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| A Drawing drawn by hand, Fantasia 1938 - longest experimental film |
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| attempts to give you factual info. about the world, real events that actually occured |
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Cinema Verite (direct cinema), Ethnographic, Compilation, Interview (talking heads), Portrait
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| The 5 kinds of Documentarys |
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| Cinema Verite (direct cinema) |
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| 911 - filming real events as it actually occurs |
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| Describes or presents to you a society or group of people, customs, way of life, day to day activities, culture.Nanook of the North. Dir. Robert Flaherty (1922) |
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| A collection of images from an archival source, old sources. (old inventors) |
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| Interview (Talking Heads) |
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| questions are asked to someone |
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| Centers on the life of a compelling person, someone of interest, or influence. Ar Crum - the artist in France |
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| Rhetorical and Categorical |
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| Two types of Documentarys |
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| attempts to persuade the viewer, to change your opinion. Ex. Thin Blue Line - Dir. Errol Morris |
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| attempts to give you straight forward information about a topic, unbiased info. Hoop Dreams |
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| "Dark film" a term applied by French critics to a type of American Film, usually in the detective or thriller genres, with low-key lighting and a somber mood |
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| a film that can take any form |
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| Abstract experimental film |
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| Introduced to things on the screen, study of interesting images, designs, patterns |
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| Associational experimental film |
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| will begin with a collection of images, that have a theme, connection, purpose, rhythm and rhyme |
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take a movie camera and film someone and project them onto a color board then color them to give cartoons more realistic movement.
1st Snow White and 7 Dwarves |
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| An animation that mixes real people/life with cartoon characters |
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| Wallis and Grumit uses plasticine |
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| King Kong fighting T-Rex, Nightmare before Christmas |
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| Finding Nemo, first was Toy Story to be completely ____ first feature length one, Tron 15 min. scene |
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Mise en Scene
Cinematography
Editing
Sound |
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| Means to put into the scene, exist everywhere, helps us compose the film, understand character, story, artisticness behind the film |
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Setting
Costume/Make Up
Lighting
Behavior/Acting
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| where it takes place, has an active role (ocean, house, city) |
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| Emphacizes happiness, feeling, Express ideology, emotion, expression |
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Key Light
Fill Light
Back Light |
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| Primary light that illuminates the main subject. usually infront |
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| exists to eliminate shadows and/or create them |
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| when a series of films enjoy intense popularity over a specified time frame. Shaft |
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| Cinematography (Cine - Movement) |
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| Moving images, a general term for all the manipulations of the film strip by the camera in the shooting phase and by the lab. in the developing phase |
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| refers to the brightest and darkest areas on the screen |
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| Cinematographer or Director of Photography |
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| a person who takes moving images |
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| how much light passes through the camera |
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| The art of composing on the screen. Putting people all on one side to show instability |
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| only one person could watch it, had to look into it, Invented by Thomas Edison 1895, single images only 40 secs long |
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| Thomas Edison made all his movies here (Monta) Just like a studio, can control lights |
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| 1895 Father owned a still camera factory, Invented a camera that allowed other people to watch in a mass amount, Films were outside, of children, breath of fresh air |
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| distance between the height and width average is 35MM |
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Production
Sell to Distributor
Exhibition 60% |
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Fiction
Documentary
Animated
Experimental |
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| Films Categorized into groups 4 |
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| Another word for the story |
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| way camera moves, pace, way special effects, long shots, close shots, lighting action, way the men and women interact |
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| Classical Hollywood Style (1920-1960's) |
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| Music, Beginning, Names, Seeing things, Hearing things, Sound Effects, Happy Ending |
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| Form Meaning - whats referred to, but not openly stated |
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| Form Meaning - openly stated |
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| Form meaning - refers to the theme |
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| Form meaning - the studies of ideas and ideology |
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Repitition
Function
Difference/Variation
Development
Unity/Disunity |
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| when an element fullfills a role we say it has a ______ |
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| somethings gotta change some level has to occur |
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| when all the relationship and plot points are resolved there is a sense of ______ |
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1. Plot/story
2. Cause/effect
3. Time
4. Setting |
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- the events depicted on the screen
-conflict
-whats relevant
-where it takes place |
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| films that have a resolution at the end task of the story teller to resolve |
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| $, easy to categorize, made up of conventions - are the characteristics that place something in a ______. Exist by general agreement or concensus |
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| when an item has a significant recognition (common meaning) from film to film it has _________ imagery |
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| background setting dominate, Human figures are not generally visible |
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| human figures are visible background still there human figure dominates |
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| from the chest, breast up |
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| a shot of a face, hand, foot |
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| isolates detail such as an eye, pen in hand |
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| Camera work can be _______ and _______ |
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| when your eyes are the eyes of a character P.O.V. |
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| watching a play, a teacher infront of a class |
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| Moving the camera along the ground |
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| a harness that holds the camera that someone wheres |
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| show power/weakness, more/less |
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| everything in the shot is in focus |
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| pass in time, young to old, fat to skinny |
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| light from one special place, unique dramatic source of light |
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| Low/High, Digs hole in ground |
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| Characters talking over eachother |
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| backgrounds that are artificial paint/CGI |
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| ADR-Additional Dialogue Recording |
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| _______- the term used to describe the process of re-recording actors' dialogue in a controlled environment (i.e. a sound studio) during post-production. |
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| The director of Raging Bull is |
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| The director of Run Lola Run |
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| The director of Bonnie and Clyde |
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