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-Medieval period -Gregorian chant Sung during two types of services, the office and the mass -The mass: propers (texts specific for the day), ordinary (texts used for every mass) -The office: hymns (syllabic chants) |
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-Medieval period -Gregorian chant (monophonic) -First composer we have information about and first women -O Successores |
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-Medieval period -Puis qu’en oubli sui de vous -Rondeau (one of the main poetic forms in 14th and 15th century) -Agnus Dei -Liturgy/liturgical music (Specific kind of secular music, done within the church worship setting -1st mass ordinary that is polyphonic -Part of the mass ordinary -Trinity (three parts) |
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Renaissance - Martin Luther called Desprez the prince of music -Ave Mariaj -Motet (sacred polyphony choral that is not apart of the mass ordinary) |
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-Renaissance -Showed that polyphony could still be understood (Kyrie) -Kyrie -a cappella, 6 voices |
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-Anglican -If Ye Love Me, Keep My Commandments
-Clear, syllabic text-setting |
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-Renaissance - As Vesta Was Descending
-Comes from The Triumphes of Oriana -Queen Elizabeth I (Oriana)
-Madrigal (secular vocal pieces designed for soloist using word paintings) -Word painting |
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-Renaissance -Flow My Tears -Lute song |
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-Renaissance instrumental music -Passamezzo & Galliard from Terpsichore
-Passamezzo: duple meter -Galliard: triple meter
-Paired courtly dances |
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-Early Baroque (Opera) -Tu Se Morta -Recitative with a large chorus -Expressive dissonance -Alessandro Striggio
Librettist (person who writes the text for an opera) for Tu Se Morta
Orpheus/Orfeo & Euridice
Orfeo is a story about Orpheus going to the underworld to save his wife Euridice who died |
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-Late Baroque (Opera) -Dido and Aeneas -Ground bass or basso ostinato (repeating bass line) Secco recitative -Nahum Tate
-Wrote libretto of Dido and Aeneas
Dido & Aeneas
-Aeneas fall in love with Dido but witches plot Dido downfall by falsely making Aeneas leave and Dido kills herself |
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-Late Baroque -Known as the red priest -Solo concerto (single soloist vs. orchestra, three movements (fast, slow, fast) -La Primavera (tutti (ritornello) vs. solo) -Terraced dynamics - -Word painting |
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-Early Baroque (Opera) -The Camerata -O Che Nuovo Stupor -Spiritual aria |
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-Late Baroque -Concerto grosso (small group of soloist vs. orchestra) -Brandenburg Concerto No. 5, 1st mvt (tutti (ritornello) vs. solo)
-Cadenza: soloist plays by himself without group
-Fugue (polyphonic composition based on one theme) -“Little” Fugue in G minor
-Countersubject (An melodic idea that accompanies the subject) -Pedal point (Bass is held while other notes produce changing harmonies)
-Suites (set of dance related movements) -Orchestral Suite No. 3, 4th mvt., Bourée (AABB) -Cantata (Something that is sung, based on a chorale) -Cantata No. 140: Wachet Auf, 4th & 7th mvts
-Chorale written by Philipp Nicolai |
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-Late Baroque -Supported by a patron (one who gives financial support) -Oratorio (like opera except without costumes or acting and is about a sacred subject) -Ev’ry Valley Shall Be Exalted
-Aria for tenor -Word painting
Hallelujah Chorus
-All three textures (mono, homo, poly) |
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length:short, 20 min performance venue:Lutheran church performing forces:orchestra, soloist, chorus purpose:worship staging:no staging text/plot:biblical/sacred # of movements:5-10 |
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length:long, hours performance venue:theater/concert hall performing forces:orchestra, soloist, chorus purpose: entertainment staging:no staging text/plot:biblical # of movements:lots |
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length:long, hours performance venue: public(theater/concert hall) performing forces:orchestra, soloist, chorus purpose:entertainment staging:costume, props, lighting, sets, special effects text/plot:mythology/greek dramas # of movements:lots |
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tune. The main thing you would hum for a song |
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chords accompanying a melody o Minor: sad, sinister, angry o Major: happy |
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o Pulse: the beat o Meter: the arrangement of stressed and unstressed beats o Tempo: speed • Largo: slow • Prestissimo: fast |
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o Crescendo: getting louder o Decrescendo: getting quieter |
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o Monophonic: one melody. all parts move in parallel rhythm and pitch o Homophonic: two or more parts move together in harmony, the relationship between them creating chords o Polyphonic: parts move with rhythmic independence |
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tone color, orchestration |
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organization of musical material in time o Repetition o Variation o Contrast o Ex. ABA |
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a song that can be performed at church any day |
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a song that should be performed on a specific day in church (Easter, Christmas etc) |
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singing one syllable per note |
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the singing of a single syllable of text while moving between several different notes in succession |
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any call and response style of singing. Any piece of music performed by two semi-independent choirs in interaction, often singing alternate musical phrases. |
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steps (A,B,C), Gregorian chants |
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monophonic, no instruments |
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Medieval period, not written down |
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specific kind of music, done in church worship setting, Agnus Dei |
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Gregorian chant with additional melodic lines moving in parallel motion |
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Gregorian chant with additional melodic lines moving faster than original chant |
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overlap of the same melody |
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started by martin luther, break away from the catholic church |
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Counter Reformation / Council of Trent |
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polyphonic music made it impossible to understand text, secular music for mass was not okay, Kyrie was an example that it was okay |
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48 preludes and fugues by Bach to show tuning |
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all of Bach’s fugue writings |
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Queen Elizabeth I, Weelkes, As Vesta Was Descending |
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Terpsichore, Michael Praetorius |
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single vocal melody with accompaniment, also known as homophonic, early baroque |
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not ending at rest, Monteverdi |
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“Doctrine of the Affections” |
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florid/melismatic/melisma |
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many notes per syllable of text |
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one note per syllable of text |
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3 movements, with one or more soloists |
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one soloist accompanied by an orchestra |
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group of soloists that are accompanied by orchestra |
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single melody, no accompaniment, Early Music Guild |
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Primo libro della musiche |
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By Caccini, O Che Nuovo Stupor |
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creation of music the same time it is formed, Bach |
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a passage that looks a fugue, Bach, Cantata |
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-Gregorian chant -Proper -ABA -single syllables of text |
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medieval period (450-1450) composers |
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Pope Gregory Hildegard of Bingen Machaut |
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Renaissance period (1450-1600) composers |
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Josquin Desprez Palestrina Thomas Tallis Thomas Weelkes John Dowland Michael Praetorius |
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Early Baroque (1600-1680) composers |
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Monteverdi Francesca Caccini |
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Late Baroque (1680-1750) composers |
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Purcell Antonio Vivaldi Bach Handel |
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