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A GENERALIZATION ABOUT A GROUP OF PEOPLE |
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AN OUTSIDE NARRATOR TELLS THE STORY |
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A FEELING OR MOOD OF A LITERARY WORK |
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ONE EVENT BRINGS ABOUT THE OTHER. |
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A PERSON, ANIMAL, OR IMAGINARY CREATURE THAT TAKES PART IN THE ACTION OF A LITERARY WORK |
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THE TECHNIQUES A WRITER USES TO CREATE AND DEVELOP CHARACTERS |
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THE NATURAL ORDER OF EVENTS |
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POINT OF MAXIMUM INTEREST OR TURNING POINT |
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STRUGGLE BETWEEN OUTSIDE OPPOSING FORCES |
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FOUND IN THE BEGINNING OF THE STORY; BACKGROUND INFORMATION USED TO ESTABLISH THE STORY |
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THE NARRATOR IS SOMEONE IN THE STORY |
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BREAKS NORMAL TIME ORDER TO SHOW PAST EVENTS |
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HINTS OR CLUES ABOUT A FUTURE STORY EVENT |
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A STRUGGLE WITHIN THE CHARACTER OR CONSCIENCE |
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THE OPPOSITE OF WHAT IS EXPECTED |
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THE REASON WHY A CHARACTER ACTS, FEELS OR THINKS IN A CERTAIN WAY |
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THE SEQUENCE OF EVENTS THAT MAKE UP THE STORY |
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THE PERSPECTIVE FROM WHICH THE STORY IS TOLD |
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THE FALLING ACTION OR ENDING |
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A FEELING OF GROWING TENSION AND EXCITEMENT FELT BY THE READER/CONFLICTS OCCUR |
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THE TIME AND PLACE OF THE ACTION |
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QUALITIES BELONGING TO THE CHARACTER |
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THE AUTHOR DIRECTLY TELLS YOU THE LESSON TO BE LEARNED (MORAL) |
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THE AUTHOR ONLY HINTS AT THE LESSON TO BE LEARNED |
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