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Giotto Di Bondone Proto Renaissance in Italy Composition: The arch, the halos, the eye focus of the people Symbolism: The barren tree The idea of Individuality (the angels each have a different reaction) People have their backs to us to draw us in as if we have a space The edges in the sky indicate the frescos occurred in pieces at a time |
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Giotto Di Bondone Proto Renaissance in Italy Arena chapel, padua Individual chapels that belong to wealthy family No Frescos since Pompeii, which was under ash As few windows as possibly for more room for paintings His composition was leaps ahead of others His tricks included all people looking at them; the arch emphasizes and draws you back to the couple |
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Renaissance in Northern Europe February, Book of Hours (illumination page) Lack of illusionary of space, very flat Very detailed |
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Merode Altarpiece Renissance in northern europe Triptych of the Annunciation Flemish/contemporary times Patrons, Mary, Joseph Illusionary space not believable Humanized Mary, brought the story into a here and now, religious connection |
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renissance in northern europe Jan Van Eyck Giovanni Arnolfini and His Bride Renaissance in Northern Europe Until this time, paint was done in tempera mixed with egg, this is in oil |
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jan van eyck Renaissance in Northern Europe Man in a Red Turban (oil) Van Eyck is the idea of making oil paint More luminous First interest in portraiture since Roman times |
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Ghiberti reniassance in italy linear perspective |
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renissance in italy Donatello David First sculpture since Greek and Roman times, hollow cast First nude sculpture |
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renissance in italy donatello Two equestrian statues before this Worried look on his face |
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Renaissance in Italy Brunelleschi
Church of San Lorenzo Brunelleschi made the formula for drawing things in perfect perspective, linear Slightly gothic because not completely rounded |
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Renaissance in Italy Masaccio Trinity with the Virgin Something people could relate to Used Brunelleschi's formula Trompe l’oeil |
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Renaissance in Italy masaccio Tribute Money 3 scenes are unified by perspective and by the light, only one light source |
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Renaissance in Italy masaccio Botticelli Birth of Venus Roman mythology: goddess of love Now okay to have paintings of roman, bringing in pagan images with Christianity |
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High Renaissance in Italy |
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Oil painting had been in northern Europe and now established in Italy Major artists: Leonardo, Raphael, Michelangelo About previous knowledge, Philosphers Horns were a tradition from a misinterpretation of the bible |
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cartoons, made medical illustration, inventions, helicopters |
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leonardo da vinci high italy Madonna of the Rocks (oil) Popular subject A triangle composition Used sketches |
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leonardo high italy The Last Supper (Fresco with oil) Combination of fresco and oil paint, bad combination Individuality of each person and their emotion Agnostic |
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leonardo high italy Mona Lisa (oil) Her realism is what makes this significant Her looking at the viewer was unusual Hazy, sfumato |
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leonardo high italy Vitruvian Man Went back to Vitruvius and translated his books Drew out his ideal proportions of the body |
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For hire, He was taught by the artists around him, took components from others |
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Raphael high italy Madonna (Cowper) Putting a landscape behind a figure, identifiable place showed he studied leonardo |
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Raphael high italy The School of Athens (fresco) All features are flat, painted for dimension Included actual people as figures Composition, similar to last supper, single point perspective Bringing science and religion together controposto |
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an architect in the remodeling of saint peter/ Capitoline Hill |
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michelangelo high italy Pieta (marble) Pity in Italian, typically the subject of all pietas Early work of Michelangelo Realistic except proportion is off Refers back to classical Greek sculpture of ideal age represented |
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Michelangelo high italy David (marble) David and goliath, meant to be on the Florence cathedral, not perfect proportion Founder for Florence, saw itself as the underdog to Rome |
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michelangelo high italy Unfinished” Slave (A.k.a. Cross Legged) Are they unfinished? Metaphor for the human condition We are trying to break free of ourselves |
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Michelangelo late italy Sistine Chapel - Ceiling (fresco) Scaffolding he created An angry man didn’t get along with others and didn’t want to do this, pope made him Lots of nudity is present |
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Martin Luther, German theologist… founding protestants, Art has changed, judgment has come |
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Michelangelo Late italy Sistine Chapel - Last Judgment wall (fresco) The pope had someone go back and paint on clothes Used real people for models |
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late italy Venus of Urbino (oil) Connection to mythology Idea of balancing through colors and complexity Strong diagonals and vertical and horizontal lines for perspective Founder of sophisticated compositions and use of color, and contrast |
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late italy Last Supper (oil) 2 point linear perspective Starting with dark and bringing in light, under-painting is dark |
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Meant for specific, wealthy audience. Attitude of elite Allegories: illustration of a moral point or story |
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Mannerism Deposition (oil) It looks flattened out, no illusionary space You have to be on of the insides to appreciate it |
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Renaissance in Northern Europe |
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flanders is still the main area |
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Renaissance in Northern Europe Albrecht Dürer Adam and Eve (engraving) Went to Italy to study Influenced by Greek figures |
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Renaissance in Northern Europe Albrect durer The Great Piece of Turf |
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Renaissance in Northern Europe albrecht durer Self Portrait Accurate, realistic, detailed |
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Renaissance in Northern Europe Hieronymus Bosch Garden of Earthly Delights Symbolic Music was the work of the devil Satirical interpretation of what people shouldn’t do |
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Renaissance in Northern Europe Pieter Bruegel the elder Hunters in the Snow Sophistication of the complexity of the composition ? |
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Emphasis Implied motion Emphasis of light Theatrical Expansion of space |
