Temple of Apollo, Didyma 313 BC

Roman Republican Period: 509-27 BCE

-Hellenistic Temple

-Hellenistic Period Late 4th Century BC

-Begging of the Hellenistic Period

-Ionic Columns

-Had no pediment or roof

-It was Hypaethral

-Had statue of Apollo

-Steps leading up on all sides (classical)

Hypaethral

-No Pediment or Roof

-Hypaethral=Open to the sky

Stoa of Attalos II, Agora Athens 150 BCE

-Hellenistic Period 2nd Century

-Had shops similiar to a mall

-Doric columns on the outside, Ionic on the inside

-Gift by Attalos (king of pergamon)

Great Altar of Zeus, Pergamon 175 BCE

-Hellenistic Period 2nd Century

-Had large freize on the east and west ends

-Elevated altar

-Ionic columns

Victory Monument of Attalos I (dying gaul) 230-220 BC

-Hellenistic Period 3 Centrury BC

-Located on the Altar of Zeus

-Gaul leader killing himself after defeat

-Hellenistic (Shows Emotion)

Winged Nike of Samothrace 190 BC

-Nike:goddess of victory

-Helenistic 2nd century BC

-Nike crowning the victors of a naval battle

-Wind look shows power and energy

-Shows pain in the face (Hellenistic)

Seated Boxer Ca 100-150 BC

-Hellenistic Time Period 2nd Century BC

-Hellenistic= Depicts and aging athlete

-Realism

-Not idealized

Roman Republican Period: 509-27 BCE

Barberini Faun, Ca 230-200 BC

-Sleeping, Archiac and classical sculptures were always awake

-Very sexual

-His face shows an unpeaceful sleep, thus showing emotion (hellenistic)

Old Market Woman 150-100 BC

-Hellenistic (2nd century)

-Early Empire Period: 27 BCE-180 CE

-Realistic

-Helenistic=Shows age and emotion

-Not idealistic opposite of classisms

-Shows social class

Aphrodite of Melos 150-125 BC

-Hellenistic time period 2nd Cent BC

-Face shows no emotion (classical style)

-Created in the hellenistic period

[Alex?]andros son of Menides from Antioch-on-the-Meander made it.

Aphrodite, Eros and Pan, From Delos 100 BC

-Shows Emotions=Hellenistic

-Hellenistic time period 2nd Cent BC

-Pan= a god; half goat half human forrest creature

-Eros; Aphrodite son

Lacoon, Athandoros, Hagesandros & Polydoros of Rhodes, Early 1st Cent BC

-Hellenistic Style

-Sea serpents killing Lacoon and his children

The grouping was probably designed for a frontal view only. The theatricality and emphasis on emotional intensity is typically Hellenistic Greek--often called "Baroque" as well. Note the writhing serpents, one of whom bites Laocoön's left leg, and pained expressions.

Victory Monument of Attalos the 1st, 230 BC

-Hellenistic period 3rd Centurary BC

-Muscular idealization

A Gaul killing himself, supporting his dead wife. From a victory monument set up at Pergamon by Attalos in the 220s BC. This includes the famous 'Dying Gaul'

Aphrodite Kallipygous 2nd Cent BC

-Hellenistic period 2nd cent BC

-Shows a women naked something they didnt do often in classical times

-She is smiling at her naked butt showing emotion (hellenistic)

-very sexual piece

Giantomachy:Athena Battling Alkyoneus

-Athen shown Victorious

-Hellenistic Style

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Vulca of Veii, Apollo, From portonaccio temple, Veii, 510-500b.c

• Statue of Apollo
• Used tericoda because marble was not available
• Based off of greek sculpture
• ending the archaic period
• Vulca was the first artist of rome

Banditaccia Necropolis, Cerveteri

• Many above ground tombs, lining roads
• Used tufa- limestone, soft in the ground, then once meets oxygen hardens

