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Claude Debussy is especially known for his |
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opposition to program music |
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John Cage, Aaron Copland, John Adams |
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A composition would always end with |
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1. tone that falls in between two steps of the scale
2. repeating chord progression, 12 measures long, that structures a blues song
3. repetition of the first line, followed by a different line |
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The most famous impressionist orchestral work Prelude to "the Afternoon of a Faun" was inspired by a poem by |
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Important composer of ragtime music |
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Neoclassical compositions are characterized by |
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forms and style features of earlier periods |
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New techniwue of singing halfway between speech and song |
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Instrument found in rhythm section of jazz ensemble |
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Ragtime music is primarily played on |
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Prelude to the Afternoon of a Faun; Impressionist |
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Guillaume de Machaut, Hildegard of Bingen |
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Giovanni Pierluigi da Palestrina |
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J.S. Bach, Arcangelo Corelli, Antonion Vivaldi |
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Main keyboard instrument of the Romantic period |
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Classical period orchestra usually included |
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a string section and pairs of woodwind instruments (flutes, oboes, clarinets, bassoons) |
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Instrumental music in the Classical period |
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became more important than vocal music |
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The form of rondo might be |
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Minuet was always in a meter of |
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Examples of program music |
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Examples of nonprogram music |
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One unusual feature of Beethoven's Symphony No. 9 is |
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it has choir and vocal soloists |
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Composer of virtuoso piano music in the 19th century |
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Trend in Italian opera to write about everyday characters and events was known as |
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2 violins, 1 viola, and 1 cello |
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Technique NOT used in Berlioz's Symphonie Fantastique |
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New type of singing found in Classical period comic operas |
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Composer that only wrote piano music |
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In Wagner's operas, a melody associated with a dramatic element such as an object, character, or idea |
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Both Beethoven and Mozart played |
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1. intense emotional expression
2. interest in bizarre or supernatural
3. interest in combining elements of different art forms |
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First movement of a Classical concerto |
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has two expositions in the first movement |
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Minuet is generally used for |
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3rd movement of a Classical symphony |
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Form when music is repeated for all the stanzas of a song |
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1. exposition, development, and recapitulation
2. employed as 1st movement of a symphony
3. preceded by a slow introduction |
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Each individual part of a chamber music composition is played by |
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In Beethoven's works, the 3rd movement is not a minuet but a |
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How many symphonies did Beethoven write? |
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Most symphonies have how many movements |
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Most concertos have how many movements? |
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A string quartet usually consists of how many movements? |
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First composer to write a large number of important string quartets |
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Texture of Renaissance music |
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No instruments to accompany the voices |
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Texture of Gregorian chant |
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Wrote earliest extant of polyphonic setting of entire Ordinary of the Mass |
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Renaissance is known as the Golden Age of |
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Flute-type instrument popular during the medieval and renaissance, which was end-blow instead of side-blown like the modern flute |
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Keyboard insturment popular in the Baroque period |
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chamber music genre in Baroque period |
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Accompaniment in Baroque music |
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The Renaissance madrigal began in |
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Instruments that may appear in a basso continuo group |
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keyboard, bass, harpischord, organ, cello, and flute |
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1. more passionate
2. clear meter and regular rhythms
3. conveys what character feels about events |
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1. without perceptible meter or beat
2. tells what is happening on stage |
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First major opera and composer |
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L'Orfeo by Heinnich Schutz |
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J.S. Bach spent his entire career living and working in |
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How many performers do trio sonatas usually involve? |
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Characteristics of Renaissance music |
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imitation, polyphonic, word-painting |
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Most important instrument in church |
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Earliest keyboard instrument |
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In trio sonata, how many high instruments and how many instruments for basso continuo? |
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Oratorios are often based on |
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Earliest polyphonic music |
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Baroque operas were often based on |
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Opera started by who in what century? |
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Florentine Camarado in the 16th century |
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