Term
|
Definition
• The manual creation of
sound effects performed
in synchronization with
picture.
• 60% of secondary sound
[non-dialogue]
• Named after Jack Foley |
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Term
|
Definition
Footsteps: Every
footstep in the film is
covered.
• Props: Any object with
which the actor
interfaces.
• Cloth: Recreates the
clothes rustling and adds
texture to a scene.
Critically important for
Foreign Dubs. |
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Term
|
Definition
• Corrupted Dialogue
• Weak Performance
• Script Changes
• Breath, Moans and
Vocalizations
• TV and Airline Versions |
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Term
|
Definition
Group ADR
Six or more voice actors
who cover a range of
voices in the film.
• This adds background
texture and fills in
dialogue for the nonfeatured
actors who are
MOS during production. |
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Term
|
Definition
Location
recordings of large
crowds usually supplied
by the SFX department. |
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Term
|
Definition
Expressive
and/or informative value
with which a sound
enriches a given image. |
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Term
|
Definition
Music or sound effects
whose mood [expresses
indifference] or matches
the mood of the action. |
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Term
|
Definition
The forging
between something one
sees and one hears - the
mental fusion of visual
and sonic elements that
occur at the same time. |
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Term
|
Definition
Expanding
the perceptual space
beyond the confines of
the screen. |
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Term
|
Definition
Sound
presented as a part of
the films world. |
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Term
|
Definition
Any sound
not part of the films
world. |
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|
Term
|
Definition
A
sound created for a
specific element in the
film. |
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