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played clarinet and was the 1st notable saprano sax player; lots of vibrato |
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Stride piano player from Detroit; trumpet style piano; could keep up with Louie Armstrong |
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Characteristics of Chicago Style Dixieland |
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party music of the 1920s piano, sax, and guitar were added emphasis on 2 and 4 high energy; complex |
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what instrument was rare in New Orleans Dixieland? |
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characteristics of ragtime |
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complex form; no improv piano, combo, or orchestra righthand somewhat formal lefthand basenote/chord |
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two influential cornet players |
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Louis Armstrong and Bix Beiderbeck |
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rhythm instrument in Dixieland New Orleans... |
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new orleans front line instruments and their purposes |
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cornet: melody clarinet: decorated melody trombone: outlined chords |
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characteristics of boogie woogie |
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12 bar blues; repetitive basenote; shuffle rhythm; lots of improv; upbeat; piano, combo, or orchestra |
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Charcateristics of New Orleans Dixieland |
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collective improv; flat four rooted by banjo; less improv per sq. inch; recording are terrible quality |
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singing the melody with sounds that imitate instruments |
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characteristics of stride piano |
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poptunes/showtunes; lefthand basenote/chord righthand syncopated improv always piano can combine styles |
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what was the essences of new orleans dixieland |
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marching bands (european and complex form) |
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why were wood blocks used in first recording studios |
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drumsets caused too much vibration; the needle would move |
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the father of jazz cornet player |
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the father of stride piano |
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1st musician to write down jazz best known ragtime piano player |
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best piano player of the 20th century |
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