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The Annunciation, Domenico Veneziano, 1440s, egg tempera on panel
articulated light, strong architectural details
part of a larger church piece - this piece is for predella
has been cut a few centimeters on each side - very tight around edges.
incision lines for drawing remain
pink - for purity of virgin
enclosed garden
she is off centre - humility |
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| St Geminianus, St Michael and St Augustine, Simone Martini, 1319, egg tempera on panel |
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Martyrdom of St Sebastian, Tomaso, linseed oil on poplar
preceded by prep drawings - anatomy
traces of underdrawing
legs strongly delineated with contrapunto
provincial areas were resisting oil |
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| Virgin and Child, Andrea Vanni (Siennese), egg tempera on panel |
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St Zenobius, Domenico Veneziano, 1440s
St Z of Florence is restoring to life a widow's son who was run over by a cart
realistic facial expressions
bishop is in prayer |
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Crucifixion, Sienese school, 1285
based on Giotto's - legs pinned together
he looks at his mother rather than at the viewer - evokes a Madonna and Child |
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| Spinello Aretino, Annunciation, tempera on panel, late fourteenth century |
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| Lorenzo Monaco, Madonna and Child Enthroned with Two Angels, 1400 |
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| Cosimo Rosselli, Virgin and Child with Saints, c.1480 |
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| Liberale de Verona, Pieta, The Dead Christ Supported by Mourning Angels, 1489, Tempera with oil glazes. |
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| Bernardino Luini, Child Angel Playing a Flute, 1525 |
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