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Optical device that projects an image of its surroundings on a screen |
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Father of photograph
Daguerreotype: direct and made in the camera ona silver-coppper plate
"The mirroe with a memory"
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More significant than Daguerreotype for future photography
Lacked beauty and detail found in daguerreotypes
invented calotype process |
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1851- collodion process (Wet plate)
Glass negatives-contact prints (albumen)
Produced best images thus far |
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Used many photographers to document civil war
Many glass plates were sold for greenhouses |
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The "glass daguerreotype"
19th century equivalent of the "instant photograph" |
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Black lacquered tin
coated with collodion
Direct positive 2 1/2 x 4 in 5 minutes |
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- Introduced the "dry plate" process in 1871
- Used light-sensitive emulsion (gel)
- In use from 1880-1920
- portable darkrooms would no longer be necessary
- The process was much more sensitive to light, and therefore relatively fast shutter speeds were possible.
- led to a greater degree of standardization and quality
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- Perfected flexible film (first paper, then cellulose-based)
- Developed new camera for his film (kodak box camera)
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- Photography as an acceptable art form with painting and sculpture.
- Married georgia o'keeffe
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The camera was both a reseach tool and an instrument of social reform |
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Documentar - the great depression.
Migrant Mother photo
Cotton picker photo |
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1st life magazine cover
1st female war correspondent |
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Best known for his concept of the "decisive moment" in photgraphy
(Guy jumping over water) |
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"I was finding myself in the landscape of my photography. I might call myself an intruder"
(Shadow on the back of girls head) |
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Took picture of guy prisoner getting executed |
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Camera determines:
ISO
Shutter speed
aperture
white balance
flash on/off |
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Auto mode that allows user flexibility
camera determines exposure (shutter speed and aperture) |
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Based on the aperture chosen, camera will select the shutter speed |
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based on the shutter speed chosen, camera will select the aperture |
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allows complete control of all settings
very useful for studio work and extreme lighting conditions |
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Camera uses flash for main subject and drags the shutter to expose the background |
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- the variable opening in the lens hat admits light
- Precisely controls the amount of light passsing through the lens
aka: iris or diaphragm |
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- a measure of the aperture opening.
- define as a lens focal length divided by the aperture diameter. f-stops are sequenced in multiples of the square root of two: 1, 1.4, 1.8, 2, 2.8, 4 5.6, 8, 11, 16, 22...etc
- each change in f-stop halves (large number) or doubles (smaller number) the amount of light that enters the lens
- example: f-11 lets in half as much light as f-8
f-5.6 lets in twice as much light as f-8
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the amount of time the shutter is open during exposure. it is the inverse of the number on the dial.
the standard sequence is 1,2,4,8,15,30,60,125,250,1000...where 125 represents 1/125 second... |
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scale that goes back and forth |
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Amount of light coming through lens and duration.
Scene gets darker slides ß way
Scene gets lighter slides -> way
Direct sunlight – F16 ( shutter speed 500, f-stop 2.8)
opening up means using a wider aperture
stop down means using a smaller aperture |
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- depth of field is the distance between the nearest and farthest parts of a subject that can be imagined with acceptably sharp detail at one focus setting of the lens
- wide aperture settings (smaller number) produce less depth of field
- small aperture settings (larger number) produce greater depth of field
- the farther the camera from subject-more depth of field
- the closer the camera to subject-less depth of field.
- short focal lengths (wide angle) produce more depth of field
- long focal lengths (telephoto) produce less or shallow depth of field.
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depth of field is controlled ny 3 factors |
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Aperture setting (f-stop)
Distance from the camera to the subject
Focal length of lens used |
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•Wide angle lenses will expand the scene from foreground to background.
•Telephoto lenses will compress the scene from foreground to background.
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•Lens speed
The aperture is the variable opening in the lens that admits light.
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•A “fast” lens is one with a large maximum aperture or low f-stop number (ex: f-2.8).
•Transmits more light.
•Ability to use faster shutter speed.
•Aids focusing
•Normal lenses mimic what we see and therefore look, well, normal.
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precisel controls the duration of exposure to light or how long the light is reaching the film or sensor
•Shutter Lag is the delay that takes place from the time the shutter release is pressed to the time the picture is taken.
•Shutter lag is a result of all the actions taken by the camera to properly capture the image (see previous slide).
•By framing the shot and pressing the shutter release halfway, shutter lag can be dramatically reduced.
•Exposure, focus, wb, sensor charging, digital memory activation – all take place in a P&S when the release is pressed halfway.
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•For best quality, always use the lowest ISO setting possible.
•Higher setting may be called for in low-light and stop-action situations, but keep in mind that image quality will be compromised.
•Outdoors bright sun…ISO 50-100
•Moderate light…ISO 200-400
•Indoors low light… ISO 800-1600
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•Top: Illustrates correct WB for outdoor light.
•Center: Illustrates daylight shot with fluorescent WB.
•Bottom: Illustrates effect of tungsten WB in outdoor light (blue).
•Daylight WB under tungsten light produces very warm color (orange). |
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•The histogram is a graphic display of the distribution of pixels in an image along a scale of tones ranging from black to white.
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Image size and Compression |
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•JPEG format (Joint Photographic Experts Group)
compresses an image to useless data…smaller file sizes.
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