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Definition
Pisano, The Annunciation and the Nativity, pulpit of Pisa Cathedral Baptistry, 1259-60 |
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Definition
Berlinghieri, Saint Francis Altarpiece, 1235 (14-1) |
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Definition
Giotto, Madonna Enthroned, c. 1310 (14-7)
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Giotto, Arena Chapel, Padua, Italy, 1305-6 (14-8)
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Giotto, Lamentation, Arena Chapel, c. 1305 (14-9)
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Duccio di Buoninsegna, Virgin and Child Enthroned, Maesta altarpiece, 1308-1311 (14-10) |
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Definition
Simone Martini, Annunciation, 1333 (14-12) |
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Definition
Claus Sluter, Well of Moses, 1395-1406 (15-3) |
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Definition
Van Eyck, Ghent Altarpiece, 1432 (15-5) |
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Definition
Van der Goes, Portinari Altarpiece (open), c. 1476 (15-10) |
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Definition
Bosch, Garden of Earthly Delights, c. 1505-10 (15-18) |
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Definition
Campin, Merode Altarpiece, 1425 (15-12) |
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Van Eyck, Giovanni Arnolfini and his Bride, 1434 (15-13) |
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Definition
Ghiberti, Sacrifice of Isaac, 1401-2 (16-2) |
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Definition
Perugino, Christ Delivering the Keys of the Kingdom of St. Peter, 1481-3 (16-40) |
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Definition
Brunelleschi interior of Santo Spirito, Florence, begun c. 1436 (16-15) |
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Definition
Alberti, West facade of Sant’Andrea, Mantua, c. 1470 (16-41) |
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Definition
Alberti, interior of Sant’Andrea, Mantua, c. 1470 (16-43) |
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Definition
Alberti, Palazzo Rucellai, Florence, Italy, c. 1452-1470 (16-33) |
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Definition
Verrocchio, David, c. 1465-1470 (16-24) |
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Definition
Donatello, Gattamelata, Padua, c. 1445-1450 (16-29) |
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Definition
Masaccio, Expulsion of Adam and Eve, c. 1425 (16-11) |
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Definition
Uccello, Battle of San Romano, c. 1455 (16-22) |
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Definition
Pollaiuolo, Battle of the Ten Nudes, c. 1465, engraving (16-26) |
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Definition
Mantegna, Dead Christ, c. 1501 (16-48) |
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Definition
Botticelli, The Birth of Venus, c. 1482 (16-27) |
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Definition
Ghirlandaio, Giovanna Tornabuoni, 1488 (16-31) |
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Definition
Michelangelo, David, 1501-4 (17-9) |
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Definition
Bramante, plan for new St. Peter’s, Vatican, Rome, 1505 (17-6) |
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Definition
Bramante, Tempietto, Rome, c. 1502 (17-8) |
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Michelangelo, plan for St. Peter’s, Vatican, Rome, 1546 (17-28) |
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Definition
Michelangelo, The Sistine Chapel ceiling, 1508-1512 (17-13) |
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Definition
Michelangelo, Bound Slave, 1513-16 (17-11) |
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Michelangelo, Moses, c. 1513-15 (17-10) |
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Leonardo da Vinci, Virgin of the Rocks, c. 1485 (17-1) |
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Leonardo da Vinci, cartoon of Virgin and Child with Saint Anne and the Infant Saint John, c. 1505-7 (17-2) |
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Definition
Leonardo da Vinci, Last Supper, c. 1495-8, Milan (17-3) |
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Definition
Raphael, Baldassare Castiglione, c. 1514 (17-21) |
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Definition
Raphael, Philosophy (or School of Athens), 1509-11 (17-17) |
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Definition
Michelangelo, Last Judgment, 1534-41 (17-25) |
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Bellini, San Zaccaria Altarpiece, Venice, 1505, oil on wood (17-31) |
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Definition
Giorgione, The Tempest, c. 1510, oil on canvas (17-34) |
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Definition
Titian, Assumption of the Virgin, c. 1516-18, oil on wood (17-35) |
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Definition
Titian, Madonna of the Pesaro Family, 1519-1526, oil on canvas (17-36) |
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Titian, Meeting of Bacchus and Ariadne, 1522-23 (17-37) |
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Titian, Venus of Urbino, 1538 (17-38) |
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Titian, Isabella d’Este, 1534-36 (17-39) |
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Definition
