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| http://www.moma.org/images/collection/FullSizes/14373003.jpg[image] |
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| Joan Miró, Person Throwing a Stone at a Bird, 1926 |
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| Salvador Dalí, Apparition of a Face on a Seashore, 1938 |
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| Max Ernst, Oedipus Rex, 1922 |
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| Meret Oppenheim, Luncheon in Fur, 1936 |
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| Giorgio de Chirico, The Melancholy of Departure, 1914 |
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| Magritte, On the Threshold of Liberty, 1929 |
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| Eugène Atget, Avenue des Gobelins, 1920 |
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| Alberto Giacometti, The Palace at 4 A.M., 1933 |
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| Claude Cahun, Self-Portrait, 1928 |
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| Dali and Luis Buñuel, Un Chien Andalou, 1929 |
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| Man Ray, L’Étoile de mer (The Starfish), 1928 |
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| Magritte, The Human Condition, 1933 |
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| Claude Cahun, Self-Portrait, 1928 |
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| Frida Kahlo, Self Portrait / Henry Ford, 1932 |
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| Calder, Button Flower, UCLA, 1959 |
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| Hepworth, Elegy III, UCLA, 1966 |
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| Wassily Kandinsky, Composition VIII, 1923 |
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| Lazlo Moholy-Nagy, View from the Radio Tower, 1928 |
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| Gropius, Fagus Factory, 1911 |
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| José Luis Sert, Spanish Pavilion, 1937 |
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| Pablo Picasso, Guernica, 1937 |
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| John, Heartfield, Those Who Read Bourgeois Newspapers will become blind and deaf, 1930 |
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| Hannah Höch, Pretty Girl, 1920 |
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Höch, Cut With the Kitchen Knife:
Dada through the last Weimar Beer Belly Cultural Epoch of Germany, 1920 |
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| John Heartfield, The Meaning of the Hitler Salute: Millions Stand Behind Me, 1932 |
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| Diego Rivera, The Detroit Industry Murals, 1931-32 |
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| Arno Breker, Strength, 1934 (drawing sword) |
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| Josep Thorak, Comradeship, 1930 |
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| Albert Speer, Party Rally Grounds, Nurnberg 1936 |
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-return to order (restore cohesion)
ex: picasso reinstatement of neoclassicism
-underlying barbarism/dismantling order (way of handling the chaos in society)
ex: dada-chaos (Hannah Hoch-Pretty Girl collage) |
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-somewhat familiar but unfamiliar @ the same time
-doesn't fit into expectations
-understand but the meaning is unknown
ex: Man Ray-Starfish |
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-infinitely permeable
-lacking definite shape
ex: Giacometti, Women w/ Throat Cut
-victim of men's sexual aggression
-leaves woman helpless
-pschologically, she is formless due to the truama |
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| 3 Characteristics of Fascism |
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1. suppression of dissant (demonstrated by Hitler)
-when political party oppresses another party instead of constructively engaging in other party's perspective
2.centralization of authoritu under a dictator
3.rampant nationalism/rampant rascism |
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| 3 characteristics of mural movement |
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1. portraying nature & science
-Rivera (proletariat art, art i exclusive-shows distint classes, comm art-no class therefore reflects everyone)
-propaganda (art accessible in masses, not elitist, didactic/moralistic) |
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-Hitler did not condone (sickness of masses/society, art gone wrong)
-1937
-across from German Art Exhibit
-nazi propaganda throughout installation of exhibit (what art was not) |
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-1937, munich (same yr as Paris world fair-contributed to potential of modern art/modern tech.-Hitler needed to control)
-pure art (Nazi art, nationalistic)
ex: Strength
-cleansing of degenerate art
-what art was |
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-1937
-international trade/sharing of modern art, science, tech.
-intended not to be political, but was (competition?)
-main attractions-countries pavilions, telephone, auotmobile |
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-@ Paris world fair
-Franco opposing comm. state
-Hitler supporting Franco's army
-civil war (Nationalists (Franco) vs. Republicans (for comm.))
ex: Picasso, Guernica-response to civil war (dark/agressive, colors-blues/greys/black-sets melancholy mood)
-hung in Spanish Pavilion |
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-1922 surrealist texts
-featured pure pysychic automatism (main precept of surrealism-expression of thought without exercised reason/control or mind)
-developed by Breton and Soupault |
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1. biomorphic/abstract surrealism
-free form, suggestive of shape
-many scupltures
ex: Miro
2. dream-like paintings (detail, distortion, recognizable scenes/objects)
ex:dali (artists used images of subconscious)
-both priviledged the unconscious |
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-established in 1919 in Weimar by GROPIUS
-Bauhuas philosophy-learning by doing, broke down barrior between fine art and craft-consisted of course workshops that encouraged student's creativity
-2 areas of study: problems of craft and problems of form |
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-new form of advanced architecture and design
-term originated in exhibition in NYC, 1932
-resulted in new spatial organ (free flow of interior space)
-used for urban planning, low cost mass housing
-new materials: structural stee, ferroconcrete |
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-bland housing, lack of color/decoration
-affordable housing
-la corbusier-coined the term |
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-dictation of thought without control of the mind
-exuisite corpse
-Breton "Soluable Fish"
-writer unaware of what will be written
-experimented in 1922-The Magnetic Fields |
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