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-German -old fashioned style -learned from his father and brother |
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HISTORY -18 yrs old=first job in Arnstadt -Arnstadt-> Muhihausen-> Weimar->Cothen ->Leipzig |
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-in charge of all sacred music -wrote a contata a week in spare time |
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-sent a "resume" because he wanted to work for him. -turned into the Brandenburg Concertos |
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George Frederic Handel (1685-1750) Places Lived |
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-German/English -Italy->Germany->London->Germany -Italy = new style -Germany = old style |
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George Frederic Handel Jobs |
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-worked for George of hanover in Germany -George = King George I of England |
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Antonio Vivaldi (1678-1741) |
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-Simple Italian style -very tonic and repetitive |
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Wolfgang Amadeus Mozart (1756-1791) |
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-German -calssical style -inovator of Opera |
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Wolfgang Amadeus Mozart Genres |
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-Opera Seria -Opera buffa -Singspiel -Symphony |
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Wolfgang Amadeus Mozart Symphonies |
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-Writes 38 symphonies -Summer of ‘88 = 39,40,41 -G Minor Symphony (it's a bird, it's a plane, it's a Mozart) |
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Wolfgang Amadeus Mozart Opera |
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-Marriage of Figaro *part of a series (2nd part) *banned in Paris because it shows the servants or lower class as being smarter than the aristocracy. -Don Giovani *Drama Giocosa (dramatic comedy or comedic drama) *Story of Don Juan |
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Wolfgang Amadeus Mozart Sacred Music |
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-Mozart understood religion -in Salzburg *Archbishop Colloredo didn't like music, made it so all the music for the mass was no more than 15-20 minutes long. In oder to do that you either have to skip parts, have different parts going at the same time, or just go really fast. |
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Wolfgang Amadeus Mozart Requiem |
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-paid by disguised stranger to write a Requiem -never finished by him because he died (his student completed it for him) -knew he was going to die while writing his own Requiem |
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Franz Joseph Haydn (1732-1809) |
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-24 yrs older than Mozart -80+ quartets -100+ Symphonies |
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Franz Joseph Haydn Esterhazy |
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-Prince Nicolas Esterhazy -Esterhaza = name of the court -Worked there most of the time, didn't travel as much |
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Franz Joseph Haydn Symphonies |
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-Paris Symphonies -London Symphonies (nicknames=clock, surprise,London) |
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Franz Joseph Haydn Pattern of Classical Symphony |
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-4 movements *fast *slow *minuet or dance *fast |
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Franz Joseph Haydn Oratorios |
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Creation -Genesis & Paradise Lost (Milton) |
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Haydn: -focus on msall little motives -whit and humor -start fast movement w/ slow intro -surprises and undulation -rural/country dance -wrote a lot of quartets Mozart: -Big great melodies -serious -sophisticated / courtly -wrote quartets in honor of Haydn |
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Ludwig van Beethoven (1770-1827) |
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-Starts out in Bonn *cultural backwater, nothing much exciting *everything exciting is happening in Vienna *he is seen as a hick or redneck -Moves to Vienna 1792 *takes some lessons from Haydn *leaves him and figures he can’t learn anything from him (ended up friends) *starts out as a pianist who also composes…. Turns into a composer who also plays piano. *it was expected for a pianist to write his own music. |
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Ludwig van Beethoven The Rebel |
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-Retaining the outlines of classical form, but with momentary disruptions *he throws in unusual chord progressions *he does whatever he wants *people thought his early works were crazy, bizarre and they broke all the rules. *he treats the piano like an orchestra *rapid changes from very loud to very soft *makes people want to figure out what the music means… what is the story behind it? *he likes to give them just enough familiar material to keep people interested *extends the second halves of things *develops themes more than presenting them *cadential reinforcement - dominant and tonic over and over again (I&V |
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Ludwig van Beethoven Success |
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-Perfected the sonata and symphony, no one else wanted to be compared to him so they stopped writing it as much |
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