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person in charge of the artistic produciton of a play |
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the registration of ownership of a literary or musical work |
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a fee required to produce a play or musical |
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a drawing of the stage setting as seen from above |
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usally a loose-leaf notebook containing the script marked with all stage movement. entrances and exits, technical cues, and special instructions for the production. |
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Matching up characters and actors |
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casting usally accomplished through a selection process |
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additional oppurtunities for the actor to audition |
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a person who learns a part in order to substitute in a performacne should the origional actor not be able to appear in the show. |
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production sessions in which the actors and the technicians prepare by repition. |
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rehearsals for the purpose of reading and analyzing the script as well as discussing and understanding characterization. |
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rehearsals for planning stage movement and groupings |
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a test run of the show's dialogue to ensure that all lines have been memorized; also called a line rehearsal |
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rehearsals in which the actors work under the director's guidance to prepare the show for performance. |
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rehearsals conducted without stops |
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rehearsals used to correct problems that occured in the run-throughs. |
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rehearsals emphasizing the performance of the productions technical elements. |
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actors modeling costumes under the appropriate stage lights |
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a rehearsal conducted as if it were an actual performance |
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take apart the stage setting. |
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