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Modest Musorgsky Orchestrated by Maurice Ravel from Pictures at an Exhibition Imitates a promenade |
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Musorgsky from Pictures at an Exhibition Ostinato, art imitates nature |
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Musorgsky from Pictures at an Exhibition Goldenberg and Schmuyle: Two Jews, Rich and Poor Imitates Eastern/Yiddish music, representation w/ low strings and high trumpets of two people |
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Musorgsky from Pictures at an Exhibition Incorporates bells from gate, Pilgrims' hymn |
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George Frideric Handel from Messiah Incorporates monophony, homophony, and polyphony |
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Johannes Brahms Strophic form (verses; different sets of words to the same music) |
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Variations on Twinkle, Twinkle, Little Star |
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Wolfgang Amadeus Mozart Theme and variations form |
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Joseph Haydn Symphony No. 94, The "Surprise" Symphony Second movement, Andante Binary Form AB Sforzando |
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Pyotr Illych Tchaikovsky Dance of the Reed Pipes from The Nutcracker Ternary Form ABA A is major with pizzicato; B is minor with ostinato |
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Jean-Joseph Mouret Rondeau from Suite de symphonies Rondo form (ABABA) or ABACA or (ABACABA) |
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Barbara Strozzi Aria, I want to die: Part I Basso continuo: Harpsichord, guitar, and viola da gamba |
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Giovanni Gabrieli Motet, In the Churches Doctrine of affections Terraced dynamics |
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Claudo Monteverdi Orfeo Toccata Announces the beginning fo the opera; not thematically tied to the production Trumpet fanfare, repeated 3 times to set a grand stage |
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Act II, Recitative, "At the bitter news," and Arioso, "Thou art dead" |
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Claudio Monteverdi Orfeo Act II, Recitative, "At the bitter news" and Arioso, "Thou art dead" Recitative and Arioso |
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Act III, Aria, "Powerful spirit" (strophes 1 and 2 only) |
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Claudio Monteverdi Orfeo Act III, Aria, "Powerful spirit" (strophes 1 and 2 only) Aria |
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Henry Purcell Dido and Aeneas Aria, "When I am laid in earth" Basso ostinato Brief recitative and aria |
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Trio Sonata in C major, Opus 4, No. 1 |
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Arcangalo Corelli Trio Sonata in C major, Opus 4, No. 1 walking bass instrumental chamber music Sonata Form; Trio (2 instruments + basso continuo) 2 violins, cello, and harpsichord |
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Antonio Vivaldi Violin Concerto in E major, Opus 8, No. 1 ("The Spring") First movement, Allegro art music becomes classical pops program music ritornello |
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Johann Sebastian Bach Organ Fugue in G minor fugue: subject, exposition, episodes |
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Brandenburg Concerto No. 5 in D major |
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Johann Sebastian Bach Brandenburg Concerto No. 5 in D major, First movement Concerto Grosso: ritornello form, polyphonic texture |
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Cantata, Awake, a Voice Is Calling, First movement |
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Johann Sebastian Bach Huge choral fantasy Free polyphony Ritornello (orchestral refrain like concerto form) |
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Awake, a Voice Is Calling, Fourth movement |
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Johann Sebastian Bach Free polyphony Walking bass 3-part fabric: melody, chorale, walking bass Orchestral ritornello |
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Awake, a voice Is Calling, Seventh movement |
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Johann Sebastian Bach Verse #3 of chorale Homophony Hymn Congregation joins in |
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George Frideric Handel from Water Music Compound ternary Minuet (ABAABB), Trio (CD), Minuet (AB) Orchestral dance suite |
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George Frideric Handel from Water Music Dance suite Binary (triple meter, major key) ABABAB |
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"Rejoice greatly, O daughter of Zion" |
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George Frideric Handel Aria, "Rejoice greatly, O daughter of Zion" from Messiah Oratorio Da capo (ternary) aria |
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Doctrine of affections Baso continuo Idiomatic writing for instruments Melodic sequence vocal homophony and instrumental polyphony terraced dynamics |
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one mood per piece, movement, or large section |
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bass instrument harmony instrument figured bass |
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New thing: solo singing libretto, stile rappresentativo (split into aria and recitative) recitative (secco [dry] or accompagnato) aria arioso |
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instrumental chamber music (3)-4 movements Trio sonata: 2 treble instruments + basso continuo (Corelli) Solo sonata: keyboard OR instrument + basso continuo |
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competition between orchestra and soloist solo concerto & concerto grosso Concertino: soloist & basso continuo Tutti: everyone: soloists, orchestra, basso continuo Ritornello: orchestral refrain 3 movements: fast slow fast |
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Bach, Handel Dramatic power, broad gestures, complex counterpoint, opulent instrumental color, great technical solidarity and maturity |
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organist Weimar, Cöthen, Leipzig |
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allemande, sarabande, courante, gigue |
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