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who funded baroque art in italy |
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baroque italy Caravaggio Entombment tenebrisim |
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baroque italy Judith & Holofernes Lady like carvaggio |
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baroque italy Artemisia Gentileschi Judith Decapitating Holofernes 1620 Taught by her father Judith is more determined |
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Bernini baroqaue italy Baldacchino Alter right over the burial plot of saint peter |
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baroque italy bernini David Movement, implied motion |
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baroque italy bernini Ecstasy of St. Teresa Opera, drama, extravagant |
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Upper middle class, patronage Successful Business men About religion, personal experience Scale is individualized Subject matters are everyday Religious topics but for the people Culture is art, hard working, not lavish |
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Dutch Baroque rembrandt self portrait |
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Dutch Baroque rembrandt Three Crosses The first state is the first condition it was in, a proof Fourth state, the image has been scratched away |
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Dutch Baroque Syndics of the Drapers’ Guild Group portraits, everyone paid |
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Dutch Baroque Jan Vermeer Young Woman Holding a Balance Genre painting: A reminder of pious lives |
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Dutch Baroque Judith Leyster Self Portrait An advertisement of what she can do |
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Dutch Baroque Still Life With Oysters, Rum Glass, & Silver Cup Meaning: life is short |
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Dutch Baroque Flower Still Life Still life’s are typical Dutch baroque style Painted them wilting to represent the beauty and material things are fleeting |
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Dutch Baroque View of Harlem from the Dunes at Overveen Subject: Nature |
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Late baroque in France Palace of Versailles exterior Sculptures, fountains, |
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late baroque Hall of Mirrors, Versailles Roman arcades, long and flat |
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Rococco Happy Accidents of the Swing What does the aristocracy do to entertain themselves? Affairs, fun, not perfectly realistic, lavish |
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early modern David Oath of the Horatii Painted as if in roman times Painting images of patriots during revolution Neoclassicism? |
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early modern The Death of Marat Marat, leader of resistance, made to look sympathetic |
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early modern The Third of May Romanticism Based of the despot between Spain and France Symbolic: crucifix |
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early modern Saturn Devouring His Children Reference to Greco-roman story, Saturn if the God of time |
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early modern Gericault Raft of the Medusa Comment against slavery Trying to make a difference with art, and did |
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early modern the artist's studio |
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early modern Home of a Rebel Sharpshooter Highlighted the truth of what was going during the war |
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Before: Art was taught in the academy, how you painted and what you painted Salon de refuse: alternative show, rebellion against the standard Change, throwing out tradition Specific style, went against ideal Questioning of the truth, Art as an experience Local and optical color, short and choppy brush strokes The development of chemical pigments and the paint tube Putting colors next to each other on the canvas versus the palette Snapshot view of life, intimate and personal |
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did not attempt to be an impressionist |
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involved in ballet scenes, influenced by japanese prints, more structured, pastels |
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impressionism manet Luncheon on the Grass Conflict because of nudity and not the ideal |
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impressionism monet Impression Sunrise Not a single truth for one person |
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impressionism monet rouen cathedral highly textured |
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impressionism monet luncheon art as an experience |
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impressionism monet water lilies |
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impressionism renoir snapshot view luncheon of the boating party |
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impressionism degas linear draws in the viewed as a participant |
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impressionism degas The Morning Bath (pastels) Color used right next to each other that wouldn’t muddy |
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impressionism
in the dinging room |
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impressionism cassatt american |
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impressionism cassatt american |
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EXPRESSIONISM Seurat Sunday Afternoon on the Island of La Grande Jatte Used contrasting colors in dots to make it bright, very meticulous Interested in the psychological use of color |
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EXPRESSIONISM Cezanne Boy in a Red Vest Looking for the underlying structure for painting as impressionism had no structure Not an imitation of nature No illusion of space or perspective |
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EXPRESSIONISM cezanne Still Life with Basket of Apples Intellectualizing the view, how do we look at things? |
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cezanne Mont Sainte-Victoire Series that became more abstracted |
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EXPRESSIONISM van gough Clashing contrasting colors Where he died |
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EXPRESSIONISM Van gogh The Starry Night Not reflective of nature, no harmony |
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EXPRESSIONISM van gogh sunflowers |
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EXPRESSIONISM gauguin The Vision After the Sermon
Art doesn’t have to represent the physical world |
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EXPRESSIONISM gauguin Day of the God Starts abstract |
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EXPRESSIONISM At the Moulin Rouge Abstracted color Unbelievable illusionary space Fin de siècle idea in Europe |
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Abstracting the detail of the paintings so we focus on emotion: the desperation and cry |
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expressionism,his life is in his work, moves from impression to more blocky strokes, thick painting, sold only one work in his life, contrasting colors, institutionalized himself |
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hated his life and the world around him, thought it was too decadent. Wanted a more primitive life |
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Inappropriate color, flattened image |
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matisse Matisse’s favorite color was red Influences of non-western art |
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fauvism matisse Influenced by Persian rugs |
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