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"Father of gods and men"
Ruled the gods of mount olympus
god of the sky and thunder |
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god of the grape harvest, winemaking, wine, of ritual madness and ecstacy |
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god of the light and sun, truth and prophecy; medicine, healing, and plague; music, poetry and arts |
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3 Fates:
Clotho: spinner of thread of life
Lachesis: measures thread of life
Atropos: cuts the thread of life
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- comments on the dramatic action
- offered background information to help audience follow the play
- comments on themes
- represents general population of the story
- provides insight about what the characters could not say outloud
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- "god out of the machine" - latin
- plot device: incredibly unsolvable problem is suddenly solved due to the intervention of something (another character, ability, object)
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- form of art based on human suffering
- human struggles to overcome an enemy force and is ultimately defeated
- may have grown from the practice of honoring Dionysus
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- "tragic flaw" that triggers the downfall of a character
- term used by aristotle to describe a character's mistake that triggers the tragic outcome of his/her actions
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opening scene where information is revelead about events that happened before the play |
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- greek drama: entrance of the chorus that provides exposition and sets the mood
- often follows the prologue
- one of several structural elements of greek tragedy in 5th century bce
- where the actors and chorus entered from
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sequence of events in a greek tragedy where the characters drive the action through interaction with the chorus and one another
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a choral dance song sung in between events in greek tragedy |
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- greek word for imitation
- used to describe artistic practice of representing reality (creating theater)
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- the ending scene in a greek tragedy where all the characters and chorus members exit the stage
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plot device where a character thinks everything is going to go his/her way but ends up being the opposite, but the audience already knew it was going to happen since we have more information than the character |
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tragic flaw of pride or arrogance that can lead a hero to ignore accepted moral codes or warning from the gods, causing his own downfall |
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- sense of relief a spectator may feel at the end of a tragedy
- aristotle: purpose of tragedy is to create feelings of pity and fear during the play, then rid the body of these feelings (katharsis: purge of feelings)
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- arangement of related events in a play
- may be simple or complex
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player or character important to the telling of a story
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- theme
- what the play means opposed to what happens
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choice in language or words |
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- creates patterns and establishes tempo in theatre
- can be created with actor's voices or wordplay
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- elements in a play's production that appeal to the eye, like costumes, scenery or stage tricks
- aristotle: sixth element of tragedy
- elaborate or costly stage effects
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- in a tragic plot: the moment in which the story's action changes in direction
- aristotle's poetics: best reversals are those that transpire organically according to the logic of the action
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the moment that a character realizes the true relation of himself to the events in the plot of the play
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- the part of the play where events complicate the original problem that existed at the beginning of the play (making the problem worse or making new problems)
- (usually happens at the beginning of the play)
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the point of most intense excitement in a story |
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part of the play where the problems of the rising action are being fixed |
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the point in which the loose ends of a plot are tied up (doesn't necessarily mean that the conflict is resolved) |
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- critical of tragedy and comedy as well as of actors
- drama and other works of art offer mere representations of the world and therefore stand in the way of the pursuit of truth
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- desrcibed in plato's dialogues to be very critical of tragedy, comedy and actors
- ethics
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- examines dramatic theory and its first principles and identifies its genres and basic elements
- distinguishes poetry in 3 ways:
- their means
- language, rhythm, harmony
- their objects
- agents (good or bad), actions (virtuous or vicious)
- their modes of representation
- 6 elements:
- plot
- character
- thought
- diction
- melody
- spectacle
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Zeami Motokiyo's Kadensho |
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discussed the intricacies of noh acting, the relationship of noh theater to its audience, and the aesthetic concepts underlying noh performance |
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- first one to add a character apart from the chorus, enabling dramatic interaction to emerge
- world's first actor
- "father of Greek tragedy"
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Oedipus the King
won many victories in Dionysus festival in Athens |
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- wrote comedy plays with explicitly sexual themes
- successfully recreated the life of ancient Athens
- has a great power of ridicule
- provided only real examples of Old Comedy
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