of an existing work into fabric of new work or at least in the beginning |
|
|
Term
|
Definition
Secular Italian vocal genre of the late 15th and 16th centuries. The texture tends to be chordal and the texts are often lighthearted, comic, or ironic. |
|
|
Term
|
Definition
Brief passage of duple-meter rhythms within an otherwise triple-meter context |
|
|
Term
|
Definition
Type of dance popular in the 15th and early 16th centuries. The notated sources preserve only a series of long notes, around which other instruments were expected to improvise their own contrapuntal lines. Letters represented dance moves. |
|
|
Term
|
Definition
Term coined by 20th century scholars to describe a type of song that emerged in the French capital during the 1520s, featuring predominantly chordal textures |
|
|
Term
|
Definition
Secular song cultivated in Germany in the 16th century in which the principal melody appears in the tenor voice with three contrapuntal voices surrounding it |
|
|
Term
|
Definition
Principal genre of Spanish song in the Renaissance. Equivalent to French virelai AbbaA |
|
|
Term
|
Definition
General term used to describe a variety of Italian song types of the 16th and early 17th centuries. These songs were often to bawdy texts and featured predominantly chordal textures. |
|
|
Term
|
Definition
A hymn, either in its harmonized form or as a melody alone. Chorales are associated particularly with the congregational music of the Protestant Reformation. |
|
|
Term
|
Definition
Designation given to many motet-like works on English texts from the 16th century onward. The full anthem is for chorus throughout. The verse anthem alternates choral passage with passages for solo voice and instrumental accompaniment. |
|
|
Term
|
Definition
Arrangement for keyboard or for a plucked stringed instrument-lute, guitar, vihuela, cittern, pandora-of a work originally writeen for voices |
|
|
Term
|
Definition
A freely composed work that is improvisatory and preludial in character, often for lute or keyboard. By mid 16th century was identified with polyphonic works for keyboard or for instrumental ensembles. |
|
|
Term
|
Definition
Speeding u of note values within a theme that has already been presented |
|
|
Term
|
Definition
Music written for connoisseurs and not intended for wide distribution. Hard for listeners and players; involved unconventional elements of notation, chromaticism, and the use of ancient Greek genera. |
|
|
Term
|
Definition
A style that emphasized extreme dissonance, unusual harmonic progressions, and exaggerated word-painting. |
|
|
Term
|
Definition
Tonic to Dominant progression |
|
|
Term
|
Definition
Dominant to Tonic progression |
|
|
Term
|
Definition
Unit of music to be repeated in performance immediately after it has been first presented. Two reprises are binary form. |
|
|
Term
|
Definition
|
|
Term
|
Definition
Opposite of Paratactic
One or more ideas unifies all sections |
|
|
Term
|
Definition
Liturgical, Occasional, Devotional |
|
|
Term
|
Definition
Much was Rondeau
More homogenous texture, unified rhythm, much pervading imitation |
|
|
Term
|
Definition
for in home use
player played and worked bellows |
|
|
Term
|
Definition
Came from monochord
Portable, quite, and capable of being played solo
Operator could control note from beginning to end |
|
|
Term
|
Definition
Smaller harpsichord
Strings ran at right angles to keys |
|
|
Term
|
Definition
|
|
Term
|
Definition
Viol played between legs or held upright on lap |
|
|
Term
|
Definition
Sloped shoulder, flat back, fretted fringerboards, six strings tuned in fourths except maj 3rd between middle strings |
|
|
Term
|
Definition
Often played in groups of 3 for dances and processions
Double reed |
|
|
Term
|
Definition
|
|
Term
|
Definition
Like trombone of today, brass instrument |
|
|
Term
|
Definition
Through composed
Easy to play
Word painting
Gave way to Villanella |
|
|
Term
Types of Instrumental Music |
|
Definition
Intabulations Abstract works/Freely Composed-toccata, ricercar, fantasia, prelude Variations-embellished idea in different ways Dance Music |
|
|
Term
|
Definition
pavane passamezzo bouree saltarello galliarde volta branle moresca rondo |
|
|
Term
|
Definition
modular units of equal length |
|
|