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the place where the director and crew operate |
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making the cameras produce pictures that match each other in luminance, chrominance, and saturation levels |
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responsible for the overall concept of the shoe as well as logistical and financial concerns |
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sits in the control room and calls the shots for the live or live-to-tape show |
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sits next to the DIR in the control room and provides general support |
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start cues to begin speaking or to start action |
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wears a headset to hear the director's instruction for framing, panning, tilting, trucking, dollying, and breaking to different shots |
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enables the operator to quickly prepare a change of framing from wide angle to telephoto by simply pushing a motor control button on the lens |
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a physical move of the camera toward the subject or away from the subject |
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the distance in front of and behind the focal point that is also sharp focus |
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controls the recording volume of all microphones and tape machines with the Mixer |
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assistant to the audio engineer |
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technical director (switcher) |
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responsible for the technical operation in the studio and control room |
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immediate transition between shots |
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cross-fade between scenes that involves more than one frame of transistion time |
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transition between shots that employs the use of a geometric psttern moving on the screen to reveal the new source |
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an electronic cut-out of part of one image imposed over part of another |
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the key is set up using two rows of buttons together |
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another way for a switcher to generate a kay |
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character generator operator |
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types a name ID to be keyed over the camera shot |
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may deliver a "live" announce or may prerecord an announcement |
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offers general help in the studio |
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designs the lighting plot for the studio |
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plans and constructs the set |
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anyone who is seen or heard in the production |
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responsible for recording and playing back videotapes during the show |
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