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Couture
Romans of the Decadence
1847 |
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Daguerre
The Artist's studio
1837 |
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Marville
Intersection in Old Paris
c. 1865-9 |
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Nadar
Portrait of Edward Manet
c.1865 |
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Le Gray
Solar effect--Ocean
1857
Gustave Le Gray had high aesthetic ambitions for photography, because of the different exposures needed to get detail in the sea and the sky. Le Gray solved this by using two different negatives. Le Gray was also one of the first to claim that photographs could be appreciated as works of art in their own right |
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Interior View Crystal palace 1851
important because it was:
during the Great Exhibition of 1851 |
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The Spanish Singer, 1860 Édouard Manet
The Spanish Singer won Manet his first critical and popular success in his debut at the Salon of 1861.
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La Grenouillère, 1869 Claude Monet (French, 1840–1926) Oil on canvas
The broad, constructive brushstrokes here are clearly those of a sketch; at this time, Monet sought a more delicate and carefully calibrated surface for his exhibition pictures. (A nearly identical composition by Renoir is in the Nationalmuseum, Stockholm.)
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Monet Gare St Lazare, Paris
1877 |
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Degas
The Dance Class
1874 |
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Cassatt
Woman in a Loge
1879 |
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