Tumulus, from Bandicattia Necropolis, Cerveteri

• Mound made of tufa, covered in top soul, and cypress trees on top
• tufa is different colors, and not very pretty but is durable and from volcanic ash
• tumulus Dromos is the entry way to the tomb

Tomb of reliefs, Cerveteri, 3rd century b.c

• made of tufa, 2 pillars, slanted roofs, collective tomb
• cremated ashes and put in niches
• many pillars had things on them to look like real objects
• Trompel'oeil- means decieving the eye, representing real objects
• banqueting couchs, for festive occasion at the time of death

Sarcophagus, from cerveteri, 520 bc

• Archaic Period (8^th-early 5^th Cent BC)

• Etruscan Supremacy: 700-509 BCE

• Heavily painted, made on a terricotta
• Differed from greeks because greeks never put a man and woman together
• Intimate and eating
• They didn't care about proportion of their statues
• Faces in archaic style, almond eyes archaic grin
• contained only ashes of deceased
• Greeks didn't have tombs but etruscans did

• Another cemetary of the etruscans with tombs
• Didn't have carvings imitating the apperance of walls. Used more paint
• This was were Tomb of hunting and fishing was located

Tomb of hunting and fishing 530-520b.c

• Underground tomb, made from tufa, heavily painted walls by frescas
• 2 chambers, anti chamber and main chamber
• Slanted roofs, outdoor scenes, kids hunting and fishing
• banqueting scenes for couples
• Man and woman relling on couch at funeral banquet, playig instrements and 2 are adjusting things to put on their head(Rituals of banquet)

Tomb of lioness, tarquinia 520bc

• 2 female lions flanking, checkered board on top, shaped like a tent
• Doric style
• 2D pose, twisted perspective,
• 2D guy and girl dancing-never in greek but here
• Female hand gesture, atrotropaic, warding off bad spirits
• Guy lieing on a banqueting couch, left hand is a kylix and right hand is a eggs, many times egg is in funerals

Veila Velcha, Tomb of Orcus, 4th century BC

• Next to husband on couch in a banquet
• In tomb of Orcus
• Etruscan

Achilles and trojan captives, Francios Tomb, Vulci 4th-1st century

• Achilles slaying trojan captives, slays hektor
• Contrapostal form
• vant figure-Protectress of the dead covers patrocase- who was achilesses best friend
• Charon- etruscan god of death, he is blue, big hammer, he is like mercury in greek guids souls to death, later romans adapt charon
• Romans adapted religion from etruscans

Capitoline Wolf, from rome 500-480 bc

• Bronze she wolf nursed Romulus and Remus after they were abandoned as infants.
• Romulus killed his brother and founded rome becoming the cities king.
• Etruscan art but for rome audience- icon of italian art

Todi Mars, early 4th century B.C

• Found in ciy of todi, probably of the god Mars
• Etruscan Bronze work
• Clothed, not contrapostal
• Pouring libation into ground to seal a prayer and holding a spear
• His face very classical, detatchment from emotion

Aule Metele (Arringatore), From cortona, early 1st century b.c

• Right at the change to roman empire, etruscans absorbed into roman customs
• this guy is etruscan, but adopted roman customs
• he wears a common roman toga and his hand is out which is common in a roman speech
• Bronze sculpture, common rome statue

Mirror with Calchas, From Praeneste, 400 Bc

• Exceeded in making mirrors over greeks
• Bronze, this is the back, destorts image and exaggerates themselves
• This is a image of Greek seer Palcas with wings, she holds a liver looking for things which the etruscans believe that gods would talk to men through animal organs

Bronze Liver model, Piacenza, 3rd cent BC

• Quadrints for gods to communicate
• there was a hole for them to tie around there neck
• This resembled the god juno

Novios Plautios, Ficoroni Cista, From Praeneste, Late 4th Century

• Cistae- for womens tolietry items
• Bronze, popular for living and dead
• Artist was etruscan but built in rome
• the frieze wraps around side and is of argonauts in search for a golden fleece. -Greek mythology and classical style
• The argonants stopped for water, greek guy boxes the island king and wins