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When an argument is rejected for an irrelevant fact about its presenter. |
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A continuous repetition of the same first letter in a series of words. |
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A reference to something without it being explicitly stated. |
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A comparison between two separate things. |
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The repetition of a word or phrase at the beginning of several sentences. |
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A short, freestanding narrative, often humorous, personal, and meant for relief |
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Phrases near each other with opposite meanings. |
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The use of a title in place of a proper name or noun. (That Hercules over there..) |
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A concise phrase meant to express an important truth or fundamental principle. |
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Addressing an abstraction or personification that is not tangibly present. (Death be not proud) |
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Describes the noun or subject of a sentence (in a large cockroach, large is the appositive.) |
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The consecutive repetitions of a sound within a word (fleet of geese.) |
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The deliberate omission of conjunctions ('and's) between words, phrases, or clauses. |
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The belief in something simply because it's the belief of the popular majority. |
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Two phrases related to each other through an inverted word structure (ride to live, live to ride.) |
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Two phrases related to each other through an inverted word structure (ride to live, live to ride.) |
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The position or assertion one takes on. |
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An informal expression (slang) found in conversation and not formal writings. |
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A sentence with one or more subordinate (dependent) clauses. |
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When two independent clauses are joined by a coordinator (like 'and'.) |
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An elaborate, exaggerated comparison, like 'cry me a river' (a type of metaphor.) |
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What can be perceived through the senses (the bench was very cold.) |
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An additional meaning or sense of a word outside its literal definition. |
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An independent clause first, followed by dependent clauses (see if you can chop off the end and it can still make sense!) |
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A conclusion based on knowledge of a larger concept applied to a specific instance. |
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The strict meaning of words as found in the dictionary, without any outside connotation. |
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The choice of one word over another for the way it sounds. |
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When part of an argument is missing because it is assumed to be known. |
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A short verse, motto, or quote at the beginning of a piece to set a tone or theme. |
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Vagueness and ambiguity meant to be misleading. |
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A persuasion involving ethics to convince the reader of likability and authority. |
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The substitution of a mild or vague phrase in place of one that is offensive or crude. |
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Meant to inform the reader by providing background. |
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Using words for their non-literal sense to convey other meanings ('all the world is a stage'). |
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An exaggeration, figurative, not meant to be taken literally. |
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Meant to create a visual image inside the reader's head. |
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Sentences that are a direct command. |
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What is true for one thing is assumed to be true for all things (this plant is green, all plants must be green.) |
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Sentences that pose a question. |
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A reversal of the normal word order for the sake of emphasis. |
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Saying one thing and meaning another, or the opposite of an expected outcome. |
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A deliberate understatement, often expressed with negatives (no, not, ect.) |
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An appeal with a logical base, persuasions using reasoning. |
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The misuse of a word by confusing it for one that sounds similar; saying one thing but meaning another. |
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The substitution of a longer phrase for a part that suggests it. |
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The act or process of telling a story. |
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(The practice of making a) new, false word, often by combining two others, or giving new meaning to a word. |
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A statement or conclusion that is unrelated to the statement it follows. |
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A statement with a proposal that contradicts itself. |
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The deliberate repetition of words or sentence structures for deliberate effect. |
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The deliberate repetition of words or sentence structures for deliberate effect. |
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The deliberate imitation of a piece of work in order to make fun of it. |
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A persuasion using emotional appeal. |
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A long sentence that doesn't make sense until the end, where the subject is shown. |
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Giving human traits to non-living things. |
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A sentence that uses many conjunctions in close succession (think: run-on.) |
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The mistaken idea that if one thing occurs after another, the second was a direct result of the first. |
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Something introduced with the intention of being false, to divert attention. |
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Language that is effectively convincing of its point. |
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When one thing is said and it is the opposite of the speaker's true meaning. |
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A criticism or mockery using ridicule and sarcasm trying to invoke a change. |
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A systematic and coherent arrangement of parts. |
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The assertion that one event will inevitably follow another, without questioning it. |
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Disputing a view similar to, but not quite the same, as that of the opposing arguer |
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A dependent clause unable to stand along because its meaning is dependent on another clause. |
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Deductive reasoning with a major premise (all men are mortal,) a minor premise (Socrates is a man,) and a conclusion (Socrates is mortal.) |
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The mixing of the senses. |
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When a part of something is used to indicate the whole, and vice versa ('hired hands' in place of workers.) |
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The ordering of words into meaningful verbal patterns, altering conventional order. |
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An outlined proposition for consideration that is going to be discussed. |
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The mood of a piece as imposed by the author. |
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Any way in which a word is used outside of its literal meaning for a play on words. |
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The everyday/commonplace language of a region (vs. the formal, official, high-class language.) |
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The distinct style the author uses, sometimes given to his character. |
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Sound reasoning that something is the truth. |
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Using one verb for two adjectives, even if it normally only makes sense for one ('Mr. Pickwick took his hat and leave', even though hats normally don't take leave.) |
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