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Country in Africa that had remarkable stability (as opposed to Mesopotamia)
In Neolithic era, composed of two ethnic areas: Upper Nile (south) and Lower Nile (north)
[distinctions made based on direction of Nile's flow]
Areas were united, forming the first unified nation
Separated chronologically into the Old, Middle, and New Kingdoms |
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order
stability
perpetuity
obsession with immortality
These concepts manifest themselves in Egyptian art, pharoas, buildings, culture, dieties, burial practices, etc. |
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Egyptian system of writing
Unlike cuneiform, Egyptians did not simplify their characters as the language developed |
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Eyptian kings who were also viewed as gods on Earth.
Much of Egyptian heiroglyphics and art focuses on them |
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Predynastic (prehistoric) Era of Egypt |
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Art from this period is very different than the rest of Egyptian art. Tomb paintings more closely resemble the murals of Catal Huyuk |
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Pieces of stone carved on both sides with low reliefs
one side featured a carved out depression
may have been used to apply eye makeup to deflect sun's glare
one of the earliest extant historical art forms known |
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The Palette of Narmer
ca. 3000 BCE
Features King Narmer
order
stability
Narmer has slain enemies. Falcon represents Lower Egypt, which is under his control.
Entwined cats represent unity beween Upper and Lower Egypt
King = godlike figure
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Subjects of an artwork are viewed from above (bird's eye view) |
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alter ego/life force the egyptians believed in
continued living after the body passed away
Thus, bodies were mummified and goods were left in tombs for egyptians to take with them into the afterlife |
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structures built over walled Egyptian graves; evolving from primative dirt mounds into the pyramids
Generally a rectangular stone/brick structure with sloping slides and a shaft connected to the underground tomb (through which the ka would leave)
Interior walls were decorated with reliefs and paintings |
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designed the step pyramid of King Djoser in the Third Dynasty (first work with a known artist) |
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Step Pyramid of Pharoah Djoser
ca. 2750 BCE
Third Dynasty
Imhotep built six mastabas of consistant height but decreasing size, one upon the other
Nearly 200 ft tall
built to protect/mark the tomb of Djoser
Earliest example of columns (in interior) |
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"Dummy" buildings filled with sand or rubble around a pyramid
Probably existed for the ka |
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the column is composed of stacked cylindrical segments as opposed to being cut from one stone
Seen at the Step Pyramid of King Djoser
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closely placed parallel groves in columns
seen in Step Pyramid of King Djoser |
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bud/bell capital (columns) |
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A type of column capital, named after its shape, seen in Djoser's pyramid |
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The majority of the column (body of column) |
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columns that are attached to a wall, instead of free standing
seen in Djoser's pyramid |
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The Great Pyramids of Giza
ca. 26C BCE
Built by three kings in the Fourth Dynasty
Largest: 480 ft high, 13 acre base
Originally covered in smooth limestone and capped with Gold
pyramids are perfectly oriented to the cardinal points of a compass (N, S, E, W)
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The Great Sphinx
ca. 26C BCE
Carved in situ and is the earliest known colossus.
Outside Khafre's pyramid at Giza
Symbol of Egyptian power |
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"in place"
When a statue is carved out of the rock in its location
example: The Great Sphinx, Mt. Rushmore |
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A giant statue
Ex: The Great Sphinx |
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King Djoser
ca. 2750 BCE
Old Kingdom of Egypt
First royal portrait in history
Imhotep
Formal composition
Shows themes of stability, ordeor, etc.
Created using the subtractive method
bilaterally symmetrical
lines smoothed with abrasion
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A sculpturing method in which an artist would first draw sketches on four sides of a block and then carve inwards. |
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Each side of the vertical access of a statue is the same |
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the rubbing or smoothing of the surface of a sculpture to make the lines smooth |
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Kafre
ca. 26C BCE
Kafre = builder of the second great pyramid at Giza
Modeled after the statue of Djoser
order, stability, and strength |
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Seated Scribe Statue
ca. 2500 BCE
Old Kingdom - Ancient Egypt
Increased realism in these statues due to the scribe's low social status
however, still shows order, and rigidness
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Ti watching a hippopotamous hunt
ca. 2400 BCE (Fifth Dynasty)
Old Kingdom - Egypt
Ti has typical egyptian stance
No attempt to create distance in work (technique unknown to Egyptians at thsi time)
composite view
parallel lines --> order
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dry fresco
works painted on dry plaster
(ex: Ti watches a hippo hunt)
Seen in ancient Egypt |
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Chief counsel of Queen Hatshepsut who designed her Mortuary Temple. |
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an open area of a building with a row of columns, supporting the ceiling above.
Queen Hatshepsut's Mortuary temple had three rows of these, connected by ramps
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front or face of a building |
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a large stone structure with sloping walls |
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all, thin, four-sided shaft of tapering stone that rises to a pyramidal point
The New Kingdom Egyptians placed these in front of their temples to the gods
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Horizontal projection immediately below the springing of an arch, sometimes immediately above the capital, sometimes used instead of a capital
In New Kingdom Egyptian architecture, these rested on columns and supported lintels
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a raised part of a roof, often containing a window to allow light and air to enter |
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bell shaped capitals of Egyptian columns
seen along with bud-capitals in New Kingdom temples |
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Mortuary Temple of Queen Hatshepsut
ca. 1450 BCE
New Kingdom - Egypt
Created by Semut
Terraces originally held lush gardens
Typical Egyptian order; lines of temple correspond with lines of mountain
Interior courts, etc. were also symmetrical
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Mortuary Temple of Ramses II
ca. 1250 BCE New Kingdom - Egypt
rock-cut shrine
Not tomb, but primary worship site
Statues of Ramses = 70 ft high
Interior: Many 32 foot columns in the shape of Ramses
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Typical plan of a New Kingdom Egyptian temple
- Pylon: Large gate in front of temple
- Courtyard: Large, open (no roof)
- Hypostyle Hall: large, dark room with column. Only light is from small windows cut into roof
- Second Hall: Very dark, columned. Only priests and Pharoahs could enter
- The Sanctuary: dark, mysterious. Only high priests and Pharoahs could enter; contained statue of god/goddess
- The Sacred Lake: Next to temple, represented the world before time began (water used in rituals)
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evolve in Middle and New Kingdoms of Egypt
very simple (blocks with heads on them) |
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New Kingdom - Egypt Inspired by King Tut's art Curvalinear figures and sensual (feminine) forms Round, organic forms suggestive of movement and life Naturalistic effects extended to pharoah and royal family members |
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a portrait sculpture or a painting representing a person's head, neck, shoulders and upper chest |
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Akhenaton
ca. 1350 BCE Abandoned worship of traditional Egyptian gods to worship only aton
elongated neck, small arms and oddly shaped body were a radical change in Egyptian sculptury
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Thutmose - Queen Nefertiti
ca. 14C BCE
New Kingdom - Egypt
contrasting sharp and smooth lines
striking neck
never ment to be displayed; model for Thutmose only
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Funerary Mask of King Tutankhamen
ca. 1323 BCE
vulture of upper egypt and serpant of lower egypt on his head
ceremonial beard
mask inlade with precious stones
found in king tut's tomb |
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