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Mosque of Ibn Tulun
- T-Plan and Hypostyle - Large Courtyard - 92 m - The minaret isn't from Egypt, it originates from Samarra - The Decoration is Secondary to the Architecture - 2 Center Arches |
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Abu Dulaf Mosque
- Very Similar to the Great Mosque of Samarra - Walls were open to the people and not just open in one area - Large spiral minaret |
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The Great Mosque of Kairouan
- Made of Stone and Brick - Punctuated by two domes - T-Plan and Hypostyle - Where we see the dome, it indicates the qibla wall - The dome outshines the rest of the architecture because more attention should be focused on the qibla wall - First mosque with the mihrab in the shappe of a dome |
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The most fundamental necessity of congregational mosque architecture is that it be able to hold the entire male population of a city or town (women are welcome to attend Friday prayers, but not required to do so) |
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- The direction of Mecca is called the qibla, and so the wall in which the mihrab is set is called the qibla wall.
- No matter where a mosque is, its mihrab indicates the direction of Mecca (or as near that direction as science and geography were able to place it). |
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a tower adjacent or attached to a mosque, from which the call to prayer is announced.
- The famous spiral minaret of Samarra, to the tall, pencil minarets of Ottoman Turkey. Not solely functional in nature, the minaret serves as a powerful visual reminder of the presence of Islam. |
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- a dome does possess significance within the mosque—as a symbolic representation of the vault of heaven. - The interior decoration of a dome often emphasizes this symbolism, using intricate geometric, stellate, or vegetal motifs to create breathtaking patterns meant to awe and inspire. - In mosques with only a single dome, it is invariably found surmounting the qibla wall, the holiest section of the mosque. The Great Mosque of Kairouan, in Tunisia has three domes: one atop the minaret, one above the entrance to the prayer hall, and one above the qibla wall. |
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Geometric and vegetative motifs Calligraphy (Qua'ran) Singular God No representations of God |
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The Round City of Peace - Imperialistic - Lots of Philosophic ties - The literal translation of Baghdad = God Given - 2km in Diameter - 30m high walls - The royal mosque -- the mosque in Baghdad was attached to the Royal Palace.
Abassid |
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The Great Mosque of Samarra
- Material: Mud Bricks and Baked Bricks -- which were typically used for monuments (important structures)
- Most people think the spiral minaret was influenced by the Mesopotamian ziggurat. |
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The Great Mosque of Damascus
- Hypostyle - Many columns - Minarets - Qibla - Mosaic work: the motifs are vegetal - Dome of the Treasury --> for offerings |
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- 40 km - The capital of the Abbasids - Al Moutasem - Caliph in 836 CE - Home to 8 Caliphs - Was the capital for a short time before renaming Baghdad the capital once again |
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The process or art of tessellating a surface, or the state of being tessellated.
- An arrangement of shapes closely fitted together, especially of polygons in a repeated pattern without gaps or overlapping. |
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Simplified and abstracted style wise |
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Came first. They were categorized as adaptation and juxtaposition. |
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Geometry and SImplicity. They were seen as purifications and simplifications of the Ummayads.
Inspired by Byzantine. |
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Located in Mecca, Saudi Arabia, it is the holiest shrine in Islam.
The Kaaba was a sanctuary in pre-Islamic times. Muslims believe that Abraham—known as Ibrahim in the Islamic tradition—and his son, Ismail, constructed the Kaaba. |
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4 Elements of the Ummayad Ornament |
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Abstract and Vegetal Forms Geometric Patterns Calligraphy Some Figural Decoration |
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Leader, especially of ritual prayer |
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The direction of prayer towards the Ka'ba in Mecca |
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Pulpit in a congregational Mosque from which the sermon is delivered during worship on Fridays. |
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Appears as an imperialistic thing. It is inspired by the Romans. Mosaic tiles showed an infinity |
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Abbasid Decoration of the Architecture |
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Style A: Vegetal and Geometric Style B: Freehanded Style C: Infinite --> Tesselations |
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