Anguissola, Portrait of the Artist’s Sisters and Brothers, c. 1555 (17-46) |
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Definition
Veronese, Christ in the House of Levi, 1573, oil on canvas (17-53) |
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Definition
Palladio, Villa Rotonda, near Vicenza, Italy, c. 1566-70 (17-56) |
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Palladio, West façade of San Giorgio Maggiore, Venice, begun 1565 (17-58) |
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Definition
Grunewald, Isenheim Altarpiece, c. 1510-15 (18-2) |
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Cranach the Elder, Allegory of Law and Grace, c. 1530 (18-1) |
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Definition
Durer, Last Supper, 1523 (18-4) |
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Durer, The Fall of Man (or Adam and Eve), 1504 (18-6) |
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Durer, Four Apostles, 1526 (18-5) |
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Definition
Bruegel, Hunters in the Snow, 1565 (18-22) |
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Definition
Bruegel, Netherlandish Proverbs, 1559 (18-23) |
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Holbein, The French Ambassadors, 1533 (18-10) |
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Herrera and Bautista de Toledo, Escorial Palace, near Madrid, c. 1563-1584 (18-25) |
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Definition
El Greco, The Burial of Count Orgaz, 1586 (18-26) |
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Definition
Bernini, David, 1623 (19-7) |
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Definition
Maderno, facade of St. Peter’s, Vatican City, Rome, 1606-12 (19-2) |
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Definition
Bernini, Baldacchino in St. Peter’s, 1624-33 (19-5) |
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Bernini, Ecstasy of St. Theresa, Cornaro Chapel, 1645-52 (19-9) |
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Borromini, facade of San Carlo alle Quattro Fontane, Rome, 1665-1676 (19-10) |
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Definition
Borromini, plan of San Carlo alle Quattro Fontane, Rome, 1665-76 (19-11) |
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Caravaggio, Calling of St. Matthew, c. 1597-1601 (19-19) |
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Caravaggio, Conversion of St. Paul, c. 1601 (19-18) |
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Gentileschi, Judith Slaying Holofernes, c. 1614-1620 (19-21) |
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Rubens, Elevation of the Cross, 1610 (19-34) |
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Velazquez, Las Meninas, 1656 (19-33) |
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Rembrandt, Self-Portrait, c. 1659-1660 (19-47) |
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Definition
Rembrandt, Anatomy Lesson of Dr. Tulp, 1632 (19-44) |
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Rembrandt, The Company of Captain Frans Banning Cocq (or The Night Watch), 1642 (19-45) |
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Rembrandt, Christ with the Sick around Him, Receiving Children (or the Hundred Guilder Print), c. 1649 (19-48) |
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Ruisdael, View of Haarlem from the Dunes at Overveen, c. 1670 (19-51) |
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Vermeer, Allegory of the Art of Painting, 1670-1675 (19-53) |
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Definition
Claesz, Vanitas Still Life, 1630s (19-55) |
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Poussin, Et in Arcadia Ego, c. 1655 (19-58) |
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Definition
Rigaud, Louis XIV, 1701 (19-65) |
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Perrault, Le Vau and Le Brun, east façade of the Louvre, Paris, 1667-1670 (19-66) |
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Hardouin-Mansart and Le Brun, Galerie des Glaces (or Hall of Mirrors), Versailles, c. 1680 (19-69) |
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Girardon and Regnaudin, Apollo attended by the Nymphs, c. 1666-72 (19-70) |
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Definition
Boffrand, Salon de la Princesse, Hotel de Soubise, Paris, 1737-40 (20-1) |
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Definition
Watteau, Return from Cythera, 1717-1719 (20-4) |
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Definition
Boucher, Cupid a Captive, 1754 (20-5) |
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Clodion, Nymph and Satyr, c. 1775 (20-7) |
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Definition
Fragonard, The Swing, 1766 (20-6) |
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Jones, Banqueting House at Whitehall Palace, London, 1619-1622 (19-73) |
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Wren, Saint Paul’s Cathedral, London, 1675-1710 (19-74) |
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Hogarth, Breakfast Scene from Marriage à la Mode, c. 1745 (20-14) |
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Definition
Jefferson, Monticello, Charlottesville, VA 1770-1806 (20-31) |
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Definition
West, The Death of General Wolfe, 1771 (20-17) |
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David, The Oath of the Horatii, 1785 (20-21) |
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