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Cimabue, Madonna Enthroned with Angels and Prophets, c 1280–1290. tempera and gold on wood |
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Simone Martini, The Annunciation, c.1330, tempera and gold on wood |
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Ambrogio Lorenzetti ‘Allegory of Good and Bad Government’, fresco, 1338-9, Palazzo Pubblico, Siena. This is the Allegory of Bad Government. |
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Giotto, ‘The Lamentation’, fresco, c.1304-1313 Padua:Arena Chapel. |
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Nicola Pisano, Pulpit, Baptistery, Pisa, 1259-60, marble. Detail: figure of Fortitude, also known as Hercules |
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Lorenzo Ghiberti, The Sacrifice of Isaac, 1401-02, gilt bronze |
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Donatello, St George, Florence, 1415-17, marble. |
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Filippo Brunelleschi (architect), Pazzi Chapel, Santa Croce, Florence, begun 1440. |
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Masaccio, The Holy Trinity with the Virgin, St John and two Donors, 1425, fresco, Santa Maria Novella, Florence. |
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Masaccio,The Tribute Money, c.1427, fresco, Brancacci Chapel, Florence. |
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Limbourg brothers, Januaryfrom Les Tres Riches Heures du Duc de Beri, c.1413-16, illluminated manuscript. |
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Claus Sluter,Well of Moses, marble, Chartreuse de Champmol, Dijon, France, 1395-1406
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PetrusChristus,A Goldsmith in his shop, 1449 |
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Jan van Eyck, Arnolfini double portrait, 1434 |
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Hubert and Jan van Eyck, Ghent Altarpiece, 1432 |
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Donatello,Equestrian Monument of Gattamelata, 1445-50, bronze, Padua. |
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Domenico Ghirlandaio, Portrait of Giovanna Tornabuoni, 1488, tempera and oil on panel |
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Cosimo de’ Medici from BenozzoGozzoli, The Journey of the Magi, 1459, fresco, Chapel of the Palazzo Medici-Riccardi, Florence |
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Donatello, David, c.1440-1460, bronze |
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Sandro Botticelli, Primavera, c 1482, tempera on panel |
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Pierodella Francesca, Resurrection, 1463, fresco, Borgo San Sepolcro. |
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Andrea Mantegna,Pallas Expelling the Vices from the Garden of Virtue, c 1499-1502, tempera on canvas |
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Jan Mostaert, Landscape with an Episode from the Conquest of America,c. 1535 |
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Raphael, Philosophy (School of Athens), 1509–1511, fresco, Rome,Vatican |
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Leonardo da Vinci,Mona Lisa, ca. 1503–1505 |
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Michelangelo, David, 1501-1504, marble |
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Michelangelo, ‘Creation of Adam’, Sistine Chapel, 1511–1512, fresco. |
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Gentile Bellini, A Seated Scribe, 1479–81, watercolor |
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Titian [or Giorgione], Pastoral concert, oil on canvas, 1509 |
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Matthias Grünewald, Isenheim Altarpiece (closed) ca.1510–1515 |
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AlbrechtDürer,Self-Portrait, 1500 |
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AlbrechtDürer,Melencolia I, 1514, engraving. |
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Hieronymus Bosch, The Garden of Earthly Delights, 1510-15 |
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Pieter Brueghel the Elder, Hunters in the Snow, 1565 |
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Hans Holbein, Portrait of Thomas More, 1527 |
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Bronzino, Venus, Cupid, Folly, and Time, ca. 1546 |
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Correggio, Assumption of the Virgin, 1526–1530, fresco, Parma Cathedral, Parma. |
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Gianlorenzo Bernini, The Rape of Proserpina, 1621-22 |
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Caravaggio, Conversion of Saint Paul, ca. 1601 |
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Diego Velazquez, Juan de Pareja, 1650 |
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DIEGO VELÁZQUEZ, Las Meninas (The Maids of Honor), 1656 |
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Johannes Vermeer,Woman in Blue Reading a Letter, 1663-4 |
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Rembrandt van Rijn,The Anatomy Lesson of DrNicolaesTulp,1632 |
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Rembrandt van Rijn, Self Portrait, c, 1660 |
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NicolasPoussin,Burial of Phocion, 1648, oil on canvas |
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HyacintheRigaud, Louis XIV, 1701 |
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JeanHonore Fragonard, The Swing, 1766, |
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Benjamin West, Agrippina with the Ashes of Germanicus, 1768. |
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Sir Joshua Reynolds, Omai, 1775 |
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Jacques-Louis David, The Oath of the Horatii, 1785 